Daily Dose Of Jazz…
Brian Torff was born on March 16, 1954 in Chicago, Illinois. He began his professional career in 1974 when bassist Milt Hinton offered him the opportunity of touring with Cleo Laine. During the late 70’s, he recorded and performed with pianists Mary Lou Williams and Marian McPartland, and toured Australia, New Zealand, and Hong Kong with the jazz violinist Stephane Grappelli. He played in pianist Erroll Garner’s last group and worked in the big bands of Oliver Nelson, and The Thad Jones