Daily Dose Of Jazz…
Nat King Cole was born Nathaniel Adams Coles on March 17, 1919 in Montgomery, Alabama, one of four brothers and a half sister. His brothers Ike and Freddy would follow in his footsteps and pursue careers in music. When he was four years old his family moved to Chicago, Illinois where his father became a Baptist minister and where the young lad learned to play the organ from his mother. His first performance was at age four and he began formal lessons at 12, eventually learning jazz, gospel and Western classical. He went to DuSable High School and studied in the music program under Walter Dyeth.
Sneaking out of the house and to hang around outside the clubs, he listening to artists such as Louis Armstrong, Jimmy Noone and Earl Hines, the latter who inspired him. Cole began his performing career in the mid-1930s while still a teenager, adopting the name Nat Cole. His older brother, Eddie, a bass player, joined Cole’s band playing clubs and made their first recording in 1936 under Eddie’s name. They also were regular performers at clubs. He got his nickname, “King”, presumably reinforced by the nursery rhyme “Old King Cole”.
Nat went on to be the pianist in the national tour of Shuffle Along revue about theatre legend Eubie Blake. When it closed in Long Beach, he decided to stay in California. He formed Cole and two other musicians formed the “King Cole Swingsters” that eventual became the King Cole Trio. Their first radio broadcast on NBC’s Blue Network in 1938 led to their Swing Soiree, the Old Gold, Chesterfield Supper Club, Kraft Music Hall and The Orson Welles Almanac.
Cole frequently sang in between instrumental numbers. Noticing that people started to request more vocal numbers, he obliged. There was a customer who requested a certain song one night, but it was a song that Cole did not know, so instead he sang “Sweet Lorraine”. The King Cole Trio signed with the fledgling Capitol Records, known as the “House That Nat Built” in 1943. Revenues from Cole’s record sales fueled much of the label’s success during this period including the construction of the circular building.
Nat would perform in the first Jazz At The Philharmonic, have his revolutionary lineup of piano, guitar, and bass was emulated by many musicians, among them Art Tatum, Oscar Peterson, Ahmad Jamal, Charles Brown and Ray Charles. He played with Lester Young, Red Callender and Lionel Hampton.
Cole’s first mainstream vocal hit was his 1943 recording of one of his compositions, “Straighten Up And Fly Right”, selling over 500,000 copies.
In 1946, the King Cole Trio Time program was on the air, recorded with a string orchestra and his pop stature came with his recording of “The Christmas Song” followed by a string of hits such as Nature Boy, Route 66, Mona Lisa, Too Young and Unforgettable. While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never completely abandoned his jazz roots and in 1956 he recorded an all-jazz album After Midnight. He had one of his last major hits in 1963, two years before his death, with “Those Lazy-Hazy-Crazy Days of Summer”, which reached #6 on the Pop chart.
He would go on to have a variety show on NBC without national sponsorship despite appearances of Ella Fitzgerald, Harry Belafonte, Frankie Laine, Peggy Lee and Eartha Kitt. He would record Cole Espanol in Havana, Cuba, retool his final Nelson Riddle arranged album Wild Is Love into an Off-Broadway show titled “I’m With You”. Cole performed in many short films, sitcoms, and television shows such as St, Louis Blues, The Blue Gardenia, the Nat King Cole Story and on of his final appearances in Cat Ballou.
Cole was inducted into the Alabama Music Hall of Fame, the Alabama Jazz Hall Of Fame, the Down Beat Hall of Fame, the Hit Parade Hall of Fame, the Rock and Roll Hall of Fame, the Latin Songwriters Hall of Fame, a Grammy Lifetime Achievement Award, and has an official U.S. postage stamp in his honor.
Pianist, vocalist, composer and bandleader Nat King Cole, whose baritone voice performed in big band and jazz trio settings passed away on February 15, 1965 of lung cancer. He maintains worldwide popularity.
