
Daily Dose Of Jazz…
June Richmond was born July 9, 1915 in Chicago, Illinois. She became one of the very first black singers to be featured regularly with a white band when she performed with Jimmy Dorsey’s Orchestra in 1938.
An enthusiastic vocalist who was excellent on blues but also effective on ballads, June was a popular attraction during the swing era although never a major name. She worked with Les Hite early on in California, toured with Jimmy Dorsey, was with Cab Calloway in 1938 and then became best known for her association with Andy Kirk’s Orchestra during 1939-42.
Richmond became a solo act after leaving Kirk and then from 1948 on mostly worked in Europe, at first based in France and then later on in Scandinavia. Her only recordings as a leader were a self-titled album on the Barclay label, four numbers in 1951 with Svend Asmussen and four songs on the album “Jazz In Paris” with the Quincy Jones Orchestra in 1957.
Vocalist June Richmond, who gained fame during the swing era, died of a heart attack at the age of 47 on August 14, 1962 in Gothenburg, Sweden.
>
More Posts: vocal

Daily Dose Of Jazz…
Betty Smith was born on July 6, 1929 in Sileby, Leicestershire, England. She studied the saxophone as a young child and began playing the alto saxophone when she was nine in Archie’s Juveniles, not concentrating on jazz until her early teens.
1947 saw Smith touring the Middle East with pianist Billy Penrose, and then with Ivy Benson’s evening gown clad Girls’ Band, playing for off duty Nuremberg trials officials, and in 1948 with Rudy Starita’s All Girls Band to play for the troops.
Women jazz musician were rare in the Fifties, but Betty, by then playing tenor, proved herself in Freddy Randall’s Dixieland/Chicago styled band. She would be heard swinging, improvising and playing hotter jazz than her colleagues as they toured around Britain.
Following a tour of the U.S. the breakup of Randall’s band, and Betty forming a quintet in 1957, she returned to the States and toured with Bill Haley’s Comets. She worked fronting the Ted Heath Orchestra as a vocalist, got numerous radio and television jobs and had her own program on Radio Luxembourg.
She would meet trumpeter Kenny Baker, form the sextet “Best of British Jazz” and be the band’s only saxophonist for the remainder of her career until she got sick in 1985. She continued to sing and play the piano until a week before her death on January 21, 2011 in Kirby Muxloe, Leicestershire, England.

Daily Dose Of Jazz…
Ella Johnson was born Ella Mae Jackson on June 22, 1919 in Darlington, South Carolina. She joined her brother Buddy Johnson in New York as a teenager, where he was leading a popular band at the Savoy Ballroom in Harlem.
Ella scored her first hit in 1940 with “Please, Mr. Johnson” with subsequent hits included “Did You See Jackie Robinson Hit That Ball?”, “When My Man Comes Home” and “Hittin’ On Me”. Her popular 1945 recording of “Since I Fell For You” composed by her brother, led to its eventual establishment as a jazz standard.
She continued to perform with Buddy Johnson into the 1960s and her singing drew comparisons to Ella Fitzgerald and Billie Holiday. In February 2004, she died in New York City of Alzheimer’s disease, at the age of 84.
More Posts: vocal

Daily Dose Of Jazz…
David Alden Lambert was born on June 19, 1917 in Boston, Massachusetts. His band debut was with Johnny Long’s Orchestra in the early 1940s and along with early partner Buddy Stewart; he successfully brought singing into modern jazz, concurrently with Ella Fitzgerald.
In the late 1950s Lambert teamed with wordsmith and vocalese pioneer Jon Hendricks. Annie Ross later joined the two vocalists and the trio lineup was a hit. After Ross left the group in 1962, Lambert and Hendricks went on without her by using various replacements, but the partnership ended in 1964.
Dave formed a quintet called “Lambert & Co.” which included the multiple voices of Mary Vonnie, Leslie Dorsey, David Lucas and Sarah Boatner. The group auditioned for RCA and was documented in a 15-minute documentary entitled Audition at RCA, and the Charlie Parker with Voices. It was one of the last images recorded of Lambert.
Lyricist and jazz singer Dave Lambert, an originator of vocalese best known for his work in Lambert, Hendricks and Ross, and who spent a lifetime experimenting with the human voice and expanding the possibilities of its use in jazz, was struck and killed by a truck on the Connecticut Turnpike while changing a flat tire, passed away on October 3, 1966.
More Posts: vocal

Daily Dose Of Jazz…
Ivan Lins was born on June 16, 1945 in Rio de Janeiro, Brazil. He began studies at the Military College in Rio, received an industrial chemical engineering degree from the Federal University and spending several years in Boston, Massachusetts with his naval engineer father, he continued his graduate studies at M.I.T. He considered a career in volleyball before discovering his considerable musical talent.
As a pianist Luiz Eça and João Donato influenced Lins. While in college he performed in a jazz-bossa trio. In 1970 Ivan started his music career by winning second place in a competition with the song “O Amor É o Meu País” and that same year famed Brazilian singer Elis Regina recorded his composition “Madalena”. He would host the TV Globo show Som Livre Exportaçã, partner with Vitor Martins and the two would become MPB history with romantic verses and political anthems.
His influence of jazz and bossa nova became evident in his music and an invitation from Quincy Jones brought him to international attention. Quincy recorded “Velas” (Sails) which won a Grammy, and George Benson recorded his Love Dance, and Paul Winter recorded “Velho Sertão”, renaming it Common Ground. It wasn’t too longer afterward that jazz artists like Patti Austin, Herbie Mann, Sarah Vaughan, Joe Pass, Diane Schuur, Manhattan Transfer and Ella Fitzgerald were recording his melodies.
He has recorded three-dozen albums, won two Latin Grammy awards, has won Best MPB Album of the Year, and many of his tunes have been part of Grammy winning albums and is one of the three most recorded Brazilian composers outside their native land.




