Daily Dose Of Jazz…
Tyree Glenn was born William Tyree Glenn on November 23, 1912 in Corsicana, Texas. He played trombone and vibraphone with local Texas bands before moving to Washington, D.C. in the early Thirties. He performed with several prominent bands of the Swing Era, playing with Bob Young and Tommy Myles before moving to the West Coast.
While he was living out West, Tyree first played with groups headed by Charlie Echols followed by Eddie Barefield, Eddie Mallory and Benny Carter. By the end of the decade from 1939 to 1946 he played with Cab Calloway. He toured around Europe with Don Redman’s big band in 1946, then joined Duke Ellington until 1951 as a wah-wah trombonist in the Tricky Sam Nanton tradition and Ellington’s only vibraphonist, being well-featured on the Liberian Suite. After his time with Ellington he played with Howard Biggs’s Orchestra.
During the 1950s, Glenn did studiowork, led his quartet at the Embers, did some television, radio and acting work, and freelanced in swing and Dixieland bands. In 1953 he joined Jack Sterling’s New York daily radio show, with which he remained until 1963. During 1965–68, he toured the world with Louis Armstrong’s All-Stars, staying with the group until Armstrong passed in 1971.
He would go on to record with Louis Bellson, Gene Krupa, Buck Clayton, Clark Terry and during his last few years he led his own group, recording seven albums. Trombonist Tyree Glenn, was also a studio musician, actor and composer who penned Sultry Serenade, which was recorded by Duke Ellington and Erroll Garner, moved to Englewood, New Jersey where he passed away from cancer on May 18, 1974.
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Daily Dose Of Jazz…
Ron McClure was born November 22, 1941 in New Haven, Connecticut and started on piano at age five, later played accordion and bass. He studied privately with Joseph Ladone and, later, with Hall Overton and Don Sebesky. He attended and graduated from the Hartt School of Music in 1963.
McClure worked in the Buddy Rich Sextet the year he graduated, then joined Maynard Ferguson’s big band. This was followed by a stint with Herbie Mann in 1964; and then he assumed the bass chair in the Wynton Kelly Trio that was vacated by Paul Chambers in 1965.
From 1966 to 1969 Ron was a member of Charles Lloyd’s classic quartet alongside pianist Keith Jarrett and drummer Jack DeJohnette, which was voted Group of the Year in 1967 by Downbeat magazine.
In 1970, with pianist-composer Mike Nock, drummer Eddie Marshall and violinist Michael White, McCkure co-founded the jazz-rock group The Fourth Way. He also recorded on Carla Bley’s album Escalator over the Hill and worked with saxophonist Joe Henderson.
In 1974, h joined Blood, Sweat & Tears, staying through 1975 and performing on three albums: Mirror Image, New City and In Concert. The Eighties saw Ron joining Quest, led by saxophonist Dave Liebman, and included drummer Billy Hart and pianist Richie Beirach. He recorded a duo album with pianist Michel Petrucciani. He would go on to record and/or perform with Lee Konitz, the reassembled Quest, John Scofield, John Abercrombie, Vic Juris, Paul Bley, Richie Beirach, Paul Bley, George Cables, Julian Priester, George Russell, Don Friedman, Stanley Cowell and Randy Brecker among others. Bassist Ron McClure, who has taught at New York University, continues to compose, perform, record and tour.
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Daily Dose Of Jazz…
Francesca Tanksley was born the daughter of an American and an Austrian on November 21, 1957 in Vicenza, Italy. Growing up in Munich, Germany, her father worked for Radio Free Europe and from the age of seven took piano lessons. At the age of 16, she moved to Boston, Massachusetts where she studied piano and composition at the Berklee College of Music.
After two years Francesca returned to Munich where she worked with Al Porcino, Charly Antolini and Rudi Fuesers. Moving to New York City in 1980 she worked with trombonists Melba Liston for two years. During this time she began her long-term collaboration with saxophonist Billy Harper, and her first recording session were made with Robin Eubanks and Steve Turre on Dedication.
Tanksley has worked with Clifford Jordan, Cecil Payne, David Newman, Nick Brignola, Slide Hampton, Sheila Jordan, Jay Clayton, Bill Hardman and Erica Lindsay. She is the music director the Erica Lindsay – Howard Johnson Quintet.
She works with a quintet and in a trio with bassist Clarence Seay and drummer Newman Taylor Baker, colleagues from Harper’s band, with whom she recorded her debut album Journey, released on DreamCaller label. Pianist Francesca Tanksley teaches at Berklee College of Music and continues to perform, compose and record.
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Daily Dose Of Jazz…
Colin Ranger Smith was born in London, England on November 20, 1934. Initially joining the Terry Lightfoot band in 1957, he moved on to playing with Cy Laurie, in 1958. He had a long tenure in the Acker Bilk band that began in 1959, taking a break in 1966 to sail across the Atlantic in a 45-foot ketch, rejoining Bilk in 1968. During that period he also worked at the same time in the band with saxophonist Tony Coe and the trombonist John Picard, as well as with Stan Greig’s London Jazz Big Band.
1977 saw Colin together with Picard, Ian “Stu” Stewart, Dick Morrissey and Charlie Watts. He played in the Bob Hall/George Green Boogie Woogie Band, an ad hoc band which would eventually become known as Rocket 88.
Other big bands he played with included those led by the American clarinettist Bob Wilber, and later the one led by Charlie Watts and the revisionist Midnite Follies Orchestra, Stan Greig’s Boogie Band and Brian Leake’s Sweet and Sour. From 1983 he played with the Pizza Express All Stars and, in 1992, returned to playing with Bilk.
Trumpeter Colin Smith was struck with congenital liver problems that sidelined him during the last years of his life, eventually passing away on March 29, 2004 in London.
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Requisites
On March 12, 16 and 30, 1965 four men walked into the recording studio at Atlantic Records and laid down the tracks that would become Sing Me Softly Of The Blues. Produced by Arif Mardin, this Art Farmer Quartet album was released that same year. It is just 34 minutes and 50 seconds long and Farmer’s twentieth album and his 4th recording for Atlantic.
The album is comprised of just six songs: Sing Me Softly of the Blues (Carla Bley) – 6:44, Ad Infinitum (Bley) – 6:21, Petite Belle (Traditional) – 4:08, Tears (Pete LaRoca) – 5:45, I Waited for You (Walter Gil Fuller) – 5:55 and One for Majid (LaRoca) – 5:57.
The quartet personnel are: Art Farmer/flugelhorn, Steve Kuhn/piano, Steve Swallow/bass and Pete LaRoca/drums.
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