Daily Dose Of Jazz…
Abdullah Ibrahim was born October 9, 1934 in Cape Town, South Africa, formerly known as Adolph Johannes Brand, and as Dollar Brand. He first received piano lessons at age seven, was an avid consumer of jazz records brought by American sailors, and was playing jazz professionally by 1949. In 1959 and 1960, he played alongside Kippie Moeketsi and Hugh Masekela with The Jazz Epistles in Sophiatown, later recording the first jazz LP by Black South African musicians in 1960. Ibrahim then joined the European tour of the musical King Kong.
Moving to Europe in 1962, it was in the following year that Duke Ellington heard the Dollar Brand Trio at Zurich’s Africana Club at the request of Brand’s wife-to-be Sathima Bea Benjamin. As a result, Duke Ellington presents The Dollar Brand Trio was recorded at Reprise followed by a second session of the trio with Duke Ellington and Billy Strayhorn also on piano performing with Sathima as the vocalist. The recording, A Morning In Paris, remained unreleased until 1996 and then under Benjamin’s name. This led to wider appearances of the Dollar Brand Trio at many European festivals, as well as on radio and television.
Ibrahim has toured mainly in Europe, the United States, and South Africa, the band performing mainly in concert and club settings, and sometimes playing solo piano. Mainly playing the piano, he also plays the flute, saxophone, and cello, performing mostly his own compositions, although he sometimes performs pieces composed by others.
Abdullah Ibrahim to date has recorded more than forty albums as a leader, has written the soundtracks for a number of films, Chocolat and No Fear, No Die; and was a part of the 2002 documentary Amandla! – A Revolution in Four Part Harmony where he and others recalled the days of apartheid. He has ventured into orchestral performances with the inauguration of Nelson Mandela and the later initiation of the 18-piece Cape Town Jazz Orchestra in 2006.
A pianist and composer, Abdullah Ibrahim’s music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME church and ragas, to more modern jazz and other Western styles reflecting the influences of Thelonious Monk and Duke Ellington. He continues to perform, record and tour.
Daily Dose Of Jazz…
Park “Pepper” Adams III was born on October 8, 1930 in Highland Park, Michigan. His family moved to Rochester, New York when he was young and it was here that he began his musical endeavors. At 16 he moved back to Detroit and met several musicians who would later be important to his career, including trumpeter Donald Byrd. Adams became interested in Wardell Gray’s approach to the saxophone and later named Gray and Harry Carney as his influences.
After his Army band stint and a brief tour in Korea, Pepper moved to New York and recorded the “Dakar” album with Coltrane, with Lee Morgan on “The Cooker”, and briefly worked with Benny Goodman ‘s band in 1958. During this time, Adams also began working with Charles Mingus, performing on one of Mingus’s finest albums from this period, “Blues & Roots” and sporadically recording with Mingus until his death in 1979.
Adams would become a significant member of the Thad Jones/Mel Lewis Big Band from 1965 to 1978, and continued to record Jones’s compositions on many of his own albums. Adams also co-led a quintet with Donald Byrd that produced the live date, “10 to 4 at the 5 Spot” featuring Elvin Jones.
Pepper Adams, the baritone saxophonist nicknamed “The Knife” for his hearty tone, driving rhythmic sense, and big and intense sound that fit well in the up-tempo of hard bop, is considered, along with Gerry Mulligan, as setting the foundation for contemporary playing on the baritone. He died of lung cancer in Brooklyn, New York on September 10, 1986.
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Daily Dose Of Jazz…
Von Freeman was born Earl Lavon Freeman Sr. on October 3, 1922 in Chicago, Illinois and learned to play the saxophone as a child. Attending DuSable High he studied under band director Walter Dyett. By the time he was 16 he was playing professionally with Horace Henderson’s Orchestra.
After serving in the Navy and playing in the band during WWII, Von returned to Chicago, where he has lived ever since, playing with his brothers George on guitar and Bruz (Eldridge) on drums at the Pershing Hotel Ballroom. Over the years various leading jazzmen such as Charlie Parker, Roy Eldridge and Dizzy Gillespie played with the Freemans as the backing band. In the early 1950s, Von played in Sun Ra’s band.
