BENNY BENACK III

The Band: Benny Benack III – trumpet & vocals | TBA – piano | Russell Hall – bass | Joe Peri – drums

By age 32, Emmy-nominated trumpeter and singer Benny Benack III has proven to be that rarest of talents: not only a fiery trumpet player with a stirring command of the postbop trumpet vernacular in the vein of Kenny Dorham and Freddie Hubbard, but also a singer with a sly, mature, naturally expressive delivery in the post-Sinatra mold, performing standards and his own astute songs with a thrilling sense of showmanship. This duel-threat ability was recognized by the 2022 Downbeat Critics Poll where he appeared as not only the #2 Rising Star Male Vocalist, but a top Rising Star Trumpeter as well. His superb intonation and bracing virtuosity enable him to handle astounding feats of originally composed vocalese (complex solos with written lyrics). On top of it all, he’s a highly capable pianist as well.

Benny has performed internationally as an Emcee/Host for the Youtube sensation Postmodern Jukebox, and achieved his own viral success amassing millions of views for his crooning alongside the Grammy-award winning “8-Bit Big Band”. In early 2020 he released A Lot of Livin’ to Do, the follow-up to his well-received 2017 debut One of a Kind. This sophomore effort, richly varied in mood and brimming with bop inflection, features bassist extraordinaire and Jazz ambassador Christian McBride (whose Grammy-award winning Big Band frequently calls upon Benny in the trumpet section) and drummer/producer Ulysses Owens, Jr., as well as the radiant Takeshi Ohbayashi on piano and Rhodes. His vocalese duet on “Social Call” from this album alongside fellow young star vocalist Veronica Swift became an instant smash hit single, being transcribed and learned by Jazz vocalists around the world.

Alongside his global touring as a straight-ahead/contemporary bandleader, Benny has appeared as a trumpet soloist in more commercial circles alongside Josh Groban, Ben Folds, fashion icon Isaac Mizrahi, Ann Hampton Callaway and more. He’s been featured at Birdland, Jazz @ Lincoln Center, Mezzrow, Bemelmans Bar at the Carlyle and other leading New York venues, and has also been a special guest with the Pittsburgh Symphony Pops Orchestra, the Columbus Jazz Orchestra and the Minsk Philharmonic Orchestra. He made his television debut in NBC’s short-lived, SNL-inspired variety show “Maya & Marty” playing in the in-studio band led by acclaimed bassist & Broadway arranger Charlie Rosen. More recent TV credits include “The Late Show with Stephen Colbert” where he frequently performs in the House Band. His global recognition has been bolstered by recent live-streaming concerts at Smalls Jazz Club, where he maintains a weekly residency, as well as frequent appearances on fellow young lion Emmet Cohen’s “Emmet’s Place” weekly show.

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Requisites

Peer Pressure ~ Brian Lynch Sextet | By Eddie Carter

This morning’s discussion is about a flugelhorn (track: B2) and trumpet (tracks: A1 to A3, B1, B3) player named Brian Lynch, who I first heard on Chippin’ In by Art Blakey and The Jazz Messengers. Peer Pressure (Criss Cross Jazz 1029) by The Brian Lynch Sextet is Lynch’s debut, and he was born in Urbana, Illinois. He grew up in Milwaukee and got a degree from the Wisconsin School of Music. Brian’s played with quite a few jazz greats and currently is a faculty member of New York University, the North Netherlands Conservatory, and the University of Miami. The other members of the ensemble are Jim Snidero (tracks: A1, A3, B2, B3) on alto sax, Ralph Moore (A1, A3, B1, B2) on tenor sax, Kirk Lightsey on piano, Jay Anderson on bass, and Victor Lewis on drums. My copy is the 1987 Netherlands Stereo release.

Side One starts with the trio’s carefree introduction to Thomasville by Tommy Turrentine. The horns take over to deliver the melody in unison. Jim is up first with a delightfully cheerful solo; then Brian takes a comfortable stroll. Ralph takes care of business next, and Victor concludes with an exchange with each horn ahead of the reprise and ending. Benny Golson’s Park Avenue Petite is a quartet highlight that opens with Lightsey’s introduction, segueing into Lynch’s elegantly touching theme and opening statement. Lightsey follows with a sensuously tender interpretation before Lynch infuses the finale with sentimental warmth, leading to a gentle, nostalgic ending.

