Daily Dose Of Jazz…
Bebo Valdés was born Dionisio Ramón Emilio Valdés Amaro on October 9, 1918 in Quivicán, Cuba. He started his career as a pianist in the nightclubs of Havana during the 1940s, replacing René Hernández as pianist and arranger in Julio Cueva’s band. In 1946 the band recorded Rareza del Siglo, one of his most famous mambos and from 1948 to 1957 he worked as pianist and arranger for the vedette Rita Montaner, who was the lead act in the Tropicana cabaret.
His orchestra, Sabor de Cuba, and that of Armando Valdés, alternated at the Tropicana, backing singers such as Benny Moré and Pío Leyva. Bebo played a role in the adaptation of the mambo into the big band format from the previously performed charangas during the late 1940s and 1950s. He developed a new rhythm to compete with Perez Prado’s mambo, called the batanga. He was also an important figure in the incipient Afro-Cuban jazz scene in Havana, taking part in sessions commissioned by American producer Norman Granz during 1952.
By the late 1950s he was recording with Nat “King” Cole and in 1960, along with Sabor de Cuba’s lead vocalist Rolando Laserie, Bebo defected from Cuba to Mexico. He then lived briefly in the United States before touring Europe, and eventually settled in Stockholm, spreading the techniques of Cuban music and Latin jazz. His career got a late boost in 1994 when he teamed up with saxophone player Paquito D’Rivera to release a CD called Bebo Rides Again. 2000 saw him in the film Calle 54 by Fernando Trueba giving his piano playing a wider audience and in 2003, Valdés and flamenco singer Diego El Cigala, recorded the album Lágrimas Negras (Black Tears).
During his career Bebo won seven Grammy Awards, His last musical production was recorded with his son in 2008, Bebo y Chucho Valdés: Juntos para Siempre (Together Forever). For that recording they won the Grammy for Best Latin Jazz Album.
Pianist, bandleader, composer and arranger Bebo Valdés, who led two famous big bands, was being treated for Alzheimer’s disease, which he had suffered for several years, when he passed away in Stockholm, Sweden, on March 22, 2013 at age 94.
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Daily Dose Of Jazz…
Hal Singer was born Harold Joseph Singer on October 8, 1919 in Greenwood, the Black section of Tulsa, Oklahoma. After surviving the Tulsa Race Massacre of 1921, he grew up in Greenwood where he studied violin as a child but, as a teenager, switched to clarinet and then tenor saxophone, which became his instrument of choice. From the late 1930s he began playing in local bands, including Ernie Fields’, before joining Jay McShann’s orchestra in 1943. Moving to New York he worked in other bands, then joined Oran “Hot Lips” Page’s band in 1947 and began working as a session musician with King Records.
By early 1948 Hal left Page, formed his own small group, and was signed to Mercury Records where he cut his first single Fine As Wine with a B side Rock Around the Clock co-written with Sam Theard and not the same title made famous by Bill Haley. He got his nickname when he recorded the tune Corn Bread for the Savoy label in Newark, New Jersey after the instrumental reached #1 on the R&B charts later that year.
The early to mid 1950s he continued recording with Mercury, toured with The Orioles and Charles Brown, and increased his work as a session musician. In 1958 he began recording with Prestige Records as a jazz soloist and performing at the Metropole Cafe in New York with jazz musicians such as Roy Eldridge and Coleman Hawkins. In 1965, after touring Europe with Earl “Fatha” Hines’ band, Singer stayed in France and settled near Paris. He continued to record and tour extensively around Europe and Africa, performing with various bands including Charlie Watts’ and the Duke Ellington Orchestra.
Hal’s 1969 album, Paris Soul Food, featured him on saxophone and singing; Robin Hemingway, vocals, arrangements and album production; and Manu Dibango, saxophone, organ and arrangements that won a French Record Academy award for best international LP in 1969. He went on a State Department tour of Africa in 1974 with Horace Parlan, appeared on the 1981 live recording Rocket 88 with the UK-based boogie-woogie band and in the summer of 1981 recorded two albums for John Stedman’s JSP record label, Swing On It, with Jim Mullen, Peter King, Mike Carr and Harold Smith, while the second Big Blues, recorded a day later with the same group, also featured Jimmy Witherspoon.
Singer shared artist billing along with Al Copley for 1989’s Royal Blue, appeared as an actor in the award-winning 1990 feature film Taxi Blues and in 1992 was awarded the title of Chevalier des Arts by the French government. A documentary film, Hal Singer, Keep the Music Going, was made by Haitian-American director Guetty Felin in 1999, in which he shares a duet with Jessica Care Moore. He was also an educator teaching jazz to younger generations of French jazz musicians. Bandleader and tenor saxophonist Hal Cornbread Singer recorded sixteen albums as a leader and currently is 96 years of age.
