JOE GRANSDEN QUINTET
Swingin’ at the Haven with Special Guest Dr.Geoff Hayden
Band leader Joe Gransden has performed worldwide and released 16 CDs under his own name. Renowned first for the hard bop approach of his trumpet, Gransden’s singing voice has been compared to that of Chet Baker and Frank Sinatra.
throughout New York. On his mother’s side of the family was the piano virtuoso Carmen Cavallero.
Personnel:
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Daily Dose Of Jazz…
Nick Drozdoff was born on June 28, 1953 in Glencoe, Illinois. Holding degrees in music, engineering and physics, in 1978 he began his professional career in Maynard Ferguson’s band. Leaving the band in 1981 he ran his own contracting business and after completing his masters in classical trumpet, he began leading a double life in 1991 when he took on a day gig as a high school physics teacher at Winnetka’s New Trier High School.
After leading a double career existence and garnering awards as a high school science teacher, Nick developed endorsement deals as a jazz trumpeter at night. Retiring from teaching he pursued his musical passion. Now he spends time in Door County, Wisconsin and in the Northern Suburbs of Chicago where he regularly performs in both locations. He lives equal time in both places, depending on his performance and lecture/masterclass schedule.
His latest project centers on his new band, The Variable D Postulate Ensemble. This band is minimally a quartet of drums, guitar, keybaord and trumpet. It is primarily jazz driven but not exclusively. Drozdoff built a studio where he does his recording and has built connections as a trumpeter all over the world.
He has recorded with Grilly Brothers, Marshall Vente, Doug Lofstrom, Chuchito Valdes, and Guy Fricano. He is currently on call as solo trumpet with the Chicago Grandstand Big Band, The Jazz Consortium Big Band and the Starfall Big Band. Trumpeter Nick Drozdoff frequently appears as a classical soloist for churches, recitals andleads one of the Chicago area’s finest brass quintets.
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Ronald “Ronnie” Hughes was born in Aberystwyth, Wales on June 27, 1925 and took up the trumpet at the age of eleven. The following year he was playing local semi-pro gigs. At nineteen he was in the RAF until 1947, spending part of his service in India. After returning to Wales to study photography, he then moved to London, England to join the Trinidadian clarinettist Carl Barriteau band. He worked for a year with the Teddy Foster Band from 1948 until 1949, and was a member of the Ted Heath band from 1949 until 1954.
In the late fifties, Ronnie was in the bands of Geraldo and Jack Parnell, and after his marriage broke up had a spell working on ocean liners. A fluent jazz improviser and reliable and ubiquitous session player during the heyday of TV work, he was one of the original members of the BBC Big Band. He was a member of the Sinatra band and a long-term friend of fellow trumpeter Mannie Klein.
He would go on to appear in the film Quartet directed by Dustin Hoffman, who was captivated by his playing. Throughout his career he worked with Nat Allen, Lesle Holmes’ Londonairs, Harry Parry, Teddy Foster, Cyril Stapleton, Johnny Evans, BBC Radio Orchestra and led own quintet in 1958. He was a member of the Berlin Big Band, Eric Winston & His Orchestra, Johnny Keating and 27 Men, The Pride of London Big Band, and the Ray Davies Orchestra.
Trumpeter Ronnie Hughes died on April 1, 2020 in Banstead, Surrey at the age of 94.
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Charlie Margulis was born on July 24, 1903 in Minneapolis, Minnesota into a family of accomplished theater music performers in the 1920s. That was his introduction to the professional musician’s life which led to him working with territory bands led by Eddie Elkins and Paul Specht among others. Heading to Detroit, Michigan in 1924 he joined Jean Goldkette’s Book-Cadillac Hotel Orchestra under violinist Joe Venuti. His next move was to work with bandleader Ray Miller during a period when the trumpeter roamed back and forth between Detroit and Chicago, Illinois.
By 1927 Charlie began working with Paul Whiteman, the relationship lasting nearly three years and concluding in a traditional manner for progressive jazz bands, with various sidemen stranded on the West coast. He managed to straggle back to New York City, bad luck perched on his shoulder. He got so sick that he had to return to California in order to recover but by the middle of the ’30s was well enough to log in for a New York City recording session with the Dorsey Brothers.
Caught up in the excitement of the new swing style, Margulis tried out life as a bandleader as well as spending a year on tour with Glenn Miller. His role as a bandleader was offset with work in the recording studios embracing doo-wop and r&b styles. He would go on to freelance, sometimes under the name Charlie Marlowe in California, under his own name in New York City during the Forties and Fifties.
