Daily Dose Of Jazz…

Colin Ranger Smith was born in London, England on November 20, 1934. Initially joining the Terry Lightfoot band in 1957, he moved on to playing with Cy Laurie, in 1958. He had a long tenure in the Acker Bilk band that  began in 1959, taking a break in 1966 to sail across the Atlantic in a 45-foot ketch, rejoining Bilk in 1968. During that period he also worked at the same time in the band with saxophonist Tony Coe and the trombonist John Picard, as well as with Stan Greig’s London Jazz Big Band.

1977 saw Colin together with Picard, Ian “Stu” Stewart, Dick Morrissey and Charlie Watts. He played in the Bob Hall/George Green Boogie Woogie Band, an ad hoc band which would eventually become known as Rocket 88.

Other big bands he played with included those led by the American clarinettist Bob Wilber, and later the one led by Charlie Watts and the revisionist Midnite Follies Orchestra, Stan Greig’s Boogie Band and Brian Leake’s Sweet and Sour. From 1983 he played with the Pizza Express All Stars and, in 1992, returned to playing with Bilk.

Trumpeter Colin Smith was struck with congenital liver problems that sidelined him during the last years of his life, eventually passing away on March 29, 2004 in London.

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Requisites

Soaring is an album recorded in 1973 by trumpeter Don Ellis and released on the MPS label. The album features Hank Levy’s composition which provided the title for, and was the title song for the 2014 film Whiplash. The film stars Miles Teller, J. K. Simmons, Paul Reiser, and Melissa Benoist and depicts the relationship between an ambitious jazz student (Teller) and an aggressive, abusive instructor (Simmons).

Four of the eight tracks are composed by Ellis and include Whiplash, Sladka Pitka by Milcho Leviev, The Devil Made Me Write This Piece, Go Back Home composed by Sam Falzone, Invincible, Image of Maria, Sidonie by Alexej Fried and closes out with Nicole.

Twenty multi-instrumentalists and four arrangers comprised the orchestra that brought this session to life playing a myriad of instruments, making it one for the collection. They are Don Ellis, Fred Seldon, Vince Denham, Sam Falzone, Gary Herbig, Jack Caudill, Bruce Mackay, Gil Rathel, Sidney Muldrow, Mike Jamieson, Ken Sawhill, Doug Bixby, Jay Graydon, Milcho Leviev, Dave McDaniel, Ralph Humphrey, Ron Dunn, Lee Pastora, Earle Corry, Joel Quivey, Renita Koven, Pat Kudzia, Alexej Fried and Hank Levy.

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Daily Dose Of Jazz…

John LaBarbera was born November 10, 1945 in Mount Morris, New York and studied trumpet in his youth. During the late Sixties he worked with Buddy Rich but has performed and recorded with many big bands.

His career accomplishments to date include recording and/or performing with Woody Herman, Count Basie, Dizzy Gillespie, Sammy Davis, Jr., Mel Tormé, Chaka Khan, Harry James, Bill Watrous, the Glenn Miller Orchestra, Al Cohn, Bill Perkins, and Phil Woods.

A two-time recipient of the National Endowment For the Arts award for Jazz Composition, John is also an educator teaching jazz and music industry courses at the University of Louisville.

Leading his own big band, trumpeter and arranger John LaBarbera has released two CDs, On the Wild Side and Fantazm, the former of which was nominated for a Grammy award in 2004. He continues to educate, perform and arrange.

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Daily Dose Of Jazz…

Cyril Blake was born October 22, 1900 in Trinidad and moved to England about 1918, where he sometimes performed under the stage name of “Midnight,” and quite often appearing well after midnight. He was an essential part of the freewheeling music scene of London in the decades both before and after World War II.

He became well versed in jazz, blasted away in rhythm & blues bands of various ethnic persuasions. and played in a British group called the Southern Syncopated Orchestra. Being a trumpet player and was working in both London and Paris clubs whilst the ’20s roared helped to skyrocket his career.

Working in Paris, France and London as a musician throughout the 1920s, in the 1930s he played in the bands of Leon Abbey, Happy Blake, Rudolph Dunbar, Leslie Thompson’s Emperors of Jazz, Joe Appleton, and Lauderic Caton. 1938 saw Cyril putting together his own band, which was centred on Jig’s Club in London but was also the house band for several other venues around Soho. He recorded several times with this ensemble and in the 1940s led his band behind Lord Kitchener for recordings on Parlophone Records, playing in a calypso style.

Late in his life he returned to Trinidad, where he continued to lead bands. Trumpeter Cyril Blake, along with Bertie King, Lauderic Caton and Brylo Ford were credited in the Who’s Who of British Jazz by John Chilton and influenced generations of British jazz musicians,  passed away of an illness on December 3, 1951.

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Daily Dose Of Jazz…

Christopher Stephen Botti was born October 12, 1962 in Portland, Oregon and raised in Corvallis, although he also spent two years of his childhood in Italy. His earliest musical influence was his mother, a classically trained pianist and part-time piano teacher and started playing the trumpet at nine-years-old, and committing to the instrument at age 12 after hearing Miles Davis play My Funny Valentine.

1981 saw Chris selected as a member of McDonald’s All American High School Jazz band which marked his first Carnegie Hall performance. At 17, he enrolled at Mount Hood Community College in Gresham, Oregon, by convincing his high school to allow him to fulfill his remaining senior year credits there which allowed him to play Portland clubs at night. Mount Hood’s band under Larry McVey, was a proving ground and regular stop for Stan Kenton and Mel Tormé when they were looking for new players.

After graduating from high school, Botti studied at the Indiana University School of Music, received two NEA grants and studied with trumpeter Woody Shaw and saxophonist George Coleman during two consecutive summer breaks. Leaving Indiana University during his senior year for short touring stints with Frank Sinatra and Buddy Rich, in 1985, he moved to New York City to hone his craft as a studio musician.

The Nineties had him in a decade long touring and recording relationship with Paul Simon and where he also performed/recorded with Aretha Franklin, Natalie Cole, Bette Midler, Joni Mitchell, Natalie Merchant, Scritti Politti, Roger Daltrey and others. He also met saxophonist Michael Brecker, co-produced a track on the Brecker Brothers’ Out of the Loop titled Evocations, and the album won a 1995 Grammy for Best Contemporary Jazz Performance.

His solo debut, First Wish,released in 1995 began a succession of recordings on the Verve record label. He became a member of the experimental, jazz fusion-oriented group Bruford Levin Upper Extremities, composed the score and recorded a soundtrack for the 1996 film Caught and closed out the century touring with Sting as a featured soloist that ultimately changed the course of his career.

In 2001 Chris signed with Columbia Records through an introduction by Bobby Colomby, drummer and founding member of Blood, Sweat & Tears, who also became his producer and manager. As his career advanced another succession of releases proved his jazz/pop crossover appeal, he played Oprah Winfrey’s Legends Ball weekend honoring her African American heroines, and in 2006, Billy Childs, Gil Goldstein and Heitor Pereira won the Grammy for Best Instrumental Arrangement Accompanying Vocalist(s) for What Are You Doing the Rest of Your Life? with Sting from Botti’s album To Love Again – The Duets.

He has performed and recorded with Andrea Bocelli, the Boston Pops Orchestra, Yo-Yo Ma, Steven Tyler, Josh Groban, Katharine McPhee, John Mayer, Baton Rouge Symphony Orchestra, Burt Bacharach, Gladys Knight, Jill Scott and Renee Olstead, among others. Trumpeter Chris Botti has hosted a radio show for several years where smooth meets cool jazz as he continues to perform, record, produce, compose and tour.

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