Daily Dose Of Jazz…

Buck Clayton was born Wilbur Dorsey Clayton in Parsons, Kansas on November 12, 1911 and played piano when he was six years old, switching to trumpet from the age of seventeen, being trained by Bob Russell of George E. Lee’s band and Mutt Carey, who would later emerged as a prominent west-coast revivalist in the 1940s.

In his early twenties Buck was based in Los Angeles, California, was briefly a member of Duke Ellington’s Orchestra and worked with other leaders. He later formed a band named “14 Gentlemen from Harlem” in which he was the leader of the 14-member orchestra.

From 1934 he was a leader of the “Harlem Gentlemen” in Shanghai and was treated as an elite personage. However, his experience was not always pleasant as he faced the racism he hoped to escape America by being discriminated against and attacked by American marines stationed there.

Returning to the States, Clayton joined Count Basie in Kansas City and from 1937 was in New York playing first trumpet with the band and freelancing recordings sessions with Billie Holiday, Lester Young and Sy Oliver. Following WWII he prepared arrangements for Count Basie, Benny Goodman and Harry James, and became a member of Norman Granz’s Jazz at The Philharmonic, performing with Coleman Hawkins and Charlie Parker.

Buck would spent time in Paris leading his own band, perform with Jimmy Rushing, Frank Sinatra, Mezz Mezzrow, Earl Hines, return to the States and embarked on a series of jam sessions with artists such as Kai Winding, J. J. Johnson and Frankie Laine and under his own name at Vanguard with Ruby Braff, Mel Powell and Sir Charles Thompson. He would go on to appear in The Benny Goodman Story, perform with Sidney Bechet, tour Europe, and record for Swingsville and tour with Eddie Condon.

Clayton underwent lip surgery and gave up playing the trumpet from 1972 to 1977, but quit again in 1979, working as an arranger and teaching at Hunter College. His semi-autobiography Buck Clayton’s Jazz World, co-authored by Nancy Miller Elliott, first appeared in 1986. In the same year, his new Big Band debuted at the Brooklyn Museum, touring internationally and contributing 100 compositions to the band book. Trumpeter Buck Clayton passed away quietly in his sleep in New York City on December 8, 1991.

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Daily Dose Of Jazz…

Diego Urcola was born on November 5, 1965 in Buenos Aires, Argentina and began his musical studies at age 9 in the Music Department of the Colegio Ward where his father Ruben served as director. He continued his studies and in 1988 he received the title of Profesor Nacional de Música from the Conservatorio Nacional de Musica.

Subsequently, having received a scholarship to study abroad, the trumpeter and flugelhorn player moved to Boston where he attended Berklee College of Music. In 1990 Diego graduated with an emphasis in Jazz Performance, and less than a year later moved to New York and established himself on the jazz scene.

Urcola toured with Slide Hampton, has been a member of the Paquito D’Rivera Quintet since 1991, toured with the United Nations Orchestra, has worked with Wynton Marsalis and the Lincoln Center Jazz Orchestra, plays steadily with the Caribbean Jazz Project since 2004, and performs regularly with the legendary saxophonist Jimmy Heath and the Dizzy Gillespie Alumni All Star Big Band.

Urcola has played with Joe Henderson, Steve Turre, Milt Jackson, Avishai Cohen, Edward Simon, Antonio Sanchez, Dave Samuels, Jimmy Heath, Conrad Herwig and the Calle 54 Band among others. He leads and records with his own group, has captured second place honors at the 1997 Thelonious Monk International Jazz Trumpet Competition, received a Latin Grammy as part of D’ Rivera’s band, and since has been nominated three times for a Grammy Award. The jazz trumpeter continues to perform, compose and record integrating the flavor of tango with jazz.

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Daily Dose Of Jazz…

Clifford Brown was born on October 30, 1930 into a musical family in Wilmington, Delaware. Organized into a vocal quartet with three of his youngest brothers buy his father, by age ten he started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. By age thirteen, he had his own trumpet and was taking private lessons.

Junior year in high school he received lessons from Boysie Lowrey, played in a jazz group that Lowery put together, made trips into Philadelphia while earning a good education from Howard High.  He briefly attended Delaware State University as a math major, before switching to Maryland State College that had a more vibrant musical environment. He played in the fourteen-piece, jazz-oriented, Maryland State Band.

In June of 1950, he was seriously injured in a car accident and during his yearlong hospitalization Dizzy Gillespie visited the young trumpeter and pushed him to pursue his musical career. Limited to the piano for months due to his injuries Clifford never fully recovered and would routinely dislocate his shoulder for the rest of his life. However, he quickly became one of the most highly regarded trumpeters in jazz.

