Daily Dose Of Jazz…
Stéphane Grappelli was born on January 26, 1908 in Paris, France. Losing both his parents he was accepted into Isadora Duncan’s dance school where he discovered his love for French impressionist music. His musical career began playing violin at age 12, attended the Conservatoire de Paris studying music theory and made his living busking on the streets of Paris and Montmartre.
While at the conservatory he worked as a silent film pianist and also playing the saxophone and accordion. Grappelli eventually gained fame in Paris as a violin virtuoso but piano was his other love. His early fame came playing with the Quintette du Hot Club de France with Django Reinhardt though the band disbanded in 1939 due to World War II. In 1940, a little known jazz pianist by the name of George Shearing made his debut as a sideman in Grappelli’s band.
After the war Stephane appeared on hundreds of recordings including sessions with Duke Ellington, Oscar Peterson, Michel Petrucciani, Claude Bolling, Jean-Luc Ponty, Stuff Smith, Toots Thielemans, Gary Burton, Joe Pass, Andre Previn and many, many others.
During the 1960s he played for cocktail hour at the Paris Hilton, recorded the title track of Pink Floyd’s “Wish You Were Here”, made a cameo appearance in “King of the Gypsies”, received the Grammy Lifetime Achievement Award in 1997 and was inducted into the Down Beat Jazz Hall of Fame.
Violinist Stephane Grappelli died in Paris after undergoing a hernia operation on December 1, 1997.
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Daily Dose Of Jazz…
Pud Brown was born Albert Francis Brown on January 22, 1917 in Wilmington, Delaware but was raised in Shreveport, Louisiana. Brown was fluent on saxophone by age five, and toured throughout North America in a family band at the age of seven, playing the circus, nightclub and minstrel show circuits in the mid 1920s.
After moving to Chicago, Pud found work in Phil Lavant’s orchestra in 1938 and then in Lawrence Welk’s band. In 1941 he married, left music to run a motorcycle shop in Shreveport – a failed endeavor, relocated to Los Angeles and found work as a jazz musician.
Brown career exploded over the next several decades working with such jazz musicians as Les Brown, Coleman Hawkins, Doc Cheatham, Danny Barker, Kid Ory, Percy Humphrey and Louis Armstrong among others. He returned to New Orleans in 1975 and became a mainstay of the local scene playing with Clive Wilson’s Original Camelia Brass Band in the 1980s, holding a regular gig at the French Quarter’s Palm Court Jazz Cafe.
Pud Brown, clarinetist, reed player and active as an educator in local schools until his death, passed away on May 27, 1996 in Algiers, Louisiana.
Daily Dose Of Jazz…
Jay McShann, born James Columbus McShann on January 12, 1916 in Muskogee, Oklahoma began played the piano from the age of 12. His primary education came from Earl “Fatha” Hines late-night radio broadcasts from the Grand Terrace Café. Leaving home he spent time at college and working with bands throughout Oklahoma, Arkansas, Arizona and New Mexico.
In the 1930 Jay moved to Kansas City working with both local groups and his own band with his 1938 band comprised of Charlie Parker, Bernard Anderson, Al Hibbler, Paul Quinichette, Earl Coleman, Ben Webster and Walker Brown, creating a music that would become known as the Kansas City sound.
Nicknamed Hootie, it was during the 1940s that he stood at the forefront of the blues and hard bop jazz musicians mainly from Kansas City. His first recordings were all with Charlie Parker, the first as “The Jay McShann Orchestra” on August 9, 1940. After World War II he began to lead small groups featuring blues shouter Jimmy Witherspoon. Witherspoon started recording with McShann in 1945, and fronting McShann’s band, and had a hit in 1949 with “Ain’t Nobody’s Business”.
Jay McShann was inducted into the Blues Hall of Fame, was nominated twice for a Grammy Award, performed regularly with violinist Claude Williams and continued to recording and touring into the nineties around Kansas City and Toronto, Ontario. The blues and jazz pianist Jay McShann, whose career spanned more than sixty years, passed on December 7, 2006, at St. Luke’s Hospital in Kansas City.
Daily Dose Of Jazz…
Talmadge (Tab) Smith was born in Kinston, North Carolina on January 11, 1909. He joined his first professional band, the Carolina Stompers, in 1929 and in the 1930s and 1940s he spent several years in the bands of Lucky Millinder and Count Basie as well as spending long periods freelancing both as a player and as an arranger. After WWII he led his own groups, which concentrated on rhythm and blues as jazz turned from swing to bop.
His biggest R & B hit was “Because of You”, recorded for United Records reached #1 on the R & B charts and number 20 on the pop charts, in 1951. His association with United lasted until 1957, put ting out 24 singles and a 10-inch LP for the company sometimes alternating on tenor saxophone.
During the 1950s, Smith was a significant rival to alto saxophone-playing bandleader Earl Bostic, and was also in competition with his own formative influence Johnny Hodges, until Hodges returned to Duke Ellington’s band.
His career never recovered from the closure of United Records. After brief stays at Checker and King Labels, Tab retired from the music business in the early 1960s. He sold real estate, and played piano part-time in a steakhouse.
Alto saxophonist Tab Smith, who concentrated on swing and R&B genres, passed away in St. Louis, Missouri on August 17, 1971.
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Daily Dose Of Jazz…
Buddy Johnson was born Woodrow Wilson Johnson on January 10, 1915 in Darlington, South Carolina. He took piano lessons as a child and classical music remained one of his passions. In 1938 he moved to New York and the following year toured Europe with the Cotton Club Revue, but was expelled from Nazi Germany. Later in 1939 he first recorded for Decca Records with his band, soon afterwards being joined by his sister Ella as vocalist.
In 1941 he assembled a nine-piece orchestra and soon began a series of R&B and pop chart hits that included “They All Say I’m The Biggest Fool” with Arthur Prysock on vocals and his sister Ella’s recording of “Since I Fell for You” in 1945, that would later become a jazz standard. In 1946 Buddy composed a Blues Concerto, which he performed at Carnegie Hall two years later. His orchestra remained a major touring attraction through the late 1940s and early 1950s, and continued to record in the jump blues style with some success for Mercury Records. By the end of the 50s Buddy switched to Roulette Records the next year, and bowed out with a solitary session for Hy Weiss’s Old Town label in 1964.
Buddy Johnson, jazz and blues pianist and bandleader passed away on February 9, 1977 in New York at the age of 62 from a brain tumor and sickle cell anemia.
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