Daily Dose Of Jazz…

Sidney De Paris was born on May 30, 1905 in Crawfordsville, Indiana, the younger brother of trombonist Wilbur De Paris. A distinctive trumpeter who fit into both New Orleans jazz and swing settings, he was particularly expert with mutes. He was also a versatile musician, playing tuba, cornet, flugelhorn and singing from time to time.

 From 1926 on into the Sixties, Sidney worked with Charlie Johnson’s Paradise Ten, Don Redman, Zutty Singleton, Benny Carter, Art Hodes, Jelly Roll Morton and Sidney Bechet. He recorded on the famed Panassie sessions of 1938 and as a leader recorded some highly enjoyable and freewheeling sessions in the Forties for Commodore and Blue Note.

 He played with his brother Wilbur’s New New Orleans Jazz Band through the ’50s before ill health forced his retirement in the 1960s. Trumpeter Sidney De Paris passed away on September 13, 1967 in New York City.

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Daily Dose Of Jazz…

Sean Jones was born on May 29, 1978 in Warren, Ohio. Among his first musical experiences were the gospel music he heard in church where he sang and performed with the Saint James’ Church of God in Christ choir. As a beginning musician, Jones started on the drums and switched to trumpet in the fifth grade after his grandmother told him about his grandfather playing that instrument during World War II. He developed an interest in jazz around the same time, after receiving two albums by Miles Davis from his band instructor, namely Kind of Blue and Tutu.

By the time he entered high school Sean had decided to pursue a career as a professional musician, and studied classical trumpet as well as jazz. In 2000, Jones obtained an undergraduate degree in classical trumpet performance from Youngstown State University and later a master’s degree from Rutgers University.

As a session musician he has performed with several notable ensembles and musicians, including Tia Fuller, Gerald Wilson, Joe Lovano, Tom Harrell, Jon Faddis, Jimmy Heath and Frank Foster. He has had a six-month stint with the Lincoln Center Jazz Orchestra, after which Marsalis offered him a position with the ensemble as lead trumpeter, became a music professor at Duquesne University.

Sean is featured on Nancy Wilson’s Grammy winning “Turned To Blue”, has released five albums for Mack Avenue Records as a bandleader, has played the Monterey, Detroit International and Montreal International Jazz Festivals and currently holds the position of Interim Artistic Director for the Cleveland Jazz Orchestra and held a position as Associate Professor of Jazz Trumpet at Oberlin Conservatory for the 2012-13 academic year. He continues to perform, record, teach and tour.

Take A Dose On The Road

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Daily Dose Of Jazz…

Russell Donald Freeman was born on May 28, 1926 in Chicago, Illinois. He was initially classically trained, but later turned toward jazz of a largely bop style. His reputation as a jazz pianist grew in the 1940s when he worked with Art Pepper, Shorty Rogers and Chet Baker. Among his best work is his extensive collaboration with Shelly Manne, especially in the 1950s and 1960s.

Freeman wrote “The Wind” with original lyrics by Jerry Gladstone and was performed as an instrumental piece during the 1950s and 1960s by the likes of Chet Baker, Leo Wright and Stan Getz as well as sung by vocalist June Christy. Russ’s piano is featured on the 1954 recording of “The Wind,” which has since become a jazz standard, for the album Chet Baker With Strings and Deep I A Dream: The Ultimate Chet Baker Collection, the latter he is featured on seven cuts. In 1991, Mariah Carey wrote her own lyrics to Freeman’s “The Wind” for her album Emotions.

Russ Freeman, bebop and cool jazz pianist, remained busy in music throughout his life, transitioning from jazz pianist to film scoring and composition before his death on June 27, 2002 in Las Vegas, Nevada.

Dose A Day-Blues Away

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Daily Dose Of Jazz…

Ramsey Emmanuel Lewis, Jr. was born on May 27, 1935 in Chicago, Illinois and began taking piano lessons at the age of four. By 15 he joined his first jazz band, The Cleffs. The seven-piece group provided Lewis his first involvement with jazz and he would later join Cleffs drummer Isaac “Redd” Holt and bassist Eldee Young to form the Ramsey Lewis Trio.

The trio started as primarily a jazz unit and released their first album, Ramsey Lewis And The Gentlemen of Swing, in 1956. Following their 1965 single hit “The In Crowd” that reached #5 on the pop charts and the album #2 they concentrated more on pop material. Young and Holt left in 1966 to form Young-Holt Unlimited and were replaced by Cleveland Eaton and Maurice White.

By 1966, Lewis was one of the nation’s most successful jazz pianists, topping the charts in addition to “The In Crowd” with Hang On Sloopy” and “Wade In The Water”. All three singles each sold over one million copies and were awarded gold discs. Many of his recordings attracted a large non-jazz audience and in the 1970s, he often played electric piano, although by later in the decade he was sticking to acoustic and using an additional keyboardist in his groups.

In addition to recording and performing, Lewis hosted a syndicated morning show on Chicago “smooth jazz” radio station WNUA. His weekly syndicated Legends of Jazz, featured recordings from artists such as David Sanborn, George Duke, Herbie Hancock, Charlie Parker, Dizzy Gillespie, Kurt Elling, Al Jarreau and Miles Davis.

Ramsey has appeared on the Red Hot Organization’s compilation album, Stolen Moments: Red Hot + Cool, his Ramsey Lewis Morning Show became part of Broadcast Architecture’s Smooth Jazz Network, his Legends of Jazz became a television series, he is the artistic director of Jazz at Ravinia, serves on the Board of Trustees for the Merit School of Music and The Chicago High School for the Arts. His Ramsey Lewis Foundation helps connect at-risk children to the world of music. He continues to perform, record and tour.

Inspire A Young Mind

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Daily Dose Of Jazz…

Milt Bernhart was born on May 25, 1926 in Valparaiso, Indiana and began his musical career with the tuba. By high school he switched to trombone and by 16 he was working in Boyd Raeburn’s band and later gigged with Teddy Powell.

 After a tour in the Army he worked, off and on, with Stan Kenton for the next ten years. He is perhaps most associated with Kenton, but in 1955 he had his first album as a leader. In 1986 he was elected President of the Big Band Academy of America.

Widely known as a mild-mannered and humorous musician his brief period with Benny Goodman was one area that brought out his ire. Except for the Army’s basic training, Milt indicates working with Goodman was “the bottom” of his first 23 years of life, referring to him as a bore and could not abide Goodman’s public humiliation of tenor saxophonist Wardell Gray or his segregated treatment at a Las Vegas club.

 West coast jazz trombonist Milt Bernhart, who supplied the exciting solo heard in the middle of Sinatra’s popular 1956 recording of “I’ve Got You Under My Skin” conducted by Nelson Riddle, passed away on January 22, 2004 in Glendale, California.26-2004

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