Daily Dose Of Jazz…

David Samuel Pike was born March 23, 1938 in Detroit, Michigan and learned drums at the age of eight and is self-taught on vibraphone. He made his recording debut with the Paul Bley Quartet in 1958. While working with flautist Herbie Mann in the early Sixties he began putting an amplifier on his vibe. By the late 1960s, Pike’s music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature.

Dave’s release Doors of Perception produced by Mann in 1970 on Vortex Records explored ballads, modal territory, musique concrete, and free and lyrical improvisation. He has recorded as a leader and sideman with Lee Konitz, Chuck Israels, Herbie Mann, Bill Evans, Nick Brignola, and Kenny Clarke.

Pike’s move to Europe and his tenure at MPS Records produced some of the most original jazz of the period. He formed the Dave Pike Set and recorded six albums between 1969 and ’72 that ran the gamut from funky grooves to free, textural territory. The group, though short-lived, created a unique identity and textural palette.

Collaborating with Volker Kriegel during this period provided compositional and instrumental contributions to the group, playing acoustic, classical, and electric guitar as well as sitar, that helped set the Dave Pike Set’s sound apart, organically incorporating influences from jazz, soul jazz, psychedelia, avant-garde music, and World music. With 19 albums to his credit, vibraphonist Dave Pike continued exploring different realms of music until his passing away of lung emphysema on October 3, 2015 in del Mar, California.

DOUBLE IMPACT FITNESS

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Requisites

The Last Concert: The Modern Jazz Quartet broke up after this concert documented on this two-fer, double LP recording. After a glorious 22-year career, it would be nearly seven years before the group would come back together but it certainly went out on top. Mostly revisiting their greatest hits, MJQ is heard playing inspired versions of Softly As In A Morning Sunrise, Bag’s Groove, Skating In Central Park, Confirmation, The Golden Striker and Django. This set is a real gem and an essential addition for all serious jazz collections.

Personnel: Milt Jackson – vibraphone, John Lewis – piano, Percy Heath – bass and Connie Kay – drums

Record Date: November 25, 1974

Songs:  Disc 1 – Softly, As in a Morning Sunrise, The Cylinder, Summertime, Really True Blues, What’s New?, Blues in a Minor, Confirmation, ‘Round Midnight, A Night in Tunisia, Tears from the Children, Blues in H (B), England’s Carol

Disc 2 – The Golden Striker, One Never Knows, Trav’lin’, Skating in Central Park, The Legendary Profile, Adagio from the Guitar Concerto: Concerto de Aranjuez, The Jasmine Tree, In Memoriam, Django, Bag’s Groove

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Daily Dose Of Jazz…

Masahiko Togashi was born in Tokyo, Japan on March 22, 1940 and began his musical education with the violin at age 6. It was some time later that the young man took up drums. He made his debut as a professional drummer at 14 with his father’s swing band and appeared on his first recording three years later with Sadao Watanabe’s Cozy quartet.

Togashi would go on to form his own quartet, releasing his group’s debut album, We Now Create, in 1969. However, a spinal injury in 1970 left the jazz percussionist permanently paralyzed from the waist down, and he would play the rest of his life seated in a specially designed wheelchair.

His physical disability limited his international travels and festival appearances, but frequently played with visiting musicians most notably saxophonist Steve Lacy who performed and recorded extensively with Togashi during his 12 tours in Japan, in particular Bura-Bura featuring Lacy along with Don Cherry and Dave Holland.

Drummer Masahiko Togashi passed away of heart failure at age 67 in his home in Kanagawa, Japan, on August 22, 2007. Over the course of his career, which spanned more than 50 years, the percussionist strived to broaden the exposure of Japanese jazz and bridge Western music with the traditional sounds of eastern Asia.

ROBYN B. NASH

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Daily Dose Of Jazz…

Charles Phillip Thompson was born in Springfield, Ohio on March 21, 1918 and became a professional pianist from the age of 10. By age twelve Thompson was playing private parties with Bennie Moten and his band in Colorado Springs. During this time Count Basie played off and on with Moten’s band and at one of these shows Basie called the young Charles up to play.

Throughout his career has chiefly worked with small groups, although he belonged to the Coleman Hawkins/Howard McGhee band in 1944-1945. Throughout the 40s he recorded with Charlie Parker, Dexter Gordon and J.C. Heard among others.

Thompson composed the jazz standard “Robbins’ Nest” and was dubbed Sir Charles Thompson by Lester Young. The swing and bop pianist, organist and arranger at age 98, passed away of colon cancer on June 16, 2016 in Tokyo, Japan.

THE WATCHFUL EYE

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Jazz In Film

The Unsuspected: This 1947 film directed by Michael Curtiz, starred Claude Rains, Joan Caulfield, Audrey Trotter and Constance Bennett follows the story of a girl that has been murdered. A woman cannot remember a man who claims to be her husband. Her uncle hosts a radio murder mystery show called “The Unsuspected”. Who killed the girl? Why? And who is this mystery husband? Are all question to be answered.

This highly polished and thoroughly enjoyable thriller includes a chilling performance by Rains and features a nightclub sequence with drummer Jo Jones leading the group performing “I Got Rhythm”.

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