The Jazz Voyager
The Jazz Voyager is taking the next letter of the alphabet and continuing to head west to the Emerald City in the Beaver state. Beyond its world class athletes, home of Nike, and tech giants, this small shire also boasts its love of jazz. Eugene, Oregon is where The Jazz Station is located downtown in the heart of the entertainment corridor. This intimate 70 seat non-profit all-age venue has been a jazz mainstay of the city for over 15 years.
Taking the stage this week is saxophonist Idit Schner and I have the opportunity to do something that I so enjoy, seeing someone perform I’ve never seen before. I look forward to hearing her blend Zimbabwean folk music and jazz. As an educator of classical and jazz music at the University of Oregon, she has received several teaching awards.
The Jazz Station’s address is 124 W Broadway 97401. For more information visit https://thejazzstation.org/.
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The Jazz Voyager
The Jazz Voyager has taken a couple of days to drive thirteen hundred miles from Detroit to Denver having never seen Iowa and Nebraska first hand with a stop in Chi-town for a little jazz on the way. The destination is Dazzle, an intimate 140 seat that can be expanded to another hundred. Located in the Denver Arts Complex, the venue has hopefully reached its final location.
This week I get to see one of my favorite vocalists who has taken the torch and soared to prominence on the jazz scene, Jazzmeia Horn. She won the 2013 Sarah Vaughan International Jazz Vocal Competition and the 2015 Thelonious Monk Institute International Jazz Competition before being signed to Concord Records and releasing her Grammy nominated debut album, A Social Call.
Dazzle’s address is 1080 14th Street, Denver, CO 80202. For more information visit https://www.rudysjazzroom.com.
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WYCLIFFE GORDON & ERIC REED WORKSHOP
The duo will present a workshop for musicians and jazz lovers at the Hammonds House Museum. Registration is required. To reserve your spot, click HERE.
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BOBBY BROOM: TRIBUTE TO RUSSELL MALONE
Born in Harlem and raised on the Upper West Side of NYC, Bobby Broom took up guitar at 12 and five years later, in 1977, made his first appearance with Sonny Rollins at Carnegie Hall. Even prior to that auspicious start, he had dedicated himself to the art, culture, and life of jazz, with the goals of learning to express himself within the idiom, while honoring its historical traditions and spirit.
Nearly 50 years later, Bobby has amassed a formidable jazz pedigree, working closely with historic figures such as Rollins, Miles Davis, Art Blakey, Stanley Turrentine and Kenny Burrell, as well as many of his contemporaries. To date he has made fifteen leader recordings and has traveled to perform, as an accompanying musician and with his own ensembles, in countries on five continents.
Broom is a tenured Associate Professor at Northern Illinois University and has devoted much of his career to jazz education. He began teaching at the tertiary level under the direction of NEA Jazz Fellow and saxophone great Jackie McLean at University of Hartford. Bobby has also worked with high school students through the Herbie Hancock (formerly Thelonious Monk) Institute and currently, with the Ravinia Jazz Mentor Program.
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WYCLIFFE GORDON & ERIC REED
Wycliffe Gordon and Eric Reed are veteran members of the Wynton Marsalis Septet and original members of Lincoln Center Jazz Orchestra. Wycliffe Gordon has had an impressive career touring the world performing hard-swinging straight-ahead jazz, receiving great acclaim from audiences and critics alike. His unmatched modern mastery of the plunger mute and his exceptional technique and signature sound, has solidified Gordon a place in musical history known as one of the top trombonists of his generation.
When you think of hard-driving swing, daring expression, sophistication and elegance in artistry, formidable technique and a thunderous sound, there are only a very small handful of contemporary pianists you think of and one of them is most assuredly Eric Reed. But don’t think of him as just a pianist; Eric is one of his generation’s most advanced thinkers in music.
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