Atlanta Jazz Festival…2013
As Atlanta suffered through one of the worst sports years in the city’s history, the NL East winning Braves lose to the Dodgers, Falcons dreams of the Super Bowl are dashed with a loss to the Jets, the Minnesota Lynx takes the Dream in the WNBA finals and national hopes for the Bulldogs were splattered when they lost to Mizzou. But the shining star of the year was the jazz festival that brought 31 Days of Jazz to neighborhoods venues and greeted passengers at the airport. This was the prelude to the artists that appeared in Piedmont Park, that once again hosted the annual jazz festival from May 25th to the 27th.
Aaron Diehl Quartet, Alexandra Jackson, Ambrose Akinmusire Quintet, Aruán Ortiz, Cécile McLorin Salvant, Dominick Farinacci, Ginou, Gretchen Parlato, Jacob Deaton and the Tribulation Band, Julie Dexter, Jose James, Meshell Ndegeocello: A Dedication to Nina Simone, Miguel Zenón Quartet, Rialto Jazz for Kids, Rialto Youth Jazz Orchestra, Rio Negro, Rudresh Mahanthappa’s Gamak, Tia Fuller, and the Uri Gurvich Quartet.
Benjamin E. Mays High School Jazz Orchestra came in as the 1st Place winner, North Atlanta Center for the Arts Jazz Band took 2nd Place, Stephenson High School Jazz Ensemble was the 3rd Place, Westlake High School Jazz Ensemble was 4th Place, J.C. Young Middle School Jazz Ensemble ranked 5th Place, and Tri-Cities High School Jazz Band had the 6th Place spot in the Youth Jazz Band Competition. The first three opened the main stage performances each day and the final three opened the festivals contemporary stage.
Dionne Farris with the Russell Gunn Quartet held down the Late Night Jazz Jam for the festival goers who didn’t want each day of music to end. #AJF40
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Daily Dose Of Jazz…
Lawrence Duhé was born April 30, 1887 in La Place, Louisiana. He played with Kid Ory in his youth, and followed Ory to New Orleans, Louisiana. There he played clarinet with Ory, King Oliver, Frankie Duson, and led his own band in Storyville.
Duhé moved to Chicago, Illinois in 1917 and his band became popular in the clubs and dance halls. They played in the stands at the notorious 1919 World Series. During the Roaring Twenties he led Sugar Johnnie’s New Orleans Creole Orchestra comprised of Lil Hardin, Sidney Bechet, King Oliver, Freddie Keppard, tubby Hall and Mutt Carey among others.
By the mid-1920s he had returned to New Orleans and for a time played with Armand J. Piron. After touring with the Rabbit Foot Minstrel Show, Lawrence worked out of Lafayette and New Iberia in Southwest Louisiana with such musicians as Evan Thomas and Bunk Johnson before retiring from music in the 1940s.
Clarinetist and bandleader Lawrence Duhé, passed away in Lafayette, Louisiana in 1960.
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The Jazz Voyager
Deplaning on the other side of the big pond, this Jazz Voyager is filled with the anticipation of sitting in a jazz club aptly named The Crypt, situated under a church. Located at 1 Wale St, Cape Town City Centre, Cape Town, 8000, South Africa, it has been a labor of love for its creators, among them the dean of St. George’s Cathedral, a jazz enthusiast whose vision for the cathedral as the people’s church led him to reach out to the broader community through the universal language of jazz.
In celebration of International Jazz Day tomorrow I will be privy to a Tribute to Louis Armstrong with his music performed by trumpeter Eddie Backhouse, vocalists Charlette Dickson and Graham Burton, bassist Wesley Rustin, drummer Jack Momple, Willy Haubrich on trombone & trumpet, Willie Van Zylon saxophones and pianist Derk Blaisse.
At the present time patrons must bring their own alcoholic beverages while the restaurant is re-applying its liquor license, which requires a period of prohibition for the sale of liquor. A per bottle service fee will be charged as follows: Wine/R50 ($3.74), Beer & Ciders/R10 ($0.75), Spirits/R150 ($11.22), Brut/R100 ($7.48). (13.37 South African Rand equals $1.00)
Closed Sunday and Monday it’s hours of operation are from 7:00pm to midnight. Cover Charge: R100 per person. For reservations: sms or whatsapp +27 79 683 4658 or email at info@thecryptjazz.co.za. #jazz voyager
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Daily Dose Of Jazz…
Andrew Simpkins was born on April 29, 1932 in Richmond, Indiana and first became known as a member of the group The Three Sounds, with which he performed from 1956 to 1968. After departing he joined George Shearing until 1974, and from 1979 to 1989 toured with Sarah Vaughan.
In the Seventies he settled in Los Angeles, California and became respected as a top-quality bassist and widely known as a solid and reliable studio musician.He performed with singers Carmen McRae and Anita O’Day, instrumentalists Gerald Wiggins, Monty Alexander, Buddy DeFranco, Don Menza, and Stéphane Grappelli, and many others.
He recorded three albums as a leader and also played acoustic bass on the 1997 Cover Album recording with Pat Boone titled In a Metal Mood: No More Mr. Nice Guy. Throughout his career not only did he record prolifically with The Three Sounds, he recorded with Kenny Burrell, Victor Feldman, Lalo Schifrin and Joe Williams.
Bassist Andy Simpkins passed away of stomach cancer on June 2, 1999 in Los Angeles.
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Daily Dose Of Jazz…
April Barrows was born on April 28, 1954 in Milford, Connecticut and grew up in the San Francisco Bay area where she moved with her family when she was five. The first music she heard came from listening to her mother’s collection of boogie-woogie 78s by such pianists as Meade “Lux” Lewis, Albert Ammons and Pinetop Smith. Singing along with the records and imitating the sounds she learned the formats. She became a record collector herself as a teenager and was always interested in older styles.
She played violin for a few years and in high school sang and played rhythm guitar. Barrows performed duets with a country singer, frequently performing roots music, and learned both steel guitar and electric bass. For a time she had a regular day job as a chemist but her main dream was to become a professional musician.
In the late ’70s she spontaneously quit her job and headed for Nashville where her talents were quickly recognized. She played electric bass in a variety of bands for the next six years working with the Judds’ first band, the Memphis Horns, Vassar Clements, and even Woody Herman. In 1985 she switched her focus and became a songwriter and while she had success writing country, bluegrass, and blues songs, her true love was writing and performing her own new swing tunes.
In addition to her jazz inspirations of Ella Fitzgerald, the Boswell Sisters, Mildred Bailey, Louis Armstrong, Ivie Anderson, Bing Crosby, Ruth Etting, Annette Hanshaw and Cliff Edwards, she listened to Bob Dylan, country music and rock of the ’60s. While continuing in the commercial field, she has recorded as a leader, her debut release of original swing tunes on My Dream Is You followed by her sophomore project All You Need Is the Girl. Vocalist, guitarist and composer April Barrows is currently working on a third project with clarinetist Evan Christopher and cornetist Duke Heitger, and continues to compose and perform.
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