Daily Dose Of Jazz…
Martin Bejerano was born in Miami, Florida on March 9th of Afro-Cuban heritage and began his professional music career at age fifteen, when he began playing George Gershwin’s “Rhapsody in Blue” concerto with the Mexican-American Bi-National Symphony while still in high school. He went on to graduate from the New World School of the Arts, Florida State University and the University of Miami with a Masters in jazz performance.
In 2000 Martin moved to New York City and in less than a year joined drummer Roy Haynes’ band and two years later was a part of guitarist Russell Malone’s quartet. He released his debut album as leader, titled Evolution/Revolution in 2007, followed by Potential Energy in 2013. He has done sideman duties as well on six projects.
In 2010 he was awarded a Chamber Music America commission for a new jazz work, has had several compositions published in Ignacio Berroa’s “Groovin’ in Clave” instructional drum book and has attended the Thelonious Monk Institute Jazz Colony.
Martin has also performed with Kenny Garrett, James Moody, Lonnie Plaxico, Jimmy Heath, Ignacio Berroa, Mingus Big Band, Marcus Printup, Marcus Strickland, and even trading choruses with the legendary Chick Corea. In between performing and recording with the Haynes and Malone bands, pianist Martin Bejerano is an Assistant Professor of jazz piano at the University of Miami Frost School of Music.
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Daily Dose Of Jazz…
Orbert Davis was born on March 8, 1960 in Chicago and raised in Momence, Illinois. He began playing trumpet around the age of ten, but was not formally instructed until Charles Danish, an elementary school teacher, found him a trumpet teacher and drove him to lessons. He eventually graduated with a degree in trumpet performance from DePaul University and then received a master’s degree in jazz pedagogy from Northwestern University.
Davis has recorded over 3000 television and radio commercials, released three studio albums, very active in music education, particularly with at-risk students, is co-founder and director of MusicAlive!, an initiative associated with the Chicago Jazz Philharmonic, which he also founded and directs.
Winner of the 1995 Cognac Hennessy National Jazz Search, Orbert was chosen as one of Chicago Tribune’s “1995 Arts People of the Year” and Chicago Magazine named him “Y2k Best Trumpeter in Chicago”.
One of Chicago’s busiest and most sought after musician, the jazz trumpeter has performed and/or recorded many projects for such notable artists as Ramsey Lewis, Charles Earland, Kurt Elling, Bob Mamet and William Russo’s Chicago Jazz Ensemble, Wynton Marsalis, TS Monk, Stevie Wonder, Dr. John, Kurt Elling, Ernie Watts, Ramsey Lewis, Grover Washington Jr. and The Smithsonian Masterworks Jazz Orchestra. Davis performs regularly with various groups under his own name, including his critically acclaimed ensemble “Orbert Davis with Strings Attached”.
He was featured soloist at the 1996 Chicago Jazz Festival, performing Miles Davis and Gil Evans’ “Sketches of Spain”. In October 1999, along with Jon Faddis and Lester Bowie, Orbert was a featured performer for the Jazz Institute of Chicago’s “Tribute to Louis Armstrong: Legacy for the Millennium” where he performed compositions from Armstrong’s Hot 5 and Hot 7 recordings.
Along with his partner/manager Mark Ingram, Davis owns and operates Orbark Productions, whose credits include projects for Atlantic, Capitol, CBS, Epic, MCA and the Warner Brothers record labels. He has scored and performed on and off camera for such films as A League Of Their Own, The Babe and Road To Perdition. Trumpeter, composer, bandleader and educator Orbert Davis is currently an Associate Professor of music at the University of Illinois at Chicago and conducts and records the Chicago Jazz Philharmonic in between recording as a leader.
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Hollywood On 52nd Street
You’re Sensational was a tune written by Cole Porter for the 1956 film High Society starring Bing Crosby, Grace Kelly and Frank Sinatra, who introduced the song.
The Story: The highly successful jazz musician C.K. Dexter Haven (Crosby) was divorced from wealthy Newport, Rhode Island socialite Tracy Samantha Lord (Kelly) but remains in love with her. She, however, is about to get married to a bland gentleman of good standing, George Kittredge.
