Daily Dose Of Jazz…

Don Ellis was born on July 25, 1934 in Los Angeles, California and started playing th trumpet in his youth. After a move to Minneapolis, Minnesota attended West High School. Upon hearing the Tommy Dorsey Big Band he became interested in jazz as well as being inspired by Louis Armstrong and Dizzy Gillespie. He went on to receive a music composition degree from Boston University.

Ellis’ first job was with the Glenn Miller Band until his enlistment in the U.S. Army Symphony Orchestra and the Soldier’s Show Company. Transferred to Germany he met Cedar Walton, Eddie Harris and Don Menza and got his first opportunity to compose and arrange for a big band. Two years later he was in New York City playing in dance hall bands, toured with Charlie Barnet and by ’59 was in Maynard Ferguson’s band.

Becoming involved in the avant-garde jazz scene he appeared on albums by Charles Mingus, Eric Dolphy and George Russell, staying with the latter for two years. Ellis led several sessions with small groups between 1960 and 1962 that featured Jaki Byard, Paul Bley, Gary Peacock, Ron Carter, Charlie Persip and Steve Swallow among others. He would go on to tour Poland, Germany and Sweden, return to New York, form the Improvisational Workshop Orchestra, studied ethnomusicology, Indian music, be involved with several Third Stream Projects and teach at SUNY Buffalo for a year. He delved into electronic music in the late Sixties on Columbia Records with Electric Bath and garnered a Grammy nomination and a Down Beat Album of the Year Award.

Don’s popularity among educators was also climbing and copies of his band’s charts were being published and played by many high school and college big bands. Accordingly, he taught many clinics and played with many school bands. He composed the music for the film The French Connection, winning Grammy for Best Instrumental Arrangement and later composed music for the film The Seven-Ups.

He became interested in Brazilian music and created the Organic Band utilizing a vocal quartet and indigenous musicians. He would continue performing and touring well into the Seventies and his last known public performance took place on April 21, 1978, at the Westside Room in Century City. After this date, his doctor ordered him to refrain from touring and playing trumpet because it was too stressful on his heart. On December 17, 1978, after seeing a Jon Hendricks concert, trumpeter, composer, arranger, bandleader and educator Don Ellis suffered a fatal heart attack at his North Hollywood home where his parents were staying with him. He was 44.

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Daily Dose Of Jazz…

Scott Wendholt was born on July 21, 1965 in Denver, Colorado. He first picked up the trumpet in the third grade and began improvising in the fifth. Linda Walker and Ed Barnes, were two teachers he was inspired by, the latter ran a citywide elementary school group that played some Blues and a reasonable facsimile of jazz and provided at least some tools for jazz improvisation.

His major influences at the time were Al Hirt, Chuck Mangione, and Spyro Gyra until the ninth grade, when Greg Gisbert, a classmate and trumpeter, hipped him to Art Blakey’s “Straight Ahead,” featuring Wynton Marsalis and he started taking trumpet lessons in high school. Scott went on to study At Indiana University in David Baker’s Jazz Studies Program earning his bachelor degree.

A move to Cincinnati was fortuitous for the young trumpeter getting on the scene, landing him at the King’s Island amusement park with a Rock-and-Roll band. From there he went to work with the Blue Wisp Big Band, and working sideman gigs. It was a good training ground to be a leader, for learning appropriate tunes for small group gigs and learning how to hang out.

In 1991 Scott put together a quartet to play at Augie’s, a Harlem bar near Columbia University and the group lasted three and a half years. Then 1992, saw Vincent Herring hiring him for his first real legitimate sideman gig. Then a year later in 1993 Scott recorded his debut album The Scheme of Things on the Criss Cross Jazz label. He would go on to work inside the big band culture in New York City with the likes of Toshiko Akiyoshi, Bob Mintzer, the Maria Schneider Orchestra, the Carnegie Hall Big Band and the Vanguard Jazz Orchestra.

Wendholt has worked with Gisbert, Javon Jackson, John Gunther, Ralph Bowen, Chris Botti, Don Braden, Rim Ries, Roberta Piket, Bobby McFerrin, Dwayne Burno, Mike Abbott, Al DiMeola, Lounge Lizards, Sophie B. Hawkins, Peter Abbott, Brad Leali, John Fedchock, Woody Herman, Ira Coleman, Billy Drummond, Eric Alexander, Anthony Wonsey, Bob Mintzer, Bill Cunliffe, Phil DeGreg, Vincent Herring, Jim McNeely, Mingus Big Band, Buddy Rich and the list goes on and on.

Not one to reside in a single musical genre, the Mile High City trumpeter and flugelhorn player Scott Wendholt continues to perform, record and compose.

