
Daily Dose Of Jazz…
Eddie Jefferson was born on August 3, 1918 in Pittsburgh, Pennsylvania and started his career in show business as a tap dancer. By the late Forties, he was singing and writing lyrics to tunes like “Parker’s Mood” and “I Cover The Waterfront”. He is credited with pioneering vocalese, a musical style in which lyrics are set to an instrumental composition or solo. Perhaps his best-known song is “Moody’s Mood for Love”, though first recorded by King Pleasure, who cited Jefferson as an influence.
One of Jefferson’s most notable recordings “So What” combined the lyrics of artist Christopher Acemandese Hall with the music of Miles Davis to create a masterwork that highlighted his prolific skills, and ability to majestically turn a phrase, into his jazz vocalese.
Jefferson’s last recorded performance was at the Joe Segal’s Jazz Showcase in Chicago and released on video by Rhapsody Films. He shared the stand with fellow bandleader and alto saxophonist Richie Cole. The performance was part of a tour that Jefferson and Cole led together that took them to their opening night in Detroit at the legendary Baker’s Keyboard Lounge, a jazz club built in the 1930’s whose stage graced musicians from the genre as diverse as Dexter Gordon and Sonny Stitt.
Vocalist Eddie Jefferson was shot and killed while leaving Baker’s on May 8, 1979 by a suspected disgruntled dancer who had been fired by Jefferson. She was later acquitted of the murder charge. He was 60. A previously unreleased 1976 live album, Eddie Jefferson at Ali’s Alley, with drummer Rashied Ali, was finally posthumously released in 2009.
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Daily Dose Of Jazz…
Kevin Mahogany was born July 30, 1958, in Kansas City, Missouri and began his childhood study of music with piano, later learning to play the clarinet and baritone saxophone. He performed with jazz bands and teaching music while still in high school and later attended Baker University, performing with both instrumental and vocal ensembles. He formed a vocal jazz group, matriculating with a BFA in Music and English Drama.
After graduation, he returned to Kansas City where he attracted a local following in the 80’s performing with his groups, “The Apollos” and “Mahogany”. 1991 saw the vocalist featured on a Frank Mantooth CD and lists his influences as Lambert, Hendricks & Ross, Al Jarreau and Eddie Jefferson.
His first CD release as a solo artist was Double Rainbow in 1993 followed by his self-titled album Kevin Mahogany, which won him his first critical acclaim in the media, prompting Newsweek to call him “the standout jazz vocalist of his generation.”
He appeared in Robert Altman’s 1996 film Kansas City playing a character that’s said to be based on Kansas City singer Big Joe Turner. As a jazz educator, he has taught at the Berklee College of Music and the University of Miami. Known for his scat singing and with a dozen albums to his credit, vocalist Kevin Mahogany continued to perform, record, tour and educate until he passed away in his home on December 17, 2017 at the age of 59.
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Daily Dose Of Jazz…
Nnenna Freelon, born Chinyere Nnenna Pierce on July 28, 1954 was raised in Cambridge, Massachusetts and sang in Union Baptist Church and St. Paul AME choirs as a young woman. She graduated from Boston’s Simmons College with a health care administration degree, worked at the Durham County Hospital in North Carolina and by 1990 had been singing for about seven years under her married name.
Attending the Southern Arts Federation conference presented her the opportunity to meet Ellis Marsalis, who became mentor and teacher. He passed her “package” on to George Butler of Columbia Records and in 1992 she was signed and dropped her debut. By 1994 Columbia ended their association and two-years later Concord picked her up.
The singer, composer, arranger, producer has been nominated for a five Grammy Awards, has performed and toured with the likes of Aretha Franklin, Ellis Marsalis, Al Jarreau, Clark Terry, Dianne Reeves, Terence Blanchard and Herbie Hancock, just to name a few. Nnenna has performed at venues such as Carnegie Hall, Montreux, Monterey and Ellington Jazz Festivals, the Kennedy Center, the Apollo Theatre and many more worldwide.
Aside from her many jazz and singing responsibilities, Freelon is the national spokesperson for the National Association of Partners in Education, an arts education organization with over 400,000 school/community partnership programs across the U.S; and her Babysong workshops teaches young mothers and healthcare providers the importance of the human voice for healing, nurturing and brain development in young children. She continues to perform, record and tour.
