The Jazz Voyager
New York is beckoning the Jazz Voyager to leave the cold of the Midwest to experience the familiar cold of the Big Apple for two new events. The first is a visit to a fresh old fashioned haunt that’s tucked away in Lefferts Garden called Bar Bayeux. Though it may be familiar, I’m desirous of warmer southern temperatures but the jazz and new adventures never stop.
The second event has me in the company of international recording pianist, organist, and accordionist Gary Versace who is one of the busiest and most versatile musicians on the international jazz scene. Leading this quartet date, he has been featured in bands of John Scofield, Maria Schneider, John Abercrombie, Anat Cohen, Al Foster, Regina Carter, Kurt Elling, Madeleine Peyroux, Matt Wilson, Ingrid Jensen and many others.
Bar Bayeux is located at 1066 Nostrand Avenue, Brooklyn, NY 11225. For more information visit https://www.barbayeux.com. No cover, one drink minimum but tips for musicians are encouraged.
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Daily Dose Of Jazz…
Teddy Napoleon was born January 23, 1914 in New York City, New York. His first professional engagement was with Lee Castle in 1933, then played with Tommy Tompkins for several years before working as a freelance musician in New York.
In the 1940s he played in several big bands, including Johnny Messner and Bob Chester, before signing up with Gene Krupa in 1944. He worked with Krupa intermittently for the next fourteen years including on many of his big band releases in the 1940s, and in his trio settings with Charlie Ventura.
He also spent time working with Flip Phillips, Bill Harris, and Eddie Shu. Teddy moved to Florida in 1959 and led his own trio there, though he never recorded as a leader, however he did record a duo album with his younger brother Marty, also a pianist.
Swing jazz pianist Teddy Napoleon, who was the nephew of trumpeter Phil Napoleon, eventually returned north and died on July 5, 1964 in Elmhurst, New York.
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Daily Dose Of Jazz…
Alan Lee da Silva was born on January 22, 1939, in Bermuda, British Empire to an Azorean/Portuguese mother, Irene da Silva, and a black Bermudian father known only as Ruby. Emigrating to the United States at the age of five with his mother, he was raised in Harlem, New York City. Here he first began studying the trumpet, and moved on to study the upright bass. He eventually acquired U.S. citizenship by the age of 18 or 19 and in his twentieshe adopted the stage name of Alan Silva.
As one of the most inventive bass players in jazz, Silva has performed with avant-garde jazz musicians Cecil Taylor, Sun Ra, Albert Ayler, Sunny Murray, and Archie Shepp. He performed in 1964’s October Revolution in Jazz as a pioneer in the free jazz movement, and for the 1967 live album Albert Ayler in Greenwich Village.
Since the early 1970s, Alan has lived mainly in Paris, France where he formed the Celestrial Communication Orchestra, dedicated to the performance of free jazz with various instrumental combinations. In the 1980s, Silva opened a music school, Institute for Art, Culture and Perception (I.A.C.P.) in Central Paris, together with François Cotinaud and Denis Colin.
In the 1990s he picked up the electronic keyboard, the electric violin and electric sarangi on his recordings. Since around 2000, he has continmued to perform more frequently as a bassist and bandleader, notably at New York City’s annual Vision Festivals.
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Jazz Poems
CHARLES PARKER 1920~1955
Listen
This here
Is what
Charlie
Did
To the Blues.
Listen
That there
Is what
Charlie
Did
To the Blues.
This here,
bid-dle-dee-dee
bid-dle-dee-dee
bopshop
have you any cool?
bahdada
one horn full.
Charlie
Filled the Blues
With
Curly-cues.
That’s what
Charlie
Did
To the Blues.
Play
That again
Drop
A nickel in,
Charlie’s
Dead
Charlie’s
Gone,
But
John Birks
Carried on.
Drop
A nickel in,
Give
The platter
A spin,
Let’s listen
To what
Charlie
Did
To the Blues.
WARING CUNEY
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Rudolph Pickett Blesh was born January 21, 1899 in Guthrie, Oklahoma. He studied at Dartmouth College and held jobs writing jazz reviews for the San Francisco Chronicle and the New York Herald Tribune in the 1940s. He was a prolific promoter of jazz concerts, particularly New Orleans jazz, and hosted a jazz radio program, This Is Jazz, in 1947.
In collaboration with Harriet Janis, mother of jazz band leader Conrad Janis, wrote the book They All Played Ragtime, which was published in 1950 by Alfred A. Knopf. A promotional record consisting of Maple Leaf Rag recorded to piano roll by Jelly Roll Morton in 1907.
With renewed public interest in ragtime music, Blesh founded Circle Records in 1946, which recorded new material from aging early jazz musicians in conjunction with the Library of Congress recordings of Jelly Roll Morton. Together they sparked renewed interest in the music of Joseph Lamb, James P. Johnson, and Eubie Blake, among others.
Retiring from writing in 1971 Rudi held professorships at several universities later in his life, and wrote liner notes to jazz albums almost up until the time of his death. In 1976, he was nominated for a Grammy Award for his liner notes to Joplin: The Complete Works of Scott Joplin performed by Dick Hyman.
Jazz critic, promoter and enthusiast Rudi Blesh died on August 25, 1985, on his farm in Gilmanton, New Hampshire from a myocardial infarction, aged 86.
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