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Daily Dose Of Jazz…

Carol Morgan was born on July 11, 1968. Originally from Texas, she decided to matriculate through and graduated from The Julliard School, subsequently making her home in New York City. A definitive voice unto herself, the influences of Woody Shaw, Freddie Hubbard, Miles Davis and Louis Armstrong can be heard in her playing. She has released five CDs as a leader working in trio, quartet and quintet setings with her latest in 2013 titled Retroactive.

She has worked with Chris Gekker, Mark Gould, Ingrid Jensen, Dennis Dotson Mike Stern, Chris Cortez, Danielle Reich, Harvie S, Rich DeRosa, Joel Frahm, Martin Wind and Matt Wilson among others. She has been a side-woman on recording dates with the DIVA Jazz Orchestra, Hawk-Richard Jazz Orchestra, the Manhattan Chamber Orchestra, and NPR’s The Engine Of Our Ingenuity.

As a composer Carol has been commissioned to create works for the Diverse Works, the Michele Brangwen Dance Ensemble, the Archdiocese of Houston/Galveston and the St. Thomas Presbyterian Church in Houston. She has authored The Practicing Improviser, a highly regarded method for jazz improvisation.

She is a member of the DIVA Jazz Orchestra, a variety of ensembles under the name of Stiggall & Associates and the group Gingerbread led by Brad Linde. Trumpeter, composer, educator and author Carol Morgan continues to record and perform across the United States and in Europe.

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Daily Dose Of Jazz…

Doc Severinsen was born Carl Hilding Severinsen on July 7, 1927 in Arlington, Oregon. Nicknamed “Little Doc” after his father who was a dentist, he originally wanted to play the trombone, which he discovered at neighbor Art Fletcher’s home, but his father urged him to study that instrument instead. Insisting on the trombone, he had to settle for the trumpet, as it was the only horn available in Arlington’s small music store. A week later, with the help of his father and a manual of instructions, the seven-year-old was good enough to be invited to join the high school band.

At the age of twelve, Severinsen won the Music Educator’s National Contest. While still in high school he was hired to go on the road with the Ted Fio Rito Orchestra, however, his stay with the group was cut short by the World War II draft. After serving in the Army he made his broadcasting debut playing live popular music on KODL radio in Dalles, Oregon.

In 1952 during Steve Allen’s tenure as host of the Tonight Show, Doc played first trumpet in the band directed by Skitch Henderson. He actually joined the band several months before Johnny Carson became host in October 1962. Severinsen took over as bandleader in 1967 and soon became noted for his flashy fashions. It gave him the opportunity to update many well-known swing music and jazz standards including classics by Cole Porter, Dizzy Gillespie and others.He remained the bandleader until Carson’s retirement in 1992.

During the 1950s and 1960s, Doc released a number of albums of jazz standards. He recorded with the Enoch Light Comand Records label, with Tito Puente, Clarke-Boland Big Band, Thad Jones/Mel Lewis band, the Cincinnati Pops Orchestra, Henry Mancini and Don Caneva’s John Hersey High School Bands.

Over the course of his career he has conducted the Phoenix, Milwaukee Minnesota and Pacific orchestras, the Buffalo Philharmonic, his recording of Abblasen has been use as the theme for CBS’s Sunday Morning, he has scored films, co-wrote hit single with Mac Davis, was named Distinguished Visiting Professor of Music and Katherine K. Herberger Heritage Chair for Visiting Artists at Arizona State University. He still performs regularly with the San Miguel 5 playing gypsy jazz, Latin, American ballads and classical Spanish styles.

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Daily Dose OF Jazz

Ken Watters was born July 6, 1964 in Huntsville, Alabama. He attended the University of North Texas and became a part of the Lab Band program. He studied trumpet with internationally renowned teacher Leonard Candelaria prior to studying in New York City with Lew Soloff and Wynton Marsalis.

Ken is a member of several noted performing groups, including Tabou Combo, Natalie Cole Band, the Magic City Jazz Orchestra, Ray Reach and Friends and the W.C. Handy Jazz All-Stars. He recorded his debut release with his Haitian-Caribbean jazz septet RIYEL and has recorded a total of six projects as a leader.

He has recorded and released three CDs titled “Brothers” with his trombonist brother Harry. His latest musical project is an ongoing venture co-led alongside vocalist Ingrid Felts, called the Watters-Felts Project. The jazz-oriented sextet included pianist Keith Taylor, bassist Abe Becker, percussionist Darrell Tibbs and drummer Marcus Pope.

Trumpeter Ken Watters is also an educator currently sitting as an adjunct professor at University of Alabama in Huntsville, where he directs the UAH Jazz Ensemble I. He continues to perform, record and tour.

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