The Quarantined Jazz Voyager
As the pandemic wages on, rising numbers amongst the unvaccinated, the unmasked and the ignorant threaten the spread to the vaccinated and the children, while once again filling our hospitals. I cringe to think of the children who are going to be forced back to school without a vaccine. I’ve personally had a vaccinated friend who tested positive while working at a day camp with exposed children. Camp was shut down immediately, friend is fine but the Delta variant is highly contagious, like chicken pox. Be vigilant and stay safe.
With that in mind, I am pulling out the classic Song for My Father, the hard bop album by the Horace Silver Quintet, inspired by a trip that Silver made to Brazil. The songs were recorded at Van Gelder Studios in Englewood Cliffs, New Jersey by two different ensembles over two sessions ~ 3,6 on October 31, 1963 and 1,2,4,5 on October 26, 1964. Produced by Alfred Lion, it was released on the Blue Note record label in January, 1965.
The cover artwork features a photograph of Silver’s father, John Tavares Silver, to whom the title composition is dedicated. The title track, Song for My Father, is the leader’s most recognized composition, blending his native Cape Verdean folk music with bossa nova.
Track Listing | 42:12 All compositions by Horace Silver, except #5- Song for My Father ~ 7:17
- The Natives Are Restless Tonight ~ 6:09
- Calcutta Cutie ~ 8:31
- Que Pasa ~ 7:47
- The Kicker (Joe Henderson) ~ 5:26
- Lonely Woman ~ 7:02
- Horace Silver ~ piano
- Carmell Jones ~ trumpet (2, 5 solo | 1, 4 ensemble)
- Joe Henderson ~ tenor saxophone (1,2,4,5)
- Teddy Smith ~ bass (1,2,4,5)
- Roger Humphries ~ drums (1,2,4,5)
- Blue Mitchell ~ trumpet (3, ensemble)
- Junior Cook ~ tenor saxophone (3, ensemble)
- Gene Taylor ~ bass (3,6)
- Roy Brooks ~ drums (3,6)
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Daily Dose Of Jazz…
Dill Jones was born Dillwyn Owen Paton Jones on August 19, 1923 in Newcastle Emlyn, Carmarthenshire, Wales. He was brought up in New Quay on the Cardiganshire coast. Music was in the family, his mother a pianist and his aunt played organ at the Methodist Tabernacle. He was exposed to jazz as a 10-year-old by hearing records by Fats Waller and Bix Beiderbecke on the radio.
After leaving college, Jones followed his father into banking but was called up by the Royal Navy for wartime service in the Far East. When the war ended he enrolled at Trinity College of Music in London, England but did not complete the course, preferring the informality of late night jazz sessions.
Joining the Harry Parry Sextet and Vic Lewis’ Orchestra before plying his trade as ship’s pianist on the luxury liner, the Queen Mary, he sailed between New York City and Southampton. This gave Dill the chance to hang out in New York’s jazz clubs and hear Coleman Hawkins and Lennie Tristano, among others. After forming the Dill Jones Quartet in 1959, he emigrated to the United States in 1961, settling in New York City. He became an expert in the Harlem stride style. was soon in demand, earning his reputation playing with the likes of Gene Krupa, Jimmy McPartland and Yank Lawson.
Between 1969–1973, Jones was a member of the JPJ Quartet with Budd Johnson, Oliver Jackson and Bill Pemberton. A double CD anthology of Dill Jones` work was released in 2004, entitled Davenport Blues – Dill Jones plays Bix, Jones and a Few Others.
Pianist Dill Jones, who was instrumental in bringing jazz to British television when he hosted the BBC Jazz Club, passed away from throat cancer in a New York hospital on June 22, 1984. He was 60
Daily Dose Of Jazz…
Zinky Cohn was born on August 18, 1908 in Oakland, California. Little is known about his childhood but it has been speculated by many Jewish historians he descended from one of the so-called 12 tribes.
Moving to Chicago, Illinois in the late 1920s, he played around town and from 1928 to 1930 was a member of Jimmie Noone’s Apex Club Orchestra. He recorded extensively with Noone between 1929 and 1934, especially for Vocalion Records. Many of the tunes Noone recorded were written and/or arranged by Cohn, including Apex Blues, previously attributed to Earl Hines.
Cohn also recorded as a leader in the early 1930s, with a band that featured Leon Washington on tenor saxophone. Cohn recorded with Frankie Franko & His Louisianans in 1930, and also accompanied blues singers such as Georgia White.
Later in the 1930s he led the Chicago musicians’ union, and continued to play locally. Pianist Zinky Cohn passed away on April 26, 1952 in Chicago.
Three Wishes
When Pannonica inquired what his three wishes would be Bob Cranshaw replied with these three answers:
- “That Barry Harris would go to Chicago with us for two weeks.”
- “That I might learn how to play the bass!”
- “That my family will be proud of me.”
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Daily Dose Of Jazz…
Rabih Abou-Khalil ربيع أبو خليل, was born August 17, 1957 in Beirut, Lebanon and studied the oud at the Beirut Conservatory with oudist Georges Farah. After moving to Munich, Germany at 21, he studied classical flute at the Academy of Music under Walther Theurer.
Combining elements of Arabic music with jazz, rock, or classical music, he has earned praise as a world musician years before the phrase became a label. Along with Tunisian oud virtuosos Anouar Brahem and Dhafer Youssef, he has helped establish the oud as an important instrument of Ethno jazz and world fusion.
Among other musicians, Abou-Khalil has worked with ARTE Quartett, Alexander Bălănescu, Luciano Biondini, Milton Cardona, Sonny Fortune, Michel Godard, Joachim Kühn, Howard Levy, Charlie Mariano, Ricardo Ribeiro, Steve Swallow, Kenny Wheeler. He has recorded for ECM, Enja, MMP, Granit, and World Village record labels.
Rabih has hosted the 13 part documentary television series Visions of Music, that explores the blending of jazz with different music styles of the world. The music of the TV-series was released on the album Visions of Music – World Jazz by Enja Records.
Oudist Rabih Abou~Khalil continues to be active in music, composing, recording and performing worldwide.
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