The title tune, Peer Pressure by Brian Lynch, takes off at a fast clip from the sextet’s brisk introduction and theme. Brian opens with a lively statement, and then Jim takes a high-spirited romp. Ralph swings with authority next. Kirk follows with an excellent reading and shares the finale with Victor, preceding the ending theme and exit. The Outlaw by Horace Silver begins Side Two with the ensemble easing back the throttle in their introduction and melody. Lynch gets busy on the opening statement. Moore adds a bit of joy in the second interpretation, and Lightsey has a few things to say preceding the theme’s return.

Brian Lynch’s Change of Plan shows off the leader’s softer side and features him on flugelhorn for the sextet’s pretty melody. Brian opens with an eminently disciplined solo. Jim and Ralph share the next statement; then Jay gives a beautiful reading. Kirk has the last word with a tasteful comment into the reprise and soft conclusion. Lynch’s ‘Nother Never closes the album at a breakneck pace from the start of the ensemble’s melody. Snidero tears into the opening solo vigorously; then Lynch moves like a whirlwind in the following statement. Lightsey takes an exhilarating turn next, and Lewis engages in a rapid exchange with the front line before the close.

Gerry Teekens produced Peer Pressure, and Rudy Van Gelder was behind the dials of this digital recording. The sound quality is excellent, with a stunning soundstage throughout the highs, midrange and bass that isn’t thin or harsh. Brian Lynch recorded twenty-one albums as a leader and collaborated with Eddie Palmieri on eleven others. If you’re seeking an album with excellent musicians and enjoyable tunes, I invite you to audition Peer Pressure by The Brian Lynch Sextet on your next record shopping trip. It’s quickly become a favorite of mine and will feel right at home in your library with each listen!

~ Chippin’ In (Timeless SJP 340) – Source: Discogs.com
~ Brian Lynch – Source: Album liner notes by Mike Hennessey, Wikipedia.org
© 2023 by Edward Thomas Carter

CD Bonus Track: I Concentrate On You

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Daily Dose Of Jazz…

Donald Arthur Rader was born October 21, 1935 in Rochester, New York and began playing trumpet at age five, being taught by his father. He studied at Sam Houston State Teachers College before serving in the Navy in the 1950s as a member of the band.

At the end of the decade he played and arranged for Woody Herman into the Sixties, followed by Maynard Ferguson, Count Basie, Louie Bellson, Harry James, Terry Gibbs, Frank Foster, Henry Mancini, Les Brown from 1967 to 1972. Then he left Brown for the Stan Kenton Orchestra.

He toured with Della Reese, Sarah Vaughn, Andy Williams, Percy Faith, Diana Ross, Elvis Presley, Jerry Lewis and Bob Hope, both intermittently for 28 years with five tours of wartime Vietnam with the latter.

Assembling a quintet in Los Angeles, California in 1972 Don continued working with West Coast jazz musicians, including Lanny Morgan, Lew Tabackin, and Toshiko Akiyoshi. He recorded as a leader and worked in music education for many years, including in Australia in the 1980s.

He has recorded eight albums as a leader, and as a sideman three with Count Basie, and seven with Maynard Ferguson. Trumpeter Don Rader continues to perform at the age of 87.

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The Jazz Voyager

I love hanging out on the West Coast in San Francisco, California. Having flown in last week to listen to jazz, this Jazz Voyager stayed and revisited some favorite haunts and discovered some spots that weren’t there decades ago.

So happily I will be in the audience of an old haunt, the Black Cat Supper Club. It’s a swanky two level jazz lounge and cocktail bar that offers live music along with a variety of small plates.

This week they are presenting Nicholas Payton & New World Order. I don’t know what music he will be bringing but as a long time fan I am looking forward to hearing whatever it is.

As a leading voice in jazz, the 2x Grammy winning and 5x Grammy nominee, the multi-instrumentalist, vocalist, composer, producer, arranger, essayist and social activist, he defies musical and artistic categories.

Black Cat is located at 400 Eddy Street 94109. Get more info by visiting the Jazz Calendar at https://notoriousjazz.com/event/nicholas-payton-new-world-order.

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NICHOLAS PAYTON & NEW WORLD ORDER

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