Daily Dose Of Jazz…
Ian Shaw was born June 2, 1962 in St. Asaph, Wales and received his music degree from the University of London. He began his professional career singing in the 1980s on the Alternative Cabaret Circuit, while playing in piano bars and at festivals in London and throughout Europe.
In 1990 he began touring Europe and recording with fellow singer Carol Grimes, ultimately collaborating with Claire Martin, Linda Lewis, Liane Carroll and Sarah Jane Morris. By mid-decade he was a regular performing at Ronnie Scott’s Jazz Club and two albums on the club’s Jazzhouse label – Ghosthouse and a Rodgers & Hart tribute Taking It To Hart.
In 1996, Shaw led his own “Very Big Band” on a UK tour and by the late 90s he was performing regularly in USA. In 1999 he released In A New York Minute the first of two albums on the Milestone label, followed by Soho Stories in 2001. He has worked with Cedar Walton, Lew Soloff and Eric Alexander. His next release in 2003, A World Still Turning saw him working with Billy Childs, Peter Washington and Mark Murphy.
Ian continues to work regularly with Claire Martin, co-hosting the 2004 BBC Jazz Awards and appearing on the BBC’s Big Band Special. He won in the Best Jazz Vocalist category at the BBC Jazz Awards in 2004 and 2007. He has cut three more albums – Drawn To All Things, Lifejacket and Somewhere Towards Love. In 2011 Splashpoint Records released The Abbey Road Sessions where Shaw backed by a band. Shaw continues to perform regularly at festivals and jazz clubs in the UK and around the world, has delved into film acting and mounting a one-man show.
Requisites
We Insist! Freedom Now Suite: This classic piece of art stands at the intersection of politics and music. It was recorded at a time when the civil rights movement was starting to heat up and drummer Max Roach composed and performed the seven-part suite dealing with black history, particularly slavery and racism.
Driva’ Man has a powerful statement by veteran tenor Coleman Hawkins and there is valuable solo space elsewhere for trumpeter Booker Little and trombonist Julian Priester, but it is the overall performance of Abbey Lincoln that is most notable. Formerly a nightclub singer, Lincoln really came into her own under Roach’s tutelage and she is a strong force throughout this intense set. On Triptych: Prayer / Protest / Peace, Lincoln is heard in duets with the drummer and her wrenching screams of rage are quite memorable.
Personnel: Max Roach – drums, Coleman Hawkins – tenor saxophone, Booker Little – trumpet, Julian Priester – trombone, Walter Benton – tenor saxophone, James Schenk – bass, Olantunji / Ray Mantilla – percussion, Abbey Lincoln / Oscar Brown Jr. – vocal
Record Date: Nola Penthouse Sound Studio, New York / August 31, 1960 & September 6, 1960 / Candid Records
Producer: Nat Hentoff
Songs: Driva’man, Freedom Day, Triptych: Prayer/Protest/Peace, All Africa, Tears For Johannesburg
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Daily Dose Of Jazz…
Pha Terell was born Elmer Terrell on May 25, 1910 in Kansas City, Missouri. He began singing in local nightclubs in the early 1930s as a singer, dancer, and emcee. Discovered by Andy Kirk, he was hired as the vocalist for his group the Twelve Clouds of Joy. Terrell sang with Kirk for eight years, from 1933 to 1941, and recorded with him extensively for Decca Records. One of the biggest hits was 1936’s “Until the Real Thing Comes Along”.
After 1941 Terrell moved to Indianapolis to play with Clarence Love’s territory band, then moved to Los Angeles, where he worked as a soloist. Jazz singer Pha Terrell passed away of kidney failure on October 14, 1945 in Los Angeles at age 35.
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Daily Dose Of Jazz…
Fats Waller was born Thomas Wright Waller on May 21, 1904 in New York City. He started playing the piano when he was six and graduated to the organ in his father’s church four years later. At the age of fourteen he was playing the organ at the Lincoln Theater in Harlem. Within twelve months he had composed his first rag, and recorded his first piano solos “Muscle Shoals Blues” and “Birmingham Blues” in 1922 when he was 18 years old.
The prize pupil, friend and colleague of stride pianist James P. Johnson, he became one of the most popular performers of his era, finding critical and commercial success at home and Europe. Waller was a prolific songwriter, composing hundreds with his closest collaborator Andy Razaf and many became standards such as Honeysuckle Rose, Ain’t Misbehavin’ and Squeeze Me. He recorded profusely for RCA, Victor and EMI and performed and recorded with Gene Austin, Billy Banks, Adelaide Hall, Erskine Tate, Bill Coleman, Al Casey, Rudy Powell and Jack Teagarden among others.
Waller was kidnapped in Chicago leaving a performance in 1926, taken to the Hawthorne Inn, and upon insistence at gunpoint became the surprise guest at Al Capone’s birthday. Rumored he played three nights but when he left he was drunk, tired and thousands of dollars richer. He appeared on one of the first BBC radio broadcasts, influenced many pre-bop pianists such as Count Basie and Erroll Garner and was first to play syncopated jazz compositions were performed on a full sized church organ.
He received a Grammy Lifetime Achievement Award and was inducted into the Grammy Hall of Fame, Gennett Records Walk of Fame, Jazz At Lincoln Center: Nesuhi Ertegun Jazz Hall Of Fame, Big Band and Jazz Hall of Fame and the Songwriters Hall of Fame. Pianist, organist, composer, singer and comedic entertainer Fats Waller, passed away of pneumonia in Kansas City, Missouri on December 15, 1943.
Requisites
Dynamic: This 1958 classic boasts the talents of the legendary Pittsburgh jazz and soul vocalist Dakota Staton. Tasteful and swinging, with an alternation between lush orchestra arrangements and intimate combo settings, the album coheres beautifully and represents Staton in fine form. This is her sophomore project on the heels of her critically acclaimed “The Late, Late Show” with an addition four previously unreleased tracks added to the re-mastered compact disc. Staton has redefined jazz singing as pure fun!
Personnel: Dakota Staton – vocal, George Shearing – piano, Harry “Sweets” Edison – trumpet, plus orchestra
Record Date: February 1958
Songs: Let Me Off Uptown, Night Mist, Anything Goes, When Sunny Gets Blue, They All Laughed, I Wonder, Say It Isn’t So Joe, Too Close For Comfort, Little Girl Blue, It Could Happen To You, Some Other Spring, Cherokee, Invitation, The Party’s Over, I’ll Remember April, The Nearness Of You
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