Brownie, as he was affectionately called had a sound that was warm and round, and notably consistent across the full range of the instrument. He could articulate every note, even at very fast tempos which seemed to present no difficulty to him; serving to enhance the impression of his speed of execution. He had a highly developed sense of harmony, delivered bold statements through complex chord changes of bebop harmony and fully expressed himself in a ballad.

He performed and recorded with Chris Powell, Tadd Dameron, Lionel Hampton and Art Blakey before forming his own group with Max Roach. The Clifford Brown & Max Roach Quintet was a high water mark of the hard bop style with pianist Richie Powell, tenor saxophonist Harold Land, Teddy Edwards and Sonny Rollins throughout the tenure of the group.

Clifford never touched drugs and had no fondness for alcohol, however his clean living would not save him from his tragic death on the rainy night of June 26, 1956 due to an auto accident on the Pennsylvania Turnpike. That night band member Richie Powell and his wife Nancy would also lose their lives.

At age 25 trumpeter Clifford Brown would leave behind only four years of recordings, nonetheless, he influenced later jazz trumpet players like Donald Byrd, Woody Shaw, Lee Morgan, Booker Little, Freddie Hubbard, Valery Ponomarev, Wynton Marsalis and many others. His compositions “Joy Spring” and “Daahoud” are jazz standards. He won the Down Beat critics’ poll for the “New Star of the Year” in 1954; and was inducted into the Down Beat “Jazz Hall of Fame” in 1972 in the critics’ poll.

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Daily Dose Of Jazz…

Don Elliott was born on October 21, 1926 in Somerville, New Jersey. He played mellophone in his high school band and played trumpet for an army band. After study at the University of Miami he added vibraphone to his arsenal of instruments.  He recorded with Terry Gibbs and Buddy Rich before forming his own band.

From 1953 to 1960 he won the Down Beat readers poll several times for “miscellaneous instrument-mellophone.” Known as the “Human Instrument”, Elliott additionally performed jazz as a vocalist, trombonist, flugelhornist and percussionist. He pioneered the art of multi-track recording, composed over 5000 jingles with a countless number being prize-winning advertising jingles, prepared film scores, recorded over 60 albums and built a thriving production company.

Don scored several Broadway productions, such as The Beast In Me and A Thunder Carnival, the latter of which he performed with the Don Elliott Quartet, provided one of the voices for the novelty jazz duo the Nutty Squirrels, and lent his vocal talents to such motion picture soundtracks as The Getaway, $ (Dollars), The Hot Rock and The Happy Hooker.

His album Calypso Jazz is considered by some jazz enthusiasts to be one of the definitive calypso jazz albums. He worked with Paul Desmond, Bill Taylor, Billy Eckstine, Bill Evans, Urbie Green, Michel Legrand, George Shearing and Mundell Lowe among others over his career. Multi-instrumentalist, vocalist, publisher and producer Don Elliott, who was a longtime associate of Quincy Jones, passed away of cancer in Weston, Connecticut on July 5, 1984.

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Daily Dose Of Jazz…

Bill Dixon was born on October 5, 1925 in Nantucket, Massachusetts and his family later moved to Harlem, New York City when he was about 7. It wasn’t until some twenty years later that he became interested in music and trumpet began his five-year studies at the Hartnette Conservatory of Music in 1946. He studied painting at Boston University, the WPA Arts School and the Art Students League. During the early 1950s while employed at the United Nations, he founded the UN Jazz Society.

By the 1960’s Dixon established himself as a major force in the jazz avant-garde movement, organizing and producing the “October Revolution in Jazz”. This first free-jazz festival comprised four days of music and discussions at the Cellar Café in Manhattan with musicians such as Cecil Taylor and Sun Ra participating.

Bill would later found the Jazz Composers Guild, become a professor of music at Bennington College, establish their Black Music Division, and was one of four featured musicians in the Canadian documentary Imagine the Sound in 1981 with Cecil Taylor, Archie Shepp and Paul Bley.

Dixon recorded relatively little over the decade and a half beginning in the late Sixties but co-led a few sessions with Archie Shepp, appeared on Cecil Taylor’s “Conquistador!” and some solo trumpet recordings has emerged. His recording career as a leader and sideman would pick up in the 80s into the new millennium with his last album being issued posthumously in 2011. On June 16, 2010, Bill Dixon, who played trumpet, flugelhorn and piano died in his sleep at his home after suffering from an undisclosed illness.

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