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Daily Dose Of Jazz…
Helen Merrill was born Jelena Ana Milcetic on July 21, 1930 in New York City to Croatian immigrants. The internationally renowned jazz vocalist began singing in jazz clubs in the Bronx at the age of fourteen. By the time she was sixteen, she had taken up music full time and in 1952 made her recording debut when asked to sing “A Cigarette For Company” with the Earl Hines Band that was released on their Xanadu album.
As a result of this exposure she received two subsequent singles recorded for Roost Records and was then signed by Mercury for their new Emarcy label. In 1954, she recorded her first and one of her most acclaimed LP simply titled “Helen Merrill” featuring legendary jazz trumpeter Clifford Brown and bassist/cellist Oscar Pettiford, among others. The album was produced and arranged by Quincy Jones, who was then just twenty-one years old. The success of the album got her signed to an additional four-album contract with Mercury.
Her follow-up 1956 album Dream of You arranged by Gil Evans was the precursor to the musical foundations for his Miles Davis years. By the 60s she was in Europe touring and enjoying greater commercial success than in the States. Developing a following in Japan that remains strong to this day, she not only recorded in Japan, Merrill became involved in producing albums for Trio Records and hosting a show on a Tokyo radio station.
Helen returned to the U.S. in 1972 and has continued recording and regular touring since then. Her later career has seen her experiment in different music genres, recording a bossa nova album, a Christmas album a Rodgers and Hammerstein album, as well as resurrecting “Dream of You” in 1987 with fresh arrangements titled “Collaboration” and co-producing “Billy Eckstine Sings With Benny Carter” and singing on duet on two ballads. By 1995 she recorded “Brownie: Homage to Clifford Brown in tribute to the late trumpeter.
Helen Merrill’s career has spanned six decades with no fade in her popularity and has recorded and performed with some of the most notable figures in the American jazz scene such as Chet Baker, San Getz and Romano Mussolini, among many, many others.
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Daily Dose Of Jazz…
William Clarence Eckstine was born on July 8, 1914 in Pittsburgh, Pennsylvania but grew up in Washington, DC of Prussian and African American heritage. He began singing at the age of seven, entering amateur talent shows while dreaming of a football career that was sidelined when he broke his collarbone. Focusing on music he worked his way west to Chicago, joining Earl Hines’ Grand Terrace Orchestra as vocalist and occasionally trumpeter from1939 – 1943. During his tenure he made a name for himself through the Hines band’s radio shows with such jukebox hits as “Stormy Monday Blues” and his own “Jelly Jelly”.
Eckstine formed the first bop big band in 1944 making it a fountainhead for young musicians who would reshape jazz by the end of the decade, including Dizzy Gillespie, Dexter Gordon, Miles Davis, Art Blakey, Charlie Parker, Fats Navarro and Sarah Vaughn, with Tadd Dameron and Gil Fuller were among the band’s arrangers. Billy hit the charts often during the mid-’40s, with Top Ten entries including “A Cottage For Sale” and “Prisoner of Love”.
Breaking down barriers throughout the Forties as a leader of the original bop big band and as the first romantic black male in popular music, Mr. B, as he was affectionately known, went solo in 1947. His seamless transition to string-filled balladry saw him recording more than a dozen hits by the end of the decade and winning numerous awards from Esquire, Down Beat and Metronome magazines. His 1950 appearance at New York’s Paramount Theatre greatly surpassed Sinatra’s audience draw at the same venue.
Over the course of the next two decades Billy appeared on every major television variety show from Ed Sullivan to Nat King Cole, Jack Paar, Steve Allen, Joey Bishop, Flip Wilson and Playboy After Dark. After a long series of hit tunes and recordings by the 70’s Billy’s recordings came sparingly although he still performed before adoring audiences throughout the world. He made his final Grammy-nominated recording singing with Benny Carter in 1986.
Billy Eckstine, vocalist, bandleader, trumpeter, valve trombonist and guitarist passed away on March 8, 1993, at age 78, in his hometown of Pittsburgh.
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