Trumpeter Charlie Margulis died on April 24, 1967 at the age of 63 in Little Falls, Minnesota.
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Requisites
Seven Steps To Heaven ~ Miles Davis | By Eddie Carter
This morning’s album from the library is a hidden gem in Miles Davis’s extensive discography. In 1962, his quintet was undergoing a significant transition. Hank Mobley departed to pursue a solo career, and the musical trio of Kelly, Chambers, and Cobb would soon become one of the most celebrated in jazz. Seven Steps To Heaven (Columbia CL 2051/CS 8851) is a product of two sessions by the trumpeter at Columbia’s New York and Los Angeles studios. His supporting cast includes George Coleman (tracks: A2, B1, B3) on tenor sax, Victor Feldman (A1, A3, B2), Herbie Hancock (A2, B1, B3) on piano, Ron Carter on bass, Frank Butler (A1, A3, B2), and Anthony Williams (A2, B1, B3) on drums. My copy is the original 1963 U.S. Stereo release.
Side One starts with Basin Street Blues by Spencer Williams. The first of three quartet performances opens with the foursome expressing the song’s softer emotions in the melody, featuring Miles using a mute. He sustains the gentle mood in the first solo before picking up the pace for a delightful conclusion. Victor gets into something good in a delightful reading ahead of the quartet, easing back into the theme. Seven Steps To Heaven by Miles Davis and Victor Feldman is off to the races from the rhythm section’s introduction to the quintet’s quick melody. Miles kicks off the solos, wailing, and then George swings vigorously into the second statement. Herbie takes an exhilarating turn next, preceding the reprise and close.
I Fall In Love Too Easily by Jule Styne and Sammy Cahn first appeared in the 1945 musical comedy Anchors Aweigh. Miles is back on the muted trumpet for the quartet’s tenderness and warmth during the melody. The leader’s opening statement is reflective yet quite beautiful. Victor expresses great care and thoughtfulness in the second solo until Miles returns to deliver a gorgeous climax. So Near, So Far by Tony Crombie and Benny Green kicks off the second side with the quintet’s medium theme. Miles gets things started on the open horn. George picks up the baton and really shines in the following presentation. Herbie has the final word and delivers a terrific performance into the ensemble regrouping for the closing chorus.
Baby, Won’t You Please Come Home by Charles Warfield and Clarence Williams is a blues song from 1919 that brings Miles back on the muted trumpet. Victor opens with a solo introduction ahead of the quartet’s touching melody. The trumpeter opens with a delicately tender interpretation; then Victor brings the solos to a close into the foursome’s thoughtfully graceful ending. Victor Feldman’s Joshua turns the temperature up one final time. Miles’s fingers snap the quintet to attention for the song’s lively theme. Miles steps up first in the spotlight with an enthusiastic performance. George takes over to deliver long, flowing lines that are equally satisfying. Herbie wraps things up with a festive finale that hits a perfect groove into the quintet’s reprise and completion.
Teo Macero produced Seven Steps To Heaven, although it’s unknown who recorded both sessions. It doesn’t matter, however, because this is a terrific recording with a crisp, detailed soundstage that sparkles. It is the first time George, Herbie, Ron, and Tony have recorded with Miles. George wouldn’t make another studio album with Miles, but appears on three live albums with this group, ‘Four’ & More, Miles Davis In Europe and My Funny Valentine. Hancock, Carter, and Williams formed the nucleus of Miles’s second great quintet and would remain with him for the next five years.
Victor turned down Miles’s invitation to join his quintet because he was a successful West Coast session musician, so he and Frank remained in California. If you’re in the mood for an excellent album of ballads and uptempo tunes and are a fan of Miles Davis from the early sixties, I highly recommend checking out Seven Steps To Heaven. It’s a stellar album that not only gives a glimpse into what was to come from The Second Great Miles Davis Quintet but also stands on its own as a title worthy of any jazz lover’s library. You’ll find it a rewarding addition to your collection, and I’m confident it will bring you hours of musical enjoyment.
~ ‘Four’ & More (Columbia CL 2453/CS 9253), Miles Davis In Europe (Columbia CL 2183/CS 8983), My Funny Valentine (Columbia CL 2306/CS 9106) – Source: Discogs.com ~ Baby, Won’t You Please Come Home, Basin Street Blues, I Fall In Love Too Easily – Source: JazzStandards.com © 2024 by Edward Thomas Carter
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