The Quarantined Jazz Voyager

The Quarantined Jazz Voyager has but one desire and that is for you to be safe from this pandemic. If you must go out wear gloves and mask, distance yourself and return to your haven as quickly as possible. There are those who have family members they must care for, so travel is a necessity. I encourage your diligence in staying healthy from this virus.

There is no next stop for this voyager except my safe haven for the near future where I am quarantined until this pandemic is over. But what this jazz guy will do while at home, is listen to some great music and share that music with each of you weekly to give you a little insight into this voyager’s choices during this unprecedented sabbatical from jet setting investigations of jazz around the globe.

The world will be back to traveling and so will I. My album choice for this week’s listen is A Bluish Bag by Stanley Turrentine, released in 1967.

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Daily Dose Of Jazz…

Raymond Ventura was born on April 16, 1908 into a Jewish family in Paris, France and learned to play the piano as a child. By the time he turned 17 in 1925 he was the pianist for the Collegiate Five, which recorded as the Collegians for Columbia Records beginning in 1928 and then for Decca in the 1930s.

Later he led the Collegians and it became a dance orchestra resembling a big band. His sidemen included Alix Combelle, Philippe Brun, and Guy Paquinet. In the early Forties, Ray led a big band in South America and in France during the rest of the decade.

One of his band’s popular songs from 1936 was Tout va très bien, Madame la Marquise in which the Marquise is told by her servants that everything is fine at home except for a series of escalating calamities. It was seen as a metaphor for France’s obliviousness to the approaching war.

Between 1931 and 1953 he appeared with his big band in four films, American Love, Beautiful Star, Women of Paris, and A Hundred Francs A Second. Pianist and bandleader Ray Ventura, who helped popularize jazz in France in the 1930s, March 29, 1979 in Palma de Mallorca, Spain.

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Daily Dose Of Jazz…

Sy Johnson was born on April 15, 1930 in New Haven, Connecticut and learned to play the piano in his youth. He first performed in New York City with Charles Mingus at the jazz club Showplace, with Booker Ervin on tenor, Ted Curson on trumpet, Dannie Richmond on drums, and Mingus on bass. and on his first night with Mingus, Eric Dolphy performed on alto, bass clarinet, and flute.

In 1971, eleven years later, Mingus gave Johnson Let My Children Hear Music to arrange, which featured two Mingus pieces, Shoes of the Fisherman’s Wife (Are Some Jiveass Slippers) and Don’t Be Afraid, the Clowns Afraid Too. The album’s emergence was heralded with a live concert, Mingus And Friends At Philharmonic Hall, also arranged by Johnson and released as an album.

Performing We Did It on Soul Train in 1973 and continued to work with Mingus until his death from Lou Gehrig’s disease in 1979. Mingus recorded two of Johnson’s compositions, Wee and For Harry Carney, and nominated Johnson for a Guggenheim award following his own in Jazz Composition.

Johnson continues to work with Sue Mingus arranging charts for all the Mingus repertory ensembles—the Mingus Big Band, the Mingus Orchestra and the Mingus Dynasty. He would go on to collaborate with arrangements for Joe Williams, Frank Sinatra, Wes Montgomery, Roy Eldridge, Ben Webster, Quincy Jones, Benny Goodman, Count Basie, Mel Torme, Terry Gibbs, Lee Konitz and Sarah Vaughan, among others.

He has also worked on Broadway and in films such as the1984 movie The Cotton Club. Arranger Sy Johnson is also a jazz photographer, writer, pianist, singer, and teacher.

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Three Wishes

When the Baroness asked Art Davis what he would have as his three wishes he said: 

1. 1. “Tho be successful and to help people.”

   2. “To have anything and everything I want.”

   3. “To be loved and admired by everyone.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

Bill Harris was born on April 14, 1925 in Nashville, North Carolina He studied guitar in Washington, D.C. at the Columbia School of Music and in 1950 began playing with the R&B vocal group The Clovers. He remained with the group through 1958, playing on many of their most successful hit records.

During this time he also recorded as a jazz musician, including two LPs for EmArcy Records, his 1956 self-titled Bill Harris and The Harris Touch In 1957. Through the Sixties, he played in the DC area and in the 1970s taught music, and published several books on guitar technique.

He was awarded a compositional fellowship from the National Endowment for the Arts in 1972. Moving to France he performed there for much of 1972-1973, and after returning to the States, Harris began managing his own jazz club, Pigfoot, in the DC, but by 1981 the club was repossessed by the Internal Revenue Service due to back taxes.

Guitarist Bill Harris worked as an impresario late in life, organizing and presenting concerts in a variety of genres until passing away on December 6, 1988, Washington, D.C.

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