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Margaret Eleanor Whiting was born in Detroit, Michigan on July 22, 1924 and her father Richard wrote popular hits such as Hooray for Hollywood, Ain’t We Got Fun? and On the Good Ship Lollipop. In 1929 when she was five years old, her family moved to Los Angeles.
In her childhood, Whiting’s singing ability had already been noticed, and at the age of only seven she sang for singer-lyricist Johnny Mercer, with whom her father had collaborated on Too Marvelous for Words. In 1942, Mercer co-founded Capitol Records and signed her to one of Capitol’s first recording contracts.
In the early years of her career Margaret would work with Freddie Slack and His Orchestra, Billy Butterfield’s Orchestra and Paul Weston and His Orchestra. By 1945 she began to record under her own name with songs like All Through The Day, In Love In Vain, Baby It’s Cold Outside and A Tree In The Meadow. She would work with Jimmy Wakely, Johnny Mercer, Bob Hope and Strange Sounding Names. Through to the mid-1950s she recorded for Capitol, but as hits waned she switched to Dot Records, then Verve Records, returned to Capitol in the early 1960s and finally signing with London Records by 1966. Her final solo albums were made for Audiophile in the Eighties and DRG Records in 1991. Her distinguished conductors and musical arrangers through the years included Buddy Bregman, Frank DeVol, Russell Garcia, Johnny Mandel, Billy May, Marty Paich, Nelson Riddle, Pete Rugolo, and Paul Weston.
Whiting would go on to co-star on the 15-minute radio musical programs The Jack Smith Show and Club Fifteen. She was a vocalist on The Eddie Cantor Show, was in the cast of The Philip Morris Follies of 1946 and The Railroad Hour. She was hostess on the Spotlight Revue and a featured singer on the transcribed Barry Wood Show and was casted as a young Sophie Tucker, in the Lux Radio Theater production No Time For Heartaches.
With her sister Barbara they starred as themselves in the CBS sitcom Those Whiting Girls produced by Desilu Productions, and was a regular over the years on tv variety shows The Big Record, The Bob Hope Show, The Colgate Comedy Hour, The David Frost Show, The Ed Sullivan Show, The George Jessel Show, The Jonathan Winters Show, The Merv Griffin Show, The Mike Douglas Show, The Nat King Cole Show, The Patti Page Show, The Red Skelton Hour, The Steve Allen Show, The Ford Show Starring Tennessee Ernie Ford, and The Tonight Show Starring Johnny Carson, among numerous others.
In the 2000s, Whiting was cast in several documentaries about singers and songwriters of her era, including Judy Garland: By Myself, Fever: The Music of Peggy Lee, Anita O’Day: The Life of a Jazz Singer, Johnny Mercer: The Dream’s on Me, The Andrews Sisters: Queens of the Music Machines and Michael Feinstein’s American Songbook.
Vocalist Margaret Whiting, who made her reputation during the 1940s & 50s, passed away of natural causes on January 10, 2011.
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Daily Dose Of Jazz…
Omer Victor Simeon was born on July 21, 1902 in New Orleans, Louisiana, the son of a cigar maker. His family moved to Chicago, Illinois but he learned to play the clarinet from the New Orleans master Lorenzo Tio, Jr., and started playing professionally in 1920.
He worked in Chicago and Milwaukee, Wisconsin with various bands, including Jimmy Bell’s Band and Charlie Elgar’s Creole Orchestra. Starting in 1926 he began playing with Jelly Roll Morton, and made a well regarded series of recordings with Morton’s Red Hot Peppers and smaller groups.
By 1927 he was a member of King Oliver’s Dixie Syncopators with whom he moved to New York City. After time back in Chicago with Elgar, he joined Luis Russell in Manhattan, New York then again returned to Chicago in 1928 to play with the Erskine Tate Orchestra. 1931 saw him beginning a 10-year stint with Earl Hines.
In the 1940s he worked with Coleman Hawkins and Jimmie Lunceford. After some recordings with Kid Ory’s band, he spent most of the 1950s with the Wilbur de Paris band, including a tour of Africa in 1957. In 1954 he played saxophone in a duet on Louis Armstrong’s popular dixieland recording of Skokiaan.
Clarinetist Omer Simeon, who taught music and also played soprano, alto, and baritone saxophones and bass clarinet, passed away of throat cancer on September 17, 1959 in New York City at the age of 57.
Daily Dose Of Jazz…
Ernest Brooks Wilkins Jr. was born on July 20, 1922 in St. Louis, Missouri. In his early career he played in a military band, before joining Earl Hines’s last big band. By 1951 he began working with Count Basie but after four years, in 1955 he began freelancing as a jazz arranger and writer of songs and was much in demand at that time.
