Daily Dose Of Jazz…
Marc Ribot was born on May 21, 1954 in Newark, New Jersey and worked extensively as a session musician. His early sessions with Tom Waits helped define Waits new musical direction in 1985.
His own work has touched on many styles, including n wave, free jazz and Cuban music. Ribot’s first two albums featured The Rootless Cosmopolitans, followed by an album of works by Frantz Casseus and Arsenio Rodriguez. Further releases found him working in a variety of band and solo contexts including two albums with his self-described “dance band”, Marc Ribot y Los Cubanos Postizos.
His relatively limited technical facility is due to learning to play right-handed despite being left-handed. He currently performs and records with his group Marc Ribot’s Ceramic Dog. Marc’s studio work involves several tracks accompanying the legendary pianist McCoy Tyner’s “Guitars” project. He has performed and recorded with Jack McDuff, John Scofield, Wilson Pickett, Cibo Matto, Bela Fleck, Derek Trucks, Madeline Peyroux, Medeski Martin & Wood, Elton John and many others.
He has toured Europe with his band Sun Ship, had a biographical documentary film called the The Lost String and has also judged the 8th Annual Independent Music Awards to support indie careers in music. He has twenty-one albums as a leader, a filmography that includes five and a biographical documentary about him titled The Lost String. Guitarist Marc Ribot also plays banjo, trumpet, cornet and sings and continues to perform, record and tour.
Dose A Day-Blues Away
Daily Dose Of Jazz…
Stu Williamson was born on May 14, 1933 in Brattleboro, Vermont and is the younger brother of jazz pianist Claude Williamson. The trumpeter relocated to Los Angeles in 1949 and became a regular on the West Coast scene. He played with Woody Herman, Mel Lewis-Pepper Adams Quintet, Elmo Hope, Lennie Niehaus, Billy May and Charlie Barnet the first half of the Fifties.
Williamson played a significant role in Stan Kenton’s Orchestra, Howard Rumsey’s Lighthouse Café All-Stars and Terry Gibbs’s Dream Band. Between 1954 and 1958 Williamson played intermittently with Shelly Manne and was a ubiquitous session player up until 1968.
Although he had a beautiful, rich, round tone and his ability to create melodic solos full of invention, power and clarity gave him the opportunity to front small groups and big bands. Disappearing from the jazz scene after battling drug addiction for much of his life, including for years after he left the music. Trumpeter Stu Williamson passed away on October 1, 1991 in Studio City, California.
Dose A Day-Blues Away
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Daily Dose Of Jazz…
Jack Walrath was born on May 5, 1946 in Stuart, Florida and began playing the trumpet at the age of nine while living in Edgar, Montana. He graduated from Joliet High School in 1964 and attended the Berklee College of Music. Pursuing a composition diploma program instead of a full degree program, he concentrated specifically upon music classes. During his Berklee years he backed a number of R&B singers in the Boston and Cambridge areas, gigged with his fellow students and worked in the band Change with bassist Gary Peacock.
In 1969 Jack relocated to the West Coast, found work in the Los Angeles jazz scene, became a member of the band Revival, joined the West Coast Motown Orchestra, toured with Ray Charles and by the next year was back in New York City working with mainstream and Latin jazz bands. By 1974 he met and joined Charles Mingus’ quintet that broke new ground in free jazz and non-chordal improvisation. He continues the legacy working with Mingus Dynasty and the Charles Mingus Big Band.
Walrath has been a sideman for such luminaries as Miles Davis, Quincy Jones, Larry Willis, Bobby Watson, Hal Galper, Sam Rivers, Mike Longo, Elvis Costello, Richie Cole and others. He has worked with the WDR Big Band, the Jazz Tribe and the Charlie Persip Superband. He has led ensembles under the names of The Jack Walrath Group, Wholly Trinity, Hard Corps, The Masters of Suspense, and The Jack Walrath Quintet.
Post-bop jazz trumpeter Jack Walrath has amassed a catalogue of twenty-six albums as a leader and 28 as a sideman; has been nominated for a Grammy, received composition grants from the National Endowment for the Arts, has been commissioned to compose for symphony to solo piano and continues to conduct seminars, master classes, music camps and clinics around the world. He has also written an instruction book, 20 Melodic Jazz Studies for Trumpet, and is currently working on an autobiography, CD and record guide.
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Daily Dose OF Jazz…
Ward Pinkett was born on April 29, 1906, the son of an amateur cornet player. He started playing the trumpet when he was ten years old. He played in the school band at Hampton Institute and later attended the New Haven Conservatory of Music.
After working with the White Brothers Orchestra in Washington, D. C. he moved to New York City and played for brief periods with the bands of Charlie Johnson, Willie Gant, Billy Fowler, Henri Saparo, Joe Steele and Charlie Skeete.
During his stint with Jelly Roll Morton in 1928–30, he participated in seven of Morton’s recording sessions and his solos on “Strokin’ Away” and “Low Gravy” that are considered by music historians to be the best of his career. He also worked with Chick Webb, Bingie Madison, Rex Stewart and Teddy Hill but was never able to achieve fame.
By 1935 he teamed with Albert Nicholas and Bernard Addison at Adrian Rollini’s Tap Room and also had a short stint with Louis Metcalf’s Big Band. He recorded with King Oliver, Bubber Miley, Clarence Williams, the Little Ramblers and James P. Johnson.
Ward Pinkett died of alcoholism-aggravated pneumonia on March 15, 1937 just six weeks short of his thirty-first birthday.
Take A Dose On The Road
Take A Dose On The Road
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Daily Dose Of Jazz…
Milton “Shorty” Rogers was born Milton Rajonsky on April 14, 1924 in Great Barrington, Massachusetts. He worked first as a professional trumpeter with Will Bradley and Red Norvo. For two years beginning in 1947 he worked extensively with Woody Herman and then from 1950 to1951 he played with Stan Kenton.
Rogers appeared on Shelly Manne’s 1954 album “The Three and the Two” along with Jimmy Guiffre, later recording with Guiffre showing his experimental side, resulting in an early form of avant-garde jazz. Settling in Los Angeles in the early fifties, by 1953 he was recording as a leader with RCA through 1962 that incorporated avant-garde, cool jazz and the “hot” style of Count Basie, who was a great inspiration for him.
Shorty’s composer credits include Mr. Magoo cartoon “Hotsy Footsy” and the Looney Tune “Three Little Bops”, scored the Brando film “The Wild One” and the Sinatra vehicle “The Man With The Golden Arm”. Becoming better known for his skills as a composer and arranger than as a trumpeter in the early ‘60s he stopped performing on trumpet, left the jazz scene and concentrated on writing for television and film for many years.
In 1982, he returned to the trumpet and jazz and by the 1990s formed a Lighthouse All Stars group with Bud Shank, Bill Perkins and Bob Cooper. Trumpeter, composer and arranger Shorty Rogers, a figurehead in the West Coast era of “cool jazz” passed away on November 7, 1994.
Dose A Day-Blues Away
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