Daily Dose Of Jazz…

Joe Chambers was born June 25, 1942 in Stoneacre, Virginia into a musical family. He grew up listening to the rock and roll of Louis Jordan and Slim Gaillard along with classical composers like Vivaldi and Beethoven. At the tender age of four he was playing pots and pans, setting them up like a kit. More taken with Lester Young and Lionel Hampton, nonetheless, he soon joined a band that played the R&B hits and at thirteen hearing the esoteric sounds of Miles Davis, he was hooked.

Chambers earned an undergrad degree from the Philadelphia Conservatory and by the time he was twenty cut his first session on Freddie Hubbard’s Breaking Point. That single date led to road work with Harold Land, Sonny Rollins, Herbie Hancock, Eric Dolphy and Dizzy Gillespie.

As a member of the ‘60s Blue Note fraternity, Joe stands amongst some of the greatest jazz musicians of the 20th century. His intense drumming and trademark blend of cymbal-driven forward motion, deeply rhythmic continuity and explosive creativity has graced numerous landmark recordings like Hutcherson’s “Components”, Shorter’s “Schizophrenia” and “Etcetera”, and Tyner’s “Tender Moments”.

Joe Chambers is more than a drummer adding vibraphonist, pianist, composer and educator to his resume. He has eight albums as a leader, has scored several Spike Lee films, taught at the New School for Jazz and Contemporary Music in NYC and leads the Outlaw Band at the school; and he is the Thomas S. Kenan Distinguished Professor of Jazz in the University of North Carolina Wilmington’s Department of Music.

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The Jazz Voyager

Thelonious Jazz Bar: Av, 20 de Octubre # 2172, Sopocachi, La Paz, Bolivia / Contact: Juan Pereira and/or Juan Carlos Carrasco / Teléfono: (591-2) 2424405 Cell: (591) 77564742 / monk.thelonius.monk@gmail.com or http://www.theloniousclub.com 

A small, intimate jazz club located at an altitude of 4000m presenting all forms of live jazz and blues. The walls are decked out with artwork of jazz musicians and the atmosphere is relaxed and inviting – you could be forgiven for thinking you’re in a candlelit club in New Orleans rather than in La Paz.

On Mondays and Tuesdays there’s no cover and you can listen to groups practice, and local and international artists perform Wednesday through Saturday. Open from 9:00pm – 4:00am. Drinks and snacks.

Bebop fans love this charmingly low-key bar for its live and often impromptu performances and great atmosphere. A flier on the wall promotes forthcoming sessions. There is an annual jazz festival held here the first two weeks of September.

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Daily Dose Of Jazz…

Marvin “Smitty” Smith was born on June 24, 1961 Waukegan, Illinois, son of a drumming father, exposing a young boy at a very young age. He began receiving formal musical training on drums at the age of three. An alumnus of Berklee, he has recorded over 200 albums including two as leader with a host of jazz contemporaries.

Marvin was the band drummer for the entire run of The Jay Leno show and from 1995 to 2009 sat in the drummer seat on The Tonight Show with Jay Leno, returning at its incarnation in 2010.

In addition, his jazz endeavors have seen Smith touring with the likes of Dave Holland and Sonny Rollins as well as Sting and Willie Nelson among others. He has been a member of The New York Jazz Quartet and has a group with fellow Tonight Show band mate Kevin Eubanks.

Drummer Marvin “Smitty” Smith is a frequent in-studio guest on The Loose Cannons sports radio show on KLAC in Los Angeles when the Tonight Show is on hiatus, and he continues to compose, play and tour.

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Daily Dose Of Jazz…

Jazz and blues singer Helen Humes was born on June 23, 1913 in Louisville, Kentucky. As a teenager she was a blues singer, band vocalist with Count Basie, a saucy R&B diva and a mature interpreter of the classy pop song.

Humes made her gramophone record debut in 1927 after being spotted by guitarist Sylvester Weaver. Moving to New York City in 1937 she became a recording vocalist with Harry James’ big band, then replaced Billie Holiday as the voice of the Count Basie Orchestra in 1938. During the 1940s and 1950s, she turned solo performer and worked with different bands and other vocalists including Nat King Cole.

In 1950 Helen recorded Benny Carter’s “Rock Me to Sleep”. She managed to bridge the gap between big band jazz swing and rhythm and blues. She appeared at the 1960 Monterey Jazz Festival with a styling reminiscent of Dinah Washington. Moving to Hawaii, then to Australia in 1964, she returned to the U.S. in 1967 to care for her ailing mother leaving the music industry for several years.

Vocalist Helen Humes received the key to the city of Louisville, the Music Industry of France Award and made a full comeback in 1973 at the Newport Jazz Festival and stayed busy until her passing from cancer at age 68 on September 9, 1981 in Santa Monica, California.

CALIFORNIA JAZZ FOUNDATION

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From Broadway To 52nd Street

Seven Lively Arts opened at the Ziegfeld Theatre on December 7, 1944 and the curtain rose for 183 performances. Billy Rose produced the show, hiring Cole Porter to compose the music that spawned the jazz standard Ev’ry Time We Say Goodbye.

The Story: The musical featured eleven sketches such as Local Boy Makes Good, Pas de Deux and Heaven On Angel Street. The short-list of actors included Beatrice Lillie, Bert Lahr, Alicia Markova and Doc Rockwell. They are augmented with the talents of jazz notables Teddy Wilson, Red Norvo and Benny Goodman.

Broadway History: By the Mid 40s most theaters on Broadway that had been a good investment and a symbol of vivacity and mirth from the turn of the century were now considered uneconomical. Increasing real estate values was forcing the theaters into obsolescence, turning them into film house to accommodate the takeover by movies.  A second threat during this period in the competition for audience was the emergence of television, which was providing free entertainment. The result of these two industries was a shocking 80% unemployment rate for Broadway actors in 1948, and for the first time in its history, Broadway had to call a general emergency meeting for all unions and theater people.

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