By the Sixties Ernie’s success declined but revived after working with Clark Terry. This led to his touring Europe and his eventual settling in Copenhagen, Denmark, where he would live for the rest of his life. There he formed the Almost Big Band so he could write for a band of his own. The idea was partly inspired by his wife Jenny as the city had a thriving jazz scene with several promising jazz musicians as well as an established community of expatriate American jazz musicians that formed in the 1950s and included Kenny Drew and Ed Thigpen who joined the band along with Danish saxophonist Jesper Thilo.
The band released four albums, but after 1991 he became too ill to do much with it. He was responsible for orchestral arrangements on 1972’s self-titled album by Alice Clark, on Mainstream Records, that is a highly sought-after collectible today. He has a street named after him in southern Copenhagen, Ernie Wilkins Vej.
Tenor saxophonist, arranger and songwriter Ernie Wilkins, who wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie, in addition to being the musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich, passed away on June 5, 1999 of a stroke in Copenhagen.
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Daily Dose Of Jazz…
Didier Levallet was born in Arcy-sur-Cure, France on July 19, 1944 and is a self-taught bassist. He made his professional debut in Paris in 1969 working with the likes of Ted Curson, Johnny Griffin, Kenny Clarke, Mal Waldron, Hank Mobley, Steve Lacy, Harry Beckett and Didier Lockwood.
Didier worked with the free-jazz quartet Perception through the 70s and toured the United States with tenor saxophonist Byard Lancaster from 1974 to 1976. He also led Confluence, a group based on strings and percussion only. By the early Eighties he was playing with Frank Lowe, Archie Shepp, Mike Westbrook’s Concert Band and Chris McGregor’s Brotherhood Of Breath as well as the Double Quartet with Tony Oxley.
Levallet is a prolific composer who combines free-improvisation and structure coherently. He works within four bands – the Quintet, a 12-piece band, Swing Strings System with seven string players plus drums and a trio with violinist Dominique Pifarely and guitarist Gérard Marais. In 1976, he founded ADMI, the Association pour la Developement de la Musique Improvise.
He was a former Director of the French National Jazz Orchestra from 1997 to 2000 and serves as an educator at the L’École Nationale de Musique in Angoulême. Double bassist, composer, arranger and leader Didier Levallet regularly hold workshops and music concerts in Cluny, France.
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Daily Dose Of Jazz…
Wilton Crawley was born on July 18, 1900 in Virginia with his family moving to Philadelphia, Pennsylvania. Some of his musical influences may be traced back to Virginia and its many farms and barnyards with cackles and clucks like a chicken, oinks like a pig, and neighs like a goat that he . It was in Philadelphia that along with his reed-playing brother Jimmy that they formed their first band. During the ’20s and ’30s, the clarinetist found success with a variety act featuring his singing and playing. Though not the most versatile musician he had a sound and style that utilized weird speech-like sound effects and extended use of slap tonguing, sometimes filling out whole lines of a solo with obnoxious little pops.
Between 1927 and 1930 Wilton recorded his own compositions for OKeh and Victor Records, working with Paul Barbarin, Lonnie Johnson, Henry “Red” Allen, Pops Foster, Luis Russell, Jelly Roll Morton, Eddie Heywood and Eddie Lang among others. After splitting with Morton in the 1930s he toured England and after the death of his father and his friend guitarist Eddie Lang, his personal problems derailed his career and slipped into oblivion.
His most famous pieces include Crawley Clarinet Moan, She’s Forty With Me, Put a Flavor to Love, Futuristic Blues and Irony Daddy Blues. Much of this music reveals his attempts to recreate jazz sounds from other instruments, particularly the muted trumpet effects that might have been done by an artist such as Bubber Miley. While some of this sound effect activity have may influenced Anthony Braxton, he may have more in common with the clarinetists who worked with Spike Jones or even later rock showmen like Arthur Brown. Some of the membership in his ensembles such as Wilton Crawley & His Orchestra or the Washboard Rhythm Kings remains unknown, however, banjoist Johnny St. Cyr and blues guitarist Lonnie Johnson show up in his bands.
It is unfortunate that many of the recordings originally done under his own name have all been reissued in various Jelly Roll Morton retrospectives, as he went on to become a lasting legend of early jazz while the clarinetist went into obscurity. Clarinetist, composer, contortionist and vaudevillian Wilton Crawley passed away in 1948 in Maryland.
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