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Daily Dose Of Jazz…
Brian Torff was born on March 16, 1954 in Chicago, Illinois. He began his professional career in 1974 when bassist Milt Hinton offered him the opportunity of touring with Cleo Laine. During the late 70’s, he recorded and performed with pianists Mary Lou Williams and Marian McPartland, and toured Australia, New Zealand, and Hong Kong with the jazz violinist Stephane Grappelli. He played in pianist Erroll Garner’s last group and worked in the big bands of Oliver Nelson, and The Thad Jones / Mel Lewis Orchestra.
In 1979, Brian joined pianist George Shearing in a duo setting and for 3.5 years they toured throughout the U.S., Europe, Brazil, and South Africa. They received worldwide acclaim and were played The Tonight Show, The Merv Griffin Show, had their own PBS special from the Cafe Carlyle in New York City and performed for President Reagan at the White House.
Torff has composed works for four albums as a leader, with George Shearing and Larry Coryell, has composed scores for the Boston Pops, Los Angeles Philharmonic, and the Pittsburgh Symphony, and has appeared as conductor, composer, and clinician for numerous high school and college jazz festivals. He penned the book In Love With Voices: A Jazz Memoir chronicles his early musical roots and provides portraits of musicians he has worked with, including Frank Sinatra, Mel Tormé, Erroll Garner, Benny Goodman, Mary Lou Williams, Marian McPartland, Stephane Grappelli, and George Shearing.
He is a professor of music and the director of the music program at Fairfield University in Connecticut, makes frequent appearances at the Regina A. Quick Center for the Arts, and lead the Fairfield University Jazz Ensemble along with guest jazz artists. Brian leads his own trio, and is the musical director for the Django Reinhardt New York Festival, has played Lincoln Center, the Kennedy Center, Birdland and Carnegie Hall. He has with Mark O’Connor, Dave Grusin, Regina Carter, Yo-Yo Ma, Itzhak Perlman, and Pinchas Zukerman. He continues to perform at jazz festivals and workshops around the United States.
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Daily Dose Of Jazz…
Ralph MacDonald was born on March 15, 1944 in Harlem, New York under the close mentorship of his Trinbagonian father, Patrick MacDonald, a calypsonian and bandleader known on stage as “Macbeth the Great”. He began showing his musical talent, particularly the steelpan and at 17 started playing pan for the Harry Belafonte show.
Remaining with the Belafonte band for a decade, he struck out on his own in 1967, together with Bill Eaton and William Salter, he formed Anisitia Music, based in Stamford, Connecticut.
MacDonald’s composition Where Is The Love written with Salter was recorded in 1971 by Roberta Flack and Donny Hathaway, won a Grammy for Best Pop Performance by a Duo or Group with Vocal and received a gold record status. One of his best-known compositions, Just The Two Of Us” was recorded by Bill Withers with saxophone by Grover Washington, Jr reached #2 on the Billboard Hot 100 and has been sampled by many.
Ralph worked with Quincy Jones, Ron Carter, Milt Jackson, Paul Desmond, Max Roach, Don Sebesky, Shirley Scott, Arif Mardin, Hubert Laws, Bob James, David Sanborn, George Benson, Roberta Flack, Donny Hathaway, Patti Austin, Bernard Purdie and Grover Washington as well as Burt Bacharach, Carle King, Aretha Franklin, Billy Joel, Average White Band, Art Garfunkel, Ashford & Simpson and numerous others.
He travelled regularly back to Trinidad and Tobago, where he renewed his work in the steelpan, “beating iron” in “The Engine Room”, a steel band’s rhythm section is often called. At 12:50 AM on Sunday, December 18, 2011, songwriter, arranger, record producer, percussionist Ralph MacDonald passed away of lung cancer.
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Daily Dose Of Jazz…
Mark Murphy was born on March 14, 1932 in Syracuse, New York and raised in a musical family, his parents having met as members of the local Methodist Church choir. He grew up in the nearby small town of Fulton where his grandmother and then his aunt were the church organists. Opera was also popular in the house and he started piano lessons at the age of seven.
Murphy joined his brother’s jazz dance band as the singer when a teenager. His influences were Nat King Cole, June Christy, Anita O’Day, Ella Fitzgerald and Art Tatum. Graduating from Syracuse University in 1953, majoring in Music and Drama, university life included performing on campus and clubs playing piano and singing.
