Daily Dose Of Jazz…
Joe Kennedy, Jr. on November 17, 1923 in Pittsburgh, Pennsylvania and was introduced to the violin by his grandfather. During his induction in the Army he performed with the Camp Lee Symphony Orchestra in Petersburg, Virginia. Returning home he cut his jazz teeth as a member of the Four Strings along with Ahmad Jamal, with Mary Lou Williams supervising their debut recording session.
Kennedy would go on to study and earn degrees at Carnegie Mellon, Virginia State College, Duquesne University. As an educator with the Richmond Public Schools he was the Instrumental Music Supervisor, Supervisor of Music and Supervisor of Secondary Arts and Humanities, Director of Jazz Studies at Virginia Tech and Virginia Commonwealth University developing “An Introduction to African American Music” at the latter.
Joe would be one of the first Blacks to become the Resident Violinist with the Richmond Symphony from 1963 – 1981, traveled abroad with the Benny Carter All-Stars and performed at numerous concerts and festivals throughout the United States, and Europe.
Kennedy performed and recorded several albums as a leader as well as with pianist Ahmad Jamal. He performed with Benny Carter, Toots Thielemans, Billy Taylor and the Modern Jazz Quartet among others. Violinist, composer, arranger and educator Joe Kennedy, Jr., recipient of the 2001 Legacy Award, passed away on April 17, 2004.
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Daily Dose Of Jazz…
Jean-Luc Ponty was born September 29, 1942 in Avranches, France to parents who taught and played violin, piano and clarinet. At sixteen, he was admitted to the Conservatoire National Supérieur de Musique de Paris, graduating two years later with the institution’s highest award, Premier Prix. He was immediately hired by one of the major symphony orchestras, Concerts Lamoureux, where he played for three years.
While still a member of the orchestra in Paris, Ponty picked up a side gig playing clarinet for a college jazz band that regularly performed at local parties. This life-changing jumping-off point sparked an interest in the jazz sounds of Miles Davis and John Coltrane, compelling him to take up the tenor saxophone. After a night in a local club with his violin it only took four years to be widely accepted as the leading figure in jazz fiddle.
Adopting the electric violin was at first proved to be a handicap as few at the time viewed the instrument as having no legitimate place in the modern jazz vocabulary. With a powerful sound that eschewed vibrato, Jean-Luc distinguished himself with be-bop era phrasings and a punchy style, that by 1964, at age 22, he released his debut solo album for Philips, Jazz Long Playing. He would go on to record with violin greats like Stephane Grappelli and Stuff Smith, perform at Monterey in 1967 with John Lewis, snag a recording contract and work with Gerald Wilson Big Band, the George Duke Trio and Niels-Henning Orsted Pederson.
In 1969, Frank Zappa composed the music for Jean-Luc’s solo album King Kong; in 1972 Elton John collaborated with Ponty on Honky Chateau, and within a year emigrated to America, making his home in Los Angeles, California. He worked with John McLaughlin Mahavishnu Orchestra, and in 1975 signed with Atlantic Records. For the next decade, Jean-Luc toured the world repeatedly and recorded 12 consecutive albums which all reached the top 5 on the Billboard Jazz charts.
Over the course of his prolific career, violinist Jena-Luc Ponty has performed with the Pittsburgh New Music Ensemble, Radio City Orchestra, with symphonies around the world, Al Di Meola, Stanley Clarke, a host of American and African musicians, collaborated with his pianist daughter Clara on several project, joined the 4th incarnation of Return To Forever in 2011 and continues perform, tour and record, adding to his more than four dozen album catalogue.
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Daily Dose Of Jazz…
Billy Bang was born on William Vincent Walker on September 20, 1947 in Mobile, Alabama and while he was still an infant his family moved to the Bronx in New York City. As a child he attended a special school for musicians in Harlem and being small in physical size was assigned a violin instead his first choices, the saxophone or drums. It was around this time that he acquired the nickname of “Billy Bang”, derived from a popular cartoon character.
Billy studied the violin until he earned a hardship scholarship to a private high school in Stockbridge, Massachusetts, at which point he abandoned the instrument due to a lack of a music program. He had difficulty adjusting to school life, encountering racism and developing confusion about his identity, and his later onset of schizophrenia.
Bang left the school after two years, attended a school in the Bronx, dropped out when he was drafted, at 18 joined the Army and arrived in Vietnam in time for the Tet Offensive. Returning from the war he became politically active, fell in with an underground group of revolutionaries, purchased weapons and impulsively bought another violin from the same pawnshop.
In 1977, Bang co-founded the String Trio of New York with guitarist James Emery and bassist John Lindberg, exploring his experience in Vietnam in two albums: Vietnam: The Aftermath and Vietnam: Reflections.
Free jazz composer and violinist Billy Bang passed away on April 11, 2011 from complications due to lung cancer. He is survived by a legacy of some three-dozen albums.
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Daily Dose Of Jazz…
Regina Carter was born on August 6, 1966 in Detroit, Michigan and is the cousin of jazz saxophonist James Carter. She began piano lessons at the age of two after playing a melody by ear for her brother’s piano teacher. After deliberately playing the wrong ending note at a concert, the piano teacher suggested she take up the violin, was enrolled at the Detroit Community Music School when she was four years old and she began studying the violin, piano, tap and ballet.
As a teenager, she played in the youth division of the Detroit Symphony Orchestra and took master class with Itzhak Perlman and Yehudi Menuhin. Carter attended Cass Technical High School with jazz vocalist Carla Cook who introduced her to Ella Fitzgerald. She also played with the Detroit Civic Orchestra and the group Brainstorm.
She went on to study at the New England Conservatory of Music, switched to jazz, transferred to Oakland University, studied with Marcus Belgrave, in addition to taking viola, oboe and choir lessons. After graduating, she taught strings in Detroit public schools, moved to Europe and spent two years in Germany making connections, working as a nanny and teaching violin on a U.S. military base.
In 1987 Carter came to prominence in the all female pop-jazz quintet Straight Ahead. After three albums she went solo and moved to New York City working with Aretha Franklin, Lauryn Hill, Mary J. Blige, Billy Joel, Dolly Parton, Max Roach, and Oliver Lake and became a member of the String Trio of New York. She released her debut self-titled album in 1995 and has since followed up with a series of acclaimed recordings.
Regina is an active educator and mentor, has taught at numerous institutions, including Berklee College of Music and Stanford Jazz Workshop among others. She was awarded a MacArthur Fellows grant, has created her own violin voice and currently leads a quintet.
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Daily Dose Of Jazz…
Henry Lowther was born Thomas Henry Lowther on July 11, 1941 Leicester, Leicestershire, England. Learning trumpet, his first experience was on cornet in a Salvation Army band. He studied violin briefly at the Royal Academy of Music but returned to trumpet by 1960 though he sometimes played violin professionally.
In the 1960s, he worked with pianist and composer Mike Westbrook, a relationship that lasted into the 80s, Manfred Mann, John Dankworth from 1967-77, Graham Collier, John Mayall, John Warren, and would appear with the Keef Hartley Band.
The Seventies brought work with Mike Gibbs, Kenny Wheeler, Tony Coe, Gordon Beck and Barbara in addition to his own ensemble, Quaternity. In the 80s Henry worked with the Buzzcocks, Talk Talk, Peter King, Gil Evans, Humphrey Lyttleton on a Buddy Bolden documentary.
He played with Charlie Watts’ band in the late 80s, and then led his own band, Still Waters. From the late 1980s he did much work in big bands, such as the Berlin Contemporary Jazz Orchestra and the London Jazz Composers Orchestra; in the Nineties he worked with Kenny Wheeler’s group, The Dedication Orchestra, the London Jazz Orchestra, George Russell’s Living Time Orchestra, and the Creative Jazz Orchestra. Trumpeter Henry Lowther most recently plays in the band Jazzmoss.
