Daily Dose Of Jazz…

Anthony Frank “Tony” Inzalaco, Jr. was born January 14, 1938 in Passaic, New Jersey. From childhood drumming he went on to obtain bachelor’s and master’s degrees from the Manhattan School of Music. He was active in the United States from 1959 to 1968, performing and/or recording with Vinnie Burke, Jaki Byard, Donald Byrd, Chris Connor, Maynard Ferguson, Jim Hall, Roger Kellaway, Morgana King, Lee Konitz, Morris Nanton, Duke Pearson, Benny Powell, Buddy Rich, Charlie Shavers, Johnny Smith, Billy Taylor, and Ben Webster.

Moving to Germany in 1968 he lived there for a decade as a member of the bands of Kurt Edelhagen and Eugen Cicero. He worked with Benny Bailey, Don Byas, Kenny Clarke and Francy Boland, Kenny Drew, Art Farmer, Dizzy Gillespie, Dexter Gordon, Johnny Griffin, Peter Herbolzheimer, Carmen McRae, Sal Nistico, Horace Parlan, Fritz Pauer, Oscar Peterson, Idrees Sulieman, Ben Webster again, Jiggs Whigham, Jimmy Woode, and Leo Wright during his time in the country.

After moving back to the States, he was active principally in Boston, Massachusetts in the 1980s, working with Byrd, Griffin, and Farmer again, as well as with Ruby Braff, Al Cohn, and Dakota Staton.

Relocating again to Los Angeles in the 1990s, drummer Tony Inzalaco  has led his own ensemble for the past decade.

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Daily Dose Of Jazz…

Nathan Peck was born on January 13, 1925 in New York City and began playing the trombone as a teenager. After leaving high school he was drafted into the army and became part of Glenn Miller’s band. He remained with the band until after World War II ended.

He played with Don Redman in 1947 and studied classical music at the Paris Conservatory from 1949 to 1951, while playing and recording with leading jazz musicians such as Coleman Hawkins, James Moody, and Roy Eldridge. During the 1950s Peck played on television in New York, and in 1953 he recorded with Dizzy Gillespie. He shuttled between Paris and New York until 1957, when he married dancer Vera Tietz, then settled in France.

In France, he played with Michel Legrand, André Hodeir and Duke Ellington. Spending some time in England and Germany, Nathan worked as a staff musician at Sender Freies Berlin and played with Quincy Jones and the Clarke-Boland Big Band from 1963 to 1969. Relocating to London, England in 1965, he became active in the studios, film, and television. He played with Benny Goodman in the early Seventies and with Peter Herbolzheimer by the end of the decade.

Later he worked mainly as a contractor with his company, London Studio Orchestras. While this led to him ending his playing career, he shifted his talents to putting together the best blend of session musicians that he could find. ‘The Italian Job’, ‘Yentl’, ‘The 3 Muskateers’, and many more great films, especially with French composers Michel Legrand and Philippe Sarde.

Trombonist Nathan Peck transitioned on October 24, 2015.

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The Jazz Voyager

The Jazz Voyager is not one who cruises to look at the ocean rather than being in it. I like to experience the adventure on terra firma so I can fully explore the destination and the waters snorkeling and diving. But it is a new year and one must try new things, so Blue Note At Sea is where you’ll find this voyager.

Seven days from January 13~20th upon the Celebrity Millennium Cruise Line there will be jam packed roster of 80 musicians and vocalists, performing as much music as you can stand. Folks like Marcus Miller, Cécile McLorin Salvant, The Baylor Project, Christian McBride, Chris Botti, Robert Glasper, Cyrille Aimée, José James, Derrick Hodge, Gerald Clayton, Emmet Cohen, Julian Lage, Warren Wolf and many, many more.

So tune up your jazz ears, protect yourself as variants are still appearing on the horizon and you will be in crowded spaces. Kindness to yourself will be kindness to others. Enjoy the celebration of music!

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Daily Dose Of Jazz…

Ojārs Raimonds Pauls was born January 12, 1936 in Iļģuciems, Riga, Latvia  and is the second child of a glass blowing factory worker and a seamstress. His father played drums and his grandfather played the violin, and following in his grandfather’s footsteps he is enrolled into Riga’s institute of Music kindergarten branch. Being too young and his fingers unfit for playing violin, he started on the piano.

By 1943 he was studying at Riga’s 7th Elementary school while continuing piano lessons with professor Valerijs Zosts and teachers Emma Eglīte and Juta Daugule. 1946 saw Raimonds admitted to the Secondary Musical School of Emīls Dārziņš, combining his studies at the elementary school for three years.

When he turns 14, Pauls was playing piano at restaurants and clubs with a violin and saxophone virtuoso Gunārs Kušķis. Five years later he completed his studies at the Riga’s 7th Elementary school, however, during this time, he independently developed a liking for playing jazz by studying and imitating various jazz records.

He would go on to compose for musicals, ballets, theater performances, puppet shows, films, choirs, and instrumentals, He has received several honors from his home country, the USSR, Sweden, Japan and Armenia.

Composer, arranger and pianist Raimonds Pauls, who was the Minister of Culture of Latvia from 1988 to 1993, continues to record and perform.

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Daily Dose Of Jazz…

Lee Mack Ritenour was born January 11, 1952 in Los Angeles, California and at the age of eight he started playing guitar. Four years later decided on a career in music and by 16 he was playing on his first recording session with the Mamas & the Papas. He developed a love for jazz, influenced by guitarist Wes Montgomery. A year later he worked with Lena Horne and Tony Bennett, then studied classical guitar at the University of Southern California.

His solo career began with his debut album First Course in 1976 which was a jazz-funk sound of the 1970s. Lee followed with Captain Fingers, The Captain’s Journey, and Feel the Night to close out the decade. The Eighties saw Ritenour adding pop elements to his music, which got him charting so he stayed the course. During this period he added vocals to his music, recruiting such artists as Djavan, Bill Champlin, Eric Tagg, Patti Austin, Ivan Lins, Phil Perry, João Bosco, Kate Markowitz, Maxi Priest, Lisa Fischer and Michael McDonald.

In 1988, his Brazilian influence came to the forefront on Festival, an album featuring his work on nylon-string guitar. He changed direction with his straight-ahead jazz album Stolen Moments which he recorded with saxophonist Ernie Watts, pianist Alan Broadbent, bassist John Patitucci, and drummer Harvey Mason.

Then 1991 had Ritenour and keyboardist Bob James forming the group Fourplay, where he stayed until 1997. He released the career retrospective Overtime in 2005. Smoke n’ Mirrors came out the next year with the debut of his thirteen-year-old son, Wesley, on drums.

Guitarist Lee Ritenour has recorded 34 albums, garnered 16 Grammy nominations, received one Grammy Award and has been a judge for the Independent Music Awards. He continues to explore, record, compose and perform.

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