Spy Magazine, a fictional tabloid newspaper in possession of embarrassing information about Tracy’s father, sends reporter Mike Connor (Sinatra) and photographer Liz Imbrie to cover the nuptials. Tracy begins an elaborate charade as a private means of revenge, pretending that her Uncle Willy is her father Seth Lord and vice versa. Connor falls in love with Tracy. She must choose between three very different men in a course of self-discovery.
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www.whatissuitetabu.com
Daily Dose Of Jazz…
Frank LoCrasto was born and raised in Texas on March 7, 1983. Studying piano during his childhood, his influences include Erroll Garner, Raymond Scott, Ennio Morricone, Kraftwerk and Brian Eno. After moving to New York in 2001 to attend the New School, he went on to work as a sideman with jazz musicians such as Pat Martino, Greg Osby and Jeremy Pelt.
At twenty-three he released his debut album When You’re There on the Maxjazz label and his second release five years later, El Dorado, which he recorded in his Brooklyn basement apartment, is layered with vintage synthesizers and old timey pianos.
An accomplished composer and arranger, he is a member of the Jeremy Pelt Quartet, Frank is also a member of Rumblefoot, Breastfist, Yost, and plays regularly with Kat Edmonson and James Iha. His solos exhibit his ample technique and unfettered expressiveness. At 32, he continues to build his talent as a sideman profusely performing, recording and touring.
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Daily Dose Of Jazz…
Flora Purim was born on March 6, 1942 in Rio de Janeiro to Jewish parents who were both classical musicians, her father a violinist and her mother a pianist. She discovered jazz when her mother played 78 vinyl rpms of Dinah Washington, Billie Holiday, Frank Sinatra, Bill Evans, Oscar Peterson, and Erroll Garner while her husband was out of the house.
Purim began her career in Brazil during the early 1960s. During this period, she made a recording of bossa nova standards by Carlos Lyra and Roberto Menescal titled Flora e M.P.M. Later in the decade she became lead singer for the Quarteto Novo, led by Hermeto Pascoal and Airto Moreira.
Flora mixed jazz with radical protest songs to defy the repressive Brazilian government of that time and a 1964 military coup led to censorship of song lyrics. Shortly before leaving Brazil she married Airto and arriving in New York in 1967, they became immersed in the emerging Electric Jazz. They toured Europe with Stanley Clarke, Stan Getz and Gil Evans. In 1972, alongside Clarke and Joe Farrell, they were, for the first two albums, members of Return To Forever. That year the band released their debut self-titled album Return To Forever, followed the same year as Light as a Feather.
In 1973, Purim released her first solo album in the United States, titled Butterfly Dreams. She was chosen by the Down Beat reader’s poll as one of the top five jazz singers. She worked with Carlos Santana and Mickey Hart and throughout the 1970s, Flora released a string of albums for the Milestone label, became involved with the Uruguayan band Opa, (which means “hi” in Uruguay), Purim collaborated in vocals in the band’s second album Magic Time, and in return, Opa played in “Corre Niña” on Flora’s album Nothing Will Be as It Was…Tomorrow .
In the 1980s Purim toured with Dizzy Gillespie’s United Nation Orchestra, culminating with Gillespie’s Grammy Award-winning album Dizzy Gillespie and the United Nation Orchestra – Live at the Royal Festival Hall, London. The Nineties saw her singing on the Grammy Award-winning album Planet Drum by Mickey Hart, the release of her own album and world tour, Speed of Light and a new band with contributions from Billy Cobham, George Duke, Alphonso Johnson, Giovanni Hidalgo and others.
Through the 1990s, Purim worked on a number of Latin projects, collaborated with P.M. Dawn on the album Red Hot + Rio. She has a huge catalogue of music that showcases her rare six-octave voice renders a vocal style influenced by Sarah Vaughan and Ella Fitzgerald, drifting from lyrics to wordlessness without ever losing touch with the melody and rhythm. She broadened her repertoire to include traditional mainstream jazz, bebop and doing numbers in 4/4 time instead of the traditional Brazilian 2/4 beat. She is a 4-time winner Down Beat’s Best Female Jazz Vocalist and 2-time Grammy nominee for Best Female Jazz Performance and has been named “Order of Rio Branco” by Brazil President Fernando Henrique Cardoso. She continues to perform, record and tour.
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