Daily Dose Of Jazz…
George F. Clarke was born on August 28, 1911 in Memphis, Tennessee. He attended Manassas High School, where he was Jimmie Lunceford’s pupil before joining the orchestra and playing with Lunceford until 1933.
Relocating to Buffalo, New York, there he played with Guy Jackson, Lil Armstrong and Stuff Smith in 1935. He and Smith worked together again on tour in 1939-1940 and in the recording studio. Returning to Buffalo, Clarke led an ensemble at a local club from 1942 to 1954.
Following this he moved to New York City and worked with Wild Bill Davis and Jonah Jones, and toured internationally in Europe in 1959 with Cootie Williams and Africa with Cozy Cole in 1962. He was occasionally active through the ‘60s in New York City. Tenor saxophonist George Clarke passed away in September 1985 in the Bronx, New York.
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Daily Dose Of Jazz…
William English was born on August 27, 1925 in New York City and studied at the Greenwich House of Music in the Village. His early career hit just as rock & roll was on the rise and he played with rhythm and blues musicians in the 1950s, such as Sonny Thompson and Amos Milburn.
He went on to venture into jazz working with Julian Dash, Bennie Green, and Erskine Hawkins in the mid-1950s before becoming the house drummer at New York’s Apollo Theatre. Later in the decade he worked at Connie’s with his own ensemble, and during the 1960s he freelanced playing with Coleman Hawkins, Earl Hines, Prestige Blues Swingers, Gene Ammons, Quincy Jones Orchestra & Big Band, Sonny Stitt, Philly Joe Jones, Frank Foster Quintet, Etta jones, Joe Newman, Stanley Turrentine, Kenny Burrell, The Ray Bryant Combo and Eddie Jefferson, among others.
He remained active into the 1970s, working with the Eric Dixon Sextet among others. Drummer Bill English passed away on March 4, 2007 in his home city.
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The Quarantined Jazz Voyager
Remaining vigilant, being healthy, social distancing as those in our nation who continue to navigate positively and negatively through this pandemic.
This week the album I’m recommending for listening is The Young Lions by Lee Morgan leading an ad hoc group of musicians who made up the septet for this recording. It was recorded on April 25, 1960 at the Bell Sound Studios in New York City and was produced by Sid McCoy. The album was released in 1961 on Vee~Jay Records.
The album title echoes that of a popular 1948 novel by Irwin Shaw which had been made into a feature film shortly before the album was recorded. The young lions who made the music on this album have varied musical philosophies and sundry jazz backgrounds.
The young lions phrase was revived in jazz in the 1980s when, as in 1960, there was a tension between the modern jazz traditionalists and the avant-garde.
Track Listing | 35:14- Seeds of Sin (Shorter) ~ 5:44
- Scourn’ (Shorter) ~ 5:58
- Fat Lady (Shorter) ~ 5:03
- Peaches and Cream (Shorter) ~ 6:52
- That’s Right (Morgan) ~ 11:37
- Lee Morgan – trumpet
- Wayne Shorter – tenor sax
- Frank Strozier – alto sax
- Bobby Timmons – piano
- Bob Cranshaw – bass
- Albert “Tootie” Heath (3-5, 8) drums
- Louis Hayes (1, 2, 6, 7) – drums
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Daily Dose Of Jazz…
Frances Wayne was born Chiarina Francesca Bartocci or Clara Bertocci, on August 26, 1924 in Somerville, Massachusetts. After graduating from Somerville High School she moved to New York City in her teens, where she sang in an ensemble led by her brother, saxophonist Nick Jerret.
Early in the 1940s, she recorded with Charlie Barnet’s big band, and in 1943 sang with Woody Herman’s band. After marrying Neal Hefti, who formed his own big band in 1947, Frances soloed in this ensemble well into the 1950s. She later sang with smaller ensembles, featuring Hank Jones, Milt Hinton, Jerome Richardson, Richie Kamuca, John LaPorta, Billy Bauer, and Al Cohn.
Wayne was the female vocalist on The Woody Herman Show for his radio broadcasts. After a long bout with cancer, vocalist Frances Wayne, best known for her recording of ”Happiness Is Just a Thing Called Joe, passed away in her hometown at age 58 on February 6, 1978.
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Daily Dose Of Jazz…
Louis “King” Garcia was born on August 25, 1905 in Juncos, Puerto Rico and played early in his life in the Municipal Band of San Juan, whose director was Juan Tizol’s uncle, Manuel Tizol. This led to some work with the Victor Recording Orchestra.
Moving to the United States in the early 1920s during the Jazz Age, he played with the Original Dixieland Jazz Band and the Emil Coleman Orchestra. The Thirties saw him increasingly working in the studios, including his most important association, Jimmy and Tommy Dorsey, which he recorded with both together and separately. He also played with the Vic Berton Orchestra, Richard Himber, Nat Brandwyne, Amanda Randolph, Louis Prima, and vocalist Amanda Randolph.
In the 1940s he returned to play with Coleman again, and led his own Latin ensemble that decade. By the 1960s he had moved to California and faded from the scene, essentially retiring due to failing health.
Trumpeter and bandleader King Garcia, who spent most of his career in the United States, passed away in Los Angeles, California on September 4, 1983.
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