Three Wishes
When Tiny Grimes responded to Pannica’s inquiry, he only had a single wish:
- “I don’t need but one: security. Pay my rent, my automobile. The rest would take care of itself. Just give me a telephone, so I can get to my gigs.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Tullio Mobiglia was born in Carezzano, Italy on April 12, 1911. Passionate about music, he graduated in violin at the Niccolò Paganini Conservatory in Genoa, Italy. In 1934 he began playing in orchestras on ships, often traveling to the United States where he was able to approach jazz, becoming friends with some musicians such as Coleman Hawkins.
He quickly emerged as the best Italian saxophonist of the period, and was called to play in the Mirador Orchestra. By 1940 Tullio was to Berlin, Germany achieving great success, to the point of being hired for a certain period in Heinz. Wehner Orchestra. 1941 saw him forming his first band of Italian musicians, with whom he published the first 78 rpm recordings.
During his career he had the opportunity to play with Django Reinhardt in another Berlin club, the Femina Bar. Due to the ban on playing American music he was only allowed to play European music, however, many pieces are written by Mobiglia himself.
Mobiglia returned to Italy in 1943 and two years later reformed his orchestra with other musicians, obtaining a contract with Columbia Records, where he recorded several 78s. In the following years he recorded with Telefunken, Cetra and Durium, resuming the playing of his first instrument, the violin. By 1967 he was teaching violin at the Jan Sibelius Conservatory of Helsinki, Finland to teach the violin, a position he held until the 1980s, while continuing to perform in the Finnish capital where he spent the last few years of his life. Saxophonist and bandleader Tullio Mobiglia passed away on July 24, 1991 at the age of 80 in Helsinki, Finland.
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Daily Dose Of Jazz…
Morty Corb was born Mortimer Gerald Corb on April 10, 1917 in San Antonio, Texas. He played four years with Bob Crosby’s television program, Morty also worked extensifly as a studio session musician in studios, appearing on some 300 recordings. He worked in Disneyland bands after moving to California in 1947.
Particularly interested in scary, haunted house stuff, in 1973 Morty developed the “Hallowed Haunting Grounds”, a trick or treating evening with a special flair for theatrical effects that made his homemade shenanigan impressive even to the Tinsel Town crowd.
His name has been mentioned alongside Wrecking Crew studio bassist Carol Kaye, he curbed his session availability as the rock and roll era progressed or perhaps regressed. The bassist instead went to work at Disneyland, playing in the attraction’s bands but also mingling with special effects folk.
Corb’s long career began in 1946 and lasted until his death. He performed and recorded with Pete Fountain, Ella Fitzgerald, Nat King Cole, Pearl Bailey, Louis Armstrong, Claude Thornhill, Kid Ory, Jack Teagarden, Benny Goodman, Pete Kelly, Barney Kessel, Claire Austin, George Van Eps, Eartha Kitt, Mel Lewis, Earl Grant, Red Nichols, Wild Bill Davison, Muggsy Spanier, Plas Johnson, Gene Krupa, Louie Bellson, Jonah Jones, and Billy May among numerous others.
Double bassist Morty Corb, whose only album as a leader recorded in Los Angeles, California was his 1957 Strictly From Dixie featuring His Dixie All Stars, passed away on January 13, 1996 Las Vegas, Nevada..
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Kamil Běhounek was born March 29, 1916 in the Southern Bohemian section of Blatná, Czech Republic. An autodidact on accordion, having learned to play by imitating recordings and BBC broadcasts, he studied law in Prague, Czech Republic and began performing in clubs. His first recordings on solo accordion date from 1936 and in the late 1930s he worked with the Blue Music Orchestra, Rudolf Antonin Dvorsky, Jiří Traxler, and Karel Vlach.
In 1943, he was forcibly compelled by the Nazis to go to Berlin, Germany where he created arrangements for the bands of Lutz Templin and Ernst van’t Hoff. Upon returning to Czechoslovakia in 1945, he used some of these arrangements for his own band. Kamil returned to Germany the following year and continued arranging for bandleaders Adalbert Luczkowski, Willy Berking, Heinz Schönberger, and Werner Müller.
He played with his own ensemble in Bonn, Germany and, after 1948, in West Germany for American soldiers’ clubs. Between 1968 and 1977, Běhounek recorded several albums of folk music, but continued to play swing with his own groups. He wrote an autobiography, Má láska je jazz (Jazz Is My Love), which was published posthumously in 1986.
Accordionist, bandleader, arranger, composer, and film scorer Kamil Běhounek, who also occasionally played tenor saxophone, passed away on November 22, 1983 in Bonn.
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Three Wishes
The Baroness asked Jimmy Forrest of his three wishes and he said:
- “Million… million… million!”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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