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Daily Dose Of Jazz…
Born Martin Flachsenhaar, Jr. in New York City on October 7, 1924, Marty Flax played flute, clarinet and trombone in addition to baritone saxophone. He was a mainstay in the bands of Louis Jordan, Dizzy Gillespie, Perez Prado, and Tito Puente. He was also a member of the bands that performed on the soundtracks composed by Raymond Scott.
Marty worked with Les Elgart and Claude Thornhill in the late 1950s, then with Quincy Jones, Melba Liston and Gillespie, including on the State Department tours of the Middle East and South America.
Early in the 1960s he again toured South America with the Woody Herman Orchestra. When not on tour he led a house band at the Cafe Society and worked with Sammy Davis, Jr. and Buddy Rich recording on the Reprise, Norgran and Verve labels.
Baritone saxophonist Marty Flax, a consummate sideman and bandleader who never recorded under his own name, passed away on July 3, 1972.
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Carmen Mastren was born Carmine Mastrandrea on October 6, 1913 in Cohoes, New York. By 1934 he was playing professionally as a musician when he joined the Wingy Manone and Joe Marsala band. Mastren worked with a variety of musicians during his career, including Raymond Scott, Ray McKinley and Mel Powell.
In the 1940s Mastren recorded with the Sidney Bechet and the Muggsy Spanier “Big Four”. During World War II he played with the Glenn Miller Air Force Band. It was during this period that he worked as musical director and conductor for Morton Downey, and from 1954–1970 he played for The Today Show, The Tonight Show and Say When!! on the NBC television network.
Recording as a sideman, Carmen worked with Dick Hyman And His Orchestra, Bobby Hackett, Quincy Jones, Frank Sinatra, Bud Freeman and the Wolverine Orchestra on such labels as Mercury, Decca, Atlantic, Epic, Universal/MCA, Victor, RCA, Allegro Elite and Gennett.
Guitarist, banjoist and violinist Carmen Mastren passed away at age 68 from a heart attack on March 31, 1981 at his home in Valley Stream on Long Island, New York. He is best remembered for his work from 1936–1941 with the Tommy Dorsey orchestra as a guitarist.
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Ismael Rivera also known as Maelo was born on October 5, 1931 in the Santurce sector of San Juan, Puerto Rico. The oldest of five children he was always singing and banging on cans with sticks. He received his primary education at the Pedro G. Goyco Elementary School and then went on to learn carpentry at a vocational school. He also shined shoes to help his family financially and when he was 16 years old, he worked as a carpenter. During his free time he would hang around the corner with his best friend Rafael Cortijo and sing songs. In 1948, he and Cortijo joined El Conjunto Monterrey, where he played the conga and Cortijo the bongos, but was unable to work full-time as a musician because of his work as a carpenter.
In 1952, Ismael joined the U.S. Army but was quickly discharged, because he didn’t speak English. He returned to Puerto Rico and went to work as the lead singer with Orquesta Panamericana, recording and scoring his first hits with the songs El charlatán, Ya yo sé, La vieja en camisa and La sazón de Abuela. However, an incident between Rivera and another band member, over a girl, led to his departure from the popular band. In 1954, he joined Cortijo’s Combo and recorded songs, such as, El Negro Bembón, El Yayo, María Teresa and Yo Soy del Campo, which soon became hits in the Latin community in America
With Cortijo’s Combo continuing to gain fame, so did Rivera’s reputation as a lead singer. Rivera was named sonero mayor by Cuban producer Ángel Maceda, owner of club Bronx Casino in New York and played the band went to New York City and played in the famed Palladium Ballroom.
By 1959, Rivera, together with Cortijo and his Combo were casted in the Harry Belafonte movie titled Calipso. He toured with the combo that included Rafael Ithier and Roberto Roena, throughout Europe, Central and South America. Arrested for drug possession after a trip to Panama with the Cortijo combo, he took the fall to spare the other band members. After his release he formed his own band called Ismael Rivera and His Cachimbos, becoming quite successful for eight years. He reunited with Cortijo and recorded Juntos otra vez. Eventually going solo, he did well with the recordings of El Sonero Mayor, Volare and scored his greatest hit with Las Caras Lindas (de mi gente negra).
1974 saw Ismael in a recording in concert at Carnegie Hall and four years later was in Paris, France opening for Bob Marley in 1978. The death of his childhood friend, Rafael Cortijo in 1982, affected him emotionally to the point that he couldn’t sing in the tribute, and was actively involved in the creation of a historical museum which depicts the contributions made to the cultural life of Puerto Rico by the black Puerto Ricans.
Composer and vocalist Ismael Rivera passed away on May 13, 1987 in the arms of his mother Margarita, from a heart attack. He recorded eleven albums as a leader and has had some thirty compilations released. Posthumously in 2008 Puerto Rico’s governor Aníbal Acevedo Vilá signed a proclaim stating that every anniversary of Rivera’s birth will be celebrated as Día Conmemorativo del Natalicio de Ismael Rivera, the Puerto Rican Senate declared October 5 as Ismael Rivera Day, has a plaza named for him Plaza de los Salseros that has a statue and plaque dedicated to him.
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