Daily Dose Of Jazz…

Cecil Percival Taylor was born March 25, 1929 in New York City and began playing piano and classical training at age six. He studied at the New York College of Music and New England Conservatory. After first steps in R&B and swing-styled small groups in the early 1950s, he formed his own band with soprano saxophonist Steve Lacy in 1956, in which he release his first recording Jazz Advance.

Throughout the 1950s and 1960s, Taylor’s music grew more complex and moved away from existing jazz styles. Gigs were often hard to come by, and club owners found Taylor’s approach to performance (long pieces) unhelpful in conducting business. Forming his group The Unit in 1961 with Jimmy Lyons, Sunny Murray and later Andrew Cyrille produced landmark recordings, like “Unit Structures” in 1966, they continued to record although sporadically and many of his recording sessions remained unreleased for sometimes decades.

By the 70s he was performing solo concerts and Taylor’s work began to be released for the next two decades, garnering critical if not popular acclaim. He began lecturing at universities, was awarded the Guggenheim Fellowship, performed a White House lawn concert for President Jimmy Carter, was awarded a MacArthur Fellowship, returned to the trio setting, collaborated with ballet companies and as an accomplished poet often incorporates his poems into his musical performances.

He is the co-founder of the Jazz Composers Guild to enhance the working possibilities of avant-garde musicians. Acknowledged as one of the pioneers of free jazz, his music is characterized by an extremely energetic, physical approach, producing complex improvised sounds, frequently involving tone clusters and intricate polyrhythms. His piano technique has been likened to percussion, described as “eighty-eight tuned drums” referring to the number of keys on a standard piano. He continues to perform, compose and record.

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Daily Dose Of Jazz…

Renee Rosnes was born Irene Louise Rosnes on March 24, 1962 in Regina, Saskatchewan but grew up in North Vancouver, B.C. where she attended Handsworth Secondary School. She was three when she began taking classical piano lessons and became interested in jazz in high school. She went on to the University of Toronto pursuing classical performance, was awarded a Canada Council of the Arts grant in 1985 and moved to New York City to further her studies.

Saxophonist Joe Henderson hired her to play with his quartet that kick-started her international career. Since then, Rosnes has worked with many of the top names in jazz including J.J. Johnson, Wayne Shorter, James Moody, Bobby Hutcherson and Jon Faddis among others.

Renee is a founding member of the San Francisco Jazz Collective, whose members have included the likes of Joshua Redman, Brian Blade, Bobby Hutcherson, Dave Douglas, Eric Harland, Nicholas Payton, Joe Lovano, Stefon Harris and others.

The pianist, composer and arranger performs and records in the hard bop and post-bop mediums, has nearly two dozen albums as a leader and several more as a sidewoman with her latest project “Double Portrait” recorded with her husband Bill Charlap. Renee Rosnes continues to perform, tour and record.

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The Jazz Voyager

Baker’s Keyboard Lounge: 20510 Livernois Avenue, Detroit, Michigan / Telephone: 313-345-6300. The club features big band and jazz jam sessions and a great soul food menu. Detroit jazz legend Kenn Cox is now on Wednesdays.

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Daily Dose Of Jazz…

Stefon Harris was born March 23, 1973 in Albany, New York and started playing the piano at age 6 and learned to read music by the time he began elementary school. By the time he reached 8th grade Stefon played nearly twenty different instruments from string bass to trombone. After seeing the Empire State Youth Orchestra on television, he auditioned for the ensemble and was accepted as the principal percussionist.

A few years later, he earned a full merit scholarship to attend Eastman School of Music in Rochester, where his roommate introduced him to jazz via Charlie Parker records. Smitten by the music, Harris moved to New York City and began gigging on the jazz scene as a vibraphone player while finishing his B.A. and Master’s degrees at the Manhattan School of Music.

Harris has released several critically acclaimed albums, composed numerous works and is one of the foremost young artists in demand today having played with such luminaries as Kenny Barron, Steve Turre, Kurt Elling, Charlie Hunter, Joe Henderson, Steve Coleman, Cassandra Wilson, Buster Williams, Wynton Marsalis and the Lincoln Center Chamber Music Society. In 2011 he ventured to Havana, Cuba with saxophonist David Sanchez and trumpeter Christian Scott to record their critically acclaimed Ninety Miles. Having performed worldwide, vibraphonist Stefon Harris sits at the forefront of New York music.

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From Broadway To 52nd Street

Pickwick opened at the 46th Street Theatre on October 4, 1965 and ran 56 performances with the music composed by Cyril Ornadel and Leslie Bricusse. The song that rose to great heights is the Great American songbook and became a jazz standard was If I Ruled The World.

The Story: Set in England in 1828, the story centers on wealthy Samuel Pickwick and his valet Sam Weller, who are in a debtors’ prison where they recall the misadventures that led to their imprisonment. On the previous Christmas Eve, Pickwick introduced his friend Wardle, Wardle’s daughters, Emily and Isabella, and their Aunt Rachael to Nathaniel Winkle, Augustus Snodgrass, and Tracy Tupman, three members of the Pickwick Club. Soon, Alfred Jingle joined them and tricked Tupman into paying for his ticket to a ball that evening. Upon learning Rachael is an heiress, Jingle set out to win her hand and eventually succeeded. Pickwick engages Sam Weller as his valet and, through a series of misunderstandings, he inadvertently leads his landlady, Mrs. Bardell, to believe he has proposed marriage to her. Pickwick is charged with breach of promise and hauled into court, where he is found guilty as charged and sentenced to prison when he stubbornly refuses to pay her compensation.

Jazz History: In 1965 Miles Davis records ESP with his new quintet; pianist/vocalist Nat King Cole dies of cancer; Herbie Hancock records Maiden Voyage, a classic modal tune, with the other members of Miles Davis’ group plus trumpeter Freddie Hubbard;  trumpeter Thad Jones and drummer Mel Lewis form a rehearsal orchestra that is to last for years and is still in existence today; and John Coltrane records Ascension, a free jazz experiment influenced by Ornette Coleman.

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