In 1954, Murphy moved to New York City working part-time as an actor and singer. He appeared in productions for the Gilbert and Sullivan Light Opera Company, musical TV version of Casey at the Bat and twice took second place at the Apollo Theater amateur contests.
Mark’s debut recording was Meet Mark Murphy in 1956, followed closely by Let Yourself Go in ’57. In 1958 Murphy moved to Los Angeles and recorded for Capitol, but returned to New York in the early ’60s and recorded the album Rah! in 1961 for Riverside Records. By 1963, he hit the charts with his single of “Fly Me To The Moon” and was voted New Star of the Year in Down Beat Magazine’s Reader’s Poll.
The late 1960s saw Murphy moving to London, England where he worked primarily as an actor but continued to cultivate his jazz audiences in Europe. He returned to the States in 1972 and began recording an average of an album a year for more than fourteen years on the Muse label including a two volume Nat King Cole Songbook, Bop For Kerouac, Living Room, Beauty and the Beast and Stolen Moments, in which he peened lyrics to the Oliver Nelson tune. He received critical acclaim and numerous Grammy nominations.
In 1984 together with Viva Brasil he recorded the album Brazil Song (Cancões do Brasil) that featured original material by Antonio Carlos Jobim and Milton Nascimento. In 1987, Mark recorded Night Mood, an album of songs by Brazilian composer Ivan Lins, appeared on U.F.O.’s last two releases in which he has written and rapped lyrics on songs composed with the group and opened up further new audiences in the acid-jazz and hip-hop genres demonstrating jazz’s timelessness while transcending generations and styles.
Through the Nineties and into the new millennium he released Song For The Geese, Once to Every Heart, Love is What Stays and Never Let Me Go. Mark collaborated with Finish jazz band Five Corners Quintet and released a tribute EP to Shirley Horn titled Beautiful Friendship. He has guested on recordings with Madeline Eastman, Gill Manly,Guillaume de Chassy, Daniel Yvinec, Till Brönner, Pete and Conte Candoli and has amassed a catalogue of more than forty albums as a leader. Vocalist Mark Murphy has continued to tour internationally into his 80s, appearing at festivals, concerts, in jazz clubs and television until his passing on October 22, 2015 in Englewood, New Jersey.
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Daily Dose Of Jazz…
Roy Haynes was born in Boston, Massachusetts on March 13, 1925, and was keenly interested in jazz ever since he can remember. Primarily self-taught, he began to work locally in 1942 with musicians like guitarist Tom Brown, bandleader Sabby Lewis, and Kansas City blues-shout alto saxophonist Pete Brown. In the summer of 1945 he got a call to join bandleader Luis Russell to play for the dancers at New York’s Savoy Ballroom. When not traveling with Russell, the young drummer spent much time on Manhattan’s 52nd Street and uptown in Minton’s, the incubator of bebop.
From 1947 to 1949 Haynes was Lester Young’s drummer, worked with Bud Powell and Miles Davis in ’49, became Charlie Parker’s drummer of choice from 1949 to 1953, toured the world with Sarah Vaughan from 1954 to 1959, did numerous extended gigs with Thelonious Monk in 1959-60. Through the Sixties he performed and recorded with Eric Dolphy, Stan Getz, John Coltrane, has collaborated with Chick Corea since 1968, and with Pat Metheny during the ’90s. He’s been an active bandleader from the late ’50s to the present, featuring on his recordings Phineas Newborn, Booker Ervin, Roland Kirk, George Adams, Hannibal Marvin Peterson, Ralph Moore and Donald Harrison to name a few.
A perpetual top three drummer in the Downbeat Readers Poll Awards, he won the Best Drummer honors in 1996 (and many years since), and in that year received the prestigious French Chevalier des l’Ordres Artes et des Lettres and in 2002 his album “Birds Od A Feather” was nominated for a Grammy. Roy Haynes, percussionist, composer and bandleader nicknamed Snap Crackle, continues to compose, performer, record and tour.
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