Freeman’s first venture into the recording studio took place in 1954, backing a vocal group called The Maples for Al Benson’s Blue Lake label. He appeared on Andrew Hill’s second single on the Ping label in 1956, followed by recording for Vee-Jay with Jimmy Witherspoon and Al Smith in the late fifties, and a recorded appearance at a Charlie Parker tribute concert in 1970.
It was not until 1972 that Von recorded under his own name, the album “Doin’ It Right Now” with the support of Roland Kirk. His next effort was a marathon session in 1975 released over 2 albums by Nessa. Since then he has lived, played regularly and recorded in Chicago, his recordings including 3 albums with his son, the tenorist Chico Freeman and “You Talkin’ To Me” with 22-year old saxophonist Frank Catalano, following their successful appearance at the Chicago Jazz Festival in 1999.
Freeman is considered a founder of the “Chicago School” of jazz tenorists along with Gene Ammons, Johnny Griffin and Clifford. His music has been described as “wonderfully swinging and dramatic featuring a large rich sound”. The hard bop tenor saxophonist holds down a regular Tuesday night set and jam session at the New Apartment Lounge on Chicago’s south side, and can also be heard at Andy’s Jazz Club on select weekends. Hard bop tenor saxophonist Von Freeman passed away on August 11, 2012 at age 88 in Chicago, Illinois.
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Daily Dose Of Jazz…
Ronnie Ross was born Albert Ronald Ross on October 2, 1933 in Calcutta, India. A move to London at 13 was where he began his interest in playing saxophone and started out on the tenor. In the ‘50s he played with Tony Kinsey, Ted Heath and Don Rendell and it was during his tenure with Rendell that he switched to the baritone.
Ross played the Newport Jazz Festival in 1958 and formed his own group that year called the Jazz Makers with drummer Allan Ganley. In 1959 he toured the United States and later Europe with the Modern Jazz Quartet. From 1961 to 1965 he played with Bill LeSage, Woody Herman, John Dankworth, Friedrich Guida and Clark Terry.
Ronnie was a saxophone tutor for a young David Bowie, and years later was the soloist on the Lou Reed song “Walk On The Wild Side”, which was co-produced by Bowie. He also had guest appearances as a soloist on several Matt Bianco albums.
Baritone saxophonist Ronnie Ross passed away on December 12, 1991 in London, England. He was 58.
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Daily Dose Of Jazz…
Bud Powell was born Earl Rudolph Powell in New York City on September 27, 1924. Following a family musical legacy, his grandfather a flamenco guitarist, father a stride pianist, older brother William a trumpeter and younger pianist brother Richie, Bud learned classical piano from an early age and by age 8 became interested in jazz. Playing his own transcriptions of Art Tatum and Fats Waller, by 15 he was playing in William’s band. Thelonious Monk was an important early teacher, mentor and close friend who dedicated the composition “In Walked Bud” to him.
The early Forties saw Powell playing in a number of bands, including that of Cootie Williams, who had to become Powell’s guardian because of his youth. His first recording date was with Williams’ band in 1944 and this session produced the first ever recording of Monk’s “Round Midnight”. Monk also introduced him to the circle of bebop musicians starting to form at Minton’s Playhouse and playing on early recording sessions with Frank Socolow, Dexter Gordon, J. J. Johnson, Sonny Stitt, Fats Navarro and Kenny Clarke.
Powell soon became renowned for his ability to play accurately at fast tempos, his inspired bebop soloing, and his comprehension of the ideas that Charlie Parker had found from the chords of “Cherokee” and other song-forms. Powell’s first session as a leader was a trio setting in 1947 with Curly Russell and Max Roach and later recording on a Charlie Parker date with Miles, Max and Tommy Potter. Bud Powell is the most important pianist in jazz and one of the most underrated but his best work is on Blue Note and for Mercury, Norgran, Clef and later Verve Records under Norman Granz. His prolific career had him playing with a who’s who list of musicians like Buddy Rich, Ray Brown, Art Blakey, George Duvivier, Osie Johnson and so on. By the late fifties and into the 60s his playing was far removed from his earlier standard and his talent was in eclipse.
With his health deteriorating he was hospitalized after months of increasingly erratic behavior and self-neglect. Jazz pianist Bud Powell, described as one of “the two most significant pianists of the style of modern jazz that came to be known as bop”, died of tuberculosis, malnutrition, and alcoholism on July 31 1966 in New York City.
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