Daily Dose Of Jazz…
Graham Leslie Lionel Clark was born on December 16, 1959 in England. He plays the violin as his first instrument, sings and also the electric guitar. As a freelance violinist he is adept in most styles of jazz, rock, blues and pop, however, he specializes in improvisation.
He worked with Daevid Allen from 1988 to 2014, and has also worked with Andy Sheppard, Keith Tippett, Tim Richards, Phil Lee, Paz, Brian Godding, Elbow, Lamb, Bryan Glancy, Little Sparrow, Jah Wobble, Graham Massey, Louis Gordon and Liz Fletcher.
Violinist Graham Clark, who has been featured on seven albums, continues to perform and record.
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Daily Dose Of Jazz…
Frank Orchard was born on September 21, 1914 in Chicago, Illinois. He studied at Juilliard from 1932-33 and performed for a year with Stanley Melba’s band, but then worked outside of music altogether, mostly as a salesman until 1941.
Orchard became a part of the New York Dixieland scene in the 1940s, working with Jimmy McPartland, Jimmy Dorsey, Louis Armstrong, Bobby Hackett, Max Kaminsky, Wingy Manone, Joe Marsala and the Eddie Condon gang.
The mid-1950s saw Frank’s move to Dayton, Ohio and eventually to St. Louis, Missouri and still playing trombone although out of the spotlight. He never led his own record date and returned to New York in the 1960s. He worked regularly at Jimmy Ryan’s from 1970-71 and with Billy Butterfield in 1979.
Trombonist, violinist, banjoist and tubist Frank Orchard, who also played in the Willie “The Lion” Smith band with Jack Lesberg, Mac McGrath, Max Kaminsky, Rod Cless, died December 27, 1983 in Manhattan, New York City, New York.
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Daily Dose Of Jazz…
Bernard Etté was born on September 13, 1898 in Kassel, Germany. The son of a hairdresser, he studied music formally at the Louis Spohr Conservatory in Kassel. He initially worked with Carl Robrecht as an instrumentalist, playing piano and banjo in addition to violin.
In the early 1920s he assembled his own ensemble, and took up a residency in Berlin, Germany and performed on radio. The group also recorded in the 1920s, often with traveling American musicians. During the 1930s, as the Nazi party rose to power, Etté shifted away from jazz to light music, and led a large orchestra during World War II.
He played for wounded soldiers on behalf of the Nationalsozialistische Volkswohlfahrt in 1940 and for prison overseers at Auschwitz in 1944. After the war, he moved to the United States but was unsuccessful in adapting to new stylistic trends when he attempted a new career.
Returning to Germany, he led bands for luxury retreats in the East Frisian Islands and schlager and operetta backing bands in central Germany. By the end of the 1950s he quit actively playing music, and lived out his last years in an old folk’s home.
Bernard Etté, jazz and light music violinist and conductor died on September 26, 1973 in Mühldorf, Bavaria, Germany.
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Daily Dose Of Jazz…
Peter Edwin Bocage was born on July 31, 1887 in New Orleans, Louisiana. At 21, he played violin as the leader of a ragtime band, the Superior Orchestra, which included Bunk Johnson.
He played trumpet in the Tuxedo Orchestra, the Onward Brass Band, and as the leader of the Excelsior Brass Band. He played with King Oliver’s band, the Fate Marable Orchestra, and A. J. Piron.
Heading to New York City he performed with Sidney Bechet and at the Cotton Club. He made records with Piron’s New Orleans Orchestra in 1923, and later with his band the Creole Serenaders.
As an educator he taught Louis Armstrong how to read music notes. Both jazz musicians met during jam sessions and created a friendship through music. In later years he performed at Preservation Hall in New Orleans.
Trumpeter and violinist Peter Bocage died in his hometown on December 3, 1967.
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Daily Dose Of Jazz…
Giuseppe “Pippo” Barzizza was born on May 15,1902 in Genova, Italy. He was a child prodigy and at age six he entered the Camillo Sivori Institute to study violin, quickly passing the exam and taking his first award. He could hardly read words but he was already able to write a Mozart symphony without error.
After attending primary and secondary schools he went to Cristoforo Colombo High School, where he studied violin at the Conservatory. Listening to his father’s phonograph, Pippo developed a passion for classical and symphonic music. He became skilled in mathematics and decided to follow mathematical studies, graduating as an engineer.
Barzizza also studied harmony, counterpoint, composition, and instruments. He focused on the piano until 1933, followed by the violin, banjo and the trumpet section. During this period he was the lead violinist at Politeama and performed music for silent movies at the cinema near his home.
By seventeen he had stopped his violin studies for the pursuit of conducting and composition. For the next four years he performed on ships and for orchestras in Genova. However, it was in New York City he first heard jazz and swing music. Through the 1920s Pippo became a skilled arranger, joined an orchestra, served in the Italian Army and founded a military orchestra.
His first line up was playing violin for Blue Star Orchestra, then he conducted the Cetra Orchestra, recorded during the Thirties for Fonit, Columbia, La Voce del Padrone, Odeon, Brunswick and Fonotipia record labels. Post World War II he played on soundtracks and counducted the Modern Orchestra. Retiring from music in 1960 he taught music, established a recording studio in his home
At the age of 92, composer, arranger, conductor and music director Pippo Barzizza, who was active from 1924 to 1960 playing violin, piano, saxophone, banjo, and accordion, died on April 4,1994 in Sanremo, Italy.
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