The Quarantined Jazz Voyager

CHET BAKER PLAYS THE BEST OF LERNER & LOEWE

The fat lady has not received her phone call to even begin warming up as the country races back to the way things were more than a year ago. It took three years to get past the Spanish Flu pandemic a hundred years ago because people didn’t want to adhere to the systems put in place. The Delta variant is here with a vengeance causing 21+ thousand new cases here in Florida this past weekend and the numbers are still being counted. I’ve had friends exposed to this variant with fortunate test results clearing them. I am socially distancing when out, wearing my mask and quarantining myself at home. I hope you are doing the same.

This week’s pick is the 1959 album Chet Baker Plays the Best of Lerner and Loewe. The trumpeter features show tunes by the composer and lyricist, and was released on the Riverside label. The recording sessions were produced by Orrin Keepnews at the Reeves Sound Studios in New York City. Tracks 2,6,7,8 were recorded on July 21st and 1,3,4,5 took place on July 22, 1959.

Track Listing | 43:02

  1. I’ve Grown Accustomed to Her Face ~ 4:16
  2. I Could Have Danced All Night ~ 3:43
  3. The Heather on the Hill ~ 5:04
  4. On the Street Where You Live ~ 8:37
  5. Almost Like Being in Love ~ 4:53
  6. Thank Heaven for Little Girls ~ 4:35
  7. I Talk to the Trees ~ 5:51
  8. Show Me ~ 6:30

Personnel 

  • Chet Baker ~ trumpet
  • Herbie Mann ~ flute, tenor saxophone
  • Zoot Sims ~ tenor saxophone, alto saxophone
  • Pepper Adams ~ baritone saxophone
  • Bob Corwin (tracks 1 & 3-5), Bill Evans (tracks 2 & 6-8) ~ piano
  • Earl May ~ bass
  • Clifford Jarvis ~ drums

CALIFORNIA JAZZ FOUNDATION

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Three Wishes

Nica’s curiosity led her to inquire of Charlie Shavers as to what he would answer if given three wishes and he said: 

  1. “Youth.”
  2. “Health.”
  3. “Happiness.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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Daily Dose Of Jazz…

Leon Prima was born on July 28, 1907 in New Orleans, Louisiana, the  older brother of singer Louis Prima. Starting on piano before learning the trumpet, his early jobs were with Ray Bauduc, Leon Roppolo, Jack Teagarden, and Peck Kelley (during the Roaring Twenties. He and Sharkey Bonano led the group the Melody Masters in the late 1920s and early 1930s.

From 1940 to 1946 a move to New York City saw Leon playing in his brother’s big band. After returning to New Orleans, he led his own ensemble and managed more than one nightclub. Then in 1955 he retired from music and made a career for himself in real estate. Trumpeter Leon Prima, who owned the 500 Club on Bourbon Street in New Orleans, passed away on August 15, 1985.

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Daily Dose Of Jazz…

AugustusGusAiken was born on July 26, 1902 in Charleston, South Carolina. He started playing trumpet with the Jenkins Orphanage band.

He was first recorded professionally in 1919. In the 1920s he worked with several groups, but his best known work would be with Louis Armstrong. He went on to play with Sid Catlett, Roy Eldridge, and Elmer Snowden before his career declined. The end of the Big Band era and the rise of rock and roll is seen as causing the decline.

Trumpeter and cornetist Gus Aiken, who also played blues, passed away on April 1, 1973 in New York City.

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Daily Dose Of Jazz…

John James Chilton was born on July 16, 1932 in London, England to working-class parents and was evacuated to Northamptonshire, where he began playing the cornet at the age of 12. Switching to trumpet at 17, after doing two years in the RAF, in 1952 he formed his own jazz band.

He worked in Bruce Turner’s Jump Band from 1958 to 1963 which also had a film of their exploits called Living Jazz in 1961. He went on to play in Alex Welsh’s Big Band. During the 1960s he played piano on some pop recordings, worked in Mike Daniels’ Big Band. He formed his own Swing Kings band which backed touring American jazz musicians including Buck Clayton, Ben Webster, Bill Coleman and Charlie Shavers. He also recorded The Song of a Road, one of the radio ballads by folk singers Ewan MacColl and Peggy Seeger in the 1950s for the BBC.

He would go on to work with cartoonist Wally Fawkes, form John Chilton’s Feetwarmers, and began accompanying jazz singer George Melly. Together they made records and toured the world for nearly 30 years. In 1983 and 1984 they had their own BBC television series called Good Time George, and appeared on countless other TV shows.

A songwriter and composer, one of his songs, “Give Her A Little Drop More”, was used in the film St Elmo’s Fire. John is one of the few European writers to win a Grammy Award for his album notes on Bunny Berigan and was nominated again in 2000. He won the British Jazz Award for Writer of the Year, his Who’s Who of Jazz was described as one of the essential jazz books,  and he wrote award winning books on Coleman Hawkins, Louis Jordan Sidney Bechet and Louis Armstrong. Trumpeter John Chilton continued to play trumpet with the clarinetist Wally Fawkes in London until he passed away on February 25, 2016 in London.

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