Requisites
Joanne Grauer Trio ~ Joanne Grauer | By Eddie Carter
I love piano trios, and I was listening to a little-known title after dinner a few nights ago, which became the inspiration for this morning’s column. Joanne Grauer Trio (Mode Records MOD-LP-113) marks the debut of a young pianist named Joanne Grauer, whose musical education began at age five. Her brother and dad were professional musicians, and she started classical training at age twelve. Her musical education took a turn towards jazz while studying with Sam Saxe, a West Coast piano instructor who broadened her knowledge of the challenging dynamics of jazz piano. Listening to Hampton Hawes, Horace Silver, and Johnny Williams further moved her toward a career as a jazz pianist.
On her first date, she is joined by Buddy Clark on bass and Mel Lewis on drums. My copy is the 1988 US Mono reissue on VSOP Records (VSOP #58). The opener is an original by Joanne titled Mood for Mode. The trio introduces the song at a relaxing tempo that continues through the melody and is sure to get the listener’s toes tapping. Joanne is up first and swings so easily, while Buddy and Mel’s exemplary support follows her like a shadow. Buddy has the next solo and makes his point by generating a good feeling. Joanne returns for a few concluding thoughts before the theme’s return dissolves slowly into nothingness.
The pace picks up for Richard Rodgers and Lorenz Hart’s, Have You Met Miss Jones? The trio begins with a lively introduction and melody, leading to Joanne’s vivaciously spirited opening statement. Buddy and Mel engage in a short, joyous conversation until the threesome’s closing chorus takes the song out. Invitation by Bronislaw Kaper and Paul Francis Webster is given a regal treatment by Joanne, who performs the song alone. She brings out the jazz standard’s sensitivity and delicacy in a beautifully romantic rendition that is sure to linger in the listener’s mind and heart long after it is over.
The first side finale, Happy Is the Sheepherder by Marv Belew, is full of good spirits from the start of the ensemble’s cheerfully sunny melody. Joanne takes the reins and gives an optimistic, upbeat interpretation ahead of the restatement of the theme, during which Buddy makes a brief comment before the ending. Side Two takes off at a fast clip with I’ll Remember April by Gene de Paul, Patricia Johnston, and Don Raye. The trio swings with authority in the brisk opening chorus. Joanne sets a jubilant mood in the opening solo, then shares a spirited exchange of ideas with Mel ahead of the trio’s reprise and fadeout.
Dancing Nitely by Bill Holman takes the trio’s foot off the accelerator with a soothing introduction that gets into a simpler groove on the melody. Joanne leads off with a carefree, light-hearted performance, followed by Buddy, who eases into the second statement. The leader has a few more things to say preceding the trio finishing it out. I’m Glad There Is You by Jimmy Dorsey, and Paul Madeira is a beautiful love song from the forties. Joanne brings the song to life with a gorgeous solo introduction segueing into the trio’s tender melody. As the song’s only soloist, she delivers an intimately delicate interpretation, with Buddy and Mel complimenting her every note into the peaceful ending.
The Song Is You by Jerome Kern and Oscar Hammerstein II ends the album on an upbeat note with the trio in perfect harmony on the energetic melody. Joanne takes flight in the song’s only solo with a vigorous performance that’s thrilling from start to finish into the reprise and climax. Red Clyde supervised The Joanne Grauer Trio, and Dayton Howe was the recording engineer. The album has a superb soundstage that transports the musicians to your listening room with stunning fidelity. Joanne Grauer’s next release wouldn’t hit stores until seventeen years later, and she has only a few titles in her discography.
But if what I heard on this album is an indication, I’ll certainly be on the lookout for those other releases. If you’re a fan of piano jazz as I am and are in the mood for an album to help you unwind after a long day or week. I invite you to check out The Joanne Grauer Trio on your next record shopping trip. It’s a delightful album that would make a terrific complement to your day or evening’s listening and become a welcome addition to your jazz library!
~ Joanne Grauer – Source: Album liner notes by Joe Quinn ~ I’m Glad There Is You, Have You Met Miss Jones, The Song Is You – Source: JazzStandards.com © 2023 by Edward Thomas Carter
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SARAH KING
Sarah King is champagne. A charming, flirtatious clown, Sarah delights her audiences with an effortless voice that tickles notes, time traveling from the 1920s-40s. She has sung and danced her way from crowded subway platforms and smokey speakeasies to secret parades and abandoned water towers, from the hilltops of France, to the beaches of Brazil, from The Boom Boom Room to Lincoln Center.
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KATE BAKER
Kate Baker is a critically acclaimed jazz singer hailing from, and currently residing in, New Jersey. Her debut album, 2022’s Return to Shore, is a luminous guitar-and-voice duet with her late husband, Vic Juris, who passed away in 2019.
The throughline is Baker’s inimitable voice, which resonates with her love of diverse musical inspirations — whether jazz, Brazilian, Latin, or the blues. Be it English or Portuguese, a Cole Porter standard or an Antônio Carlos Jobim composition, Baker effortlessly makes herself right at home.
For two decades, she frequently performed with Juris, but that, too, isn’t the long and short of it. Across the years and decades, the list of luminaries the native New Jerseyan has performed with is a cross-section of the global jazz landscape.
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Daily Dose Of Jazz…
John Boutté was born November 3, 1958 in New Orleans, Louisiana into a 7th Ward Creole-Catholic family. Exposed to the local culture such as Mardi Gras parades and jazz funerals since childhood, he also grew up listening to the music of Stevie Wonder, Marvin Gaye and the like. He played trumpet and cornet in marching bands in his junior high and high school days. During this time, he also formed an a cappella group and sang on the streets.
Studying business at Xavier University of Louisiana, Boutté was in ROTC and after graduation was commissioned in the U.S. Army, serving for four years. Returning home he worked at a credit union until he met Stevie Wonder, then decided to seriously become a professional singer. He soon joined his sister Lillian on her tour to Europe, and his professional career started.
In 1993 John released his debut album titled Through the Eyes of a Child. The following year he was featured on his sister’s live album, Gospel United, released in 1994. He was the featured guest vocalist on Cuban group Cubanismo!’s Mardi Gras Mambo, recorded in New Orleans.
In recent years, Boutté has been working with ex-Cowboy Mouth guitarist and singer Paul Sanchez which led to a collaborative effort Stew Called New Orleans released in 2009. He was also featured on John Scofield’s 2009 album, Piety Street, singing the lead on three tracks.
His Treme Song on his Jambalaya album is the theme song of HBO’s series, Treme. He appears in several episodes of the show’s Seasons 1, 2, and 3.
Vocalist John Boutté, who is known for his diverse music style that goes beyond jazz to R&B, gospel, Latin, and blues, continues to perform.
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The Jazz Voyager
The Midwest is the next destination for this Jazz Voyager to the city on the Mississippi River with the famous Gateway Arch. But before that monument was built, St. Louis, Missouri was known as a hub for jazz with many musicians being born or migrating from other regions of the country. The venue I’ll be visiting began as a small intimate location Jazz At The Bistro. In 2006 the name was changed to Jazz St. Louis and by 2014 was renovated as is the Harold & Dorothy Steward Center For Jazz.
Performing at this center this week is a friend of mine who I always enjoy seeing, especially in performance. She is internationally renowned vocalist Rene Marie. Over two decades of performing and recording eleven albums, she has cemented her reputation as a composer, arranger, theatrical performer and teacher. Her life lessons are an integral component of her compositions as she borrows various elements of folk, R&B, classical, and country to create a captivating hybrid style. Her body of work is musical and is an affirmation of the power of the human spirit.
The venue is located at 3536 Washington Avenue, 63103 and for more information you can visit https://notoriousjazz.com/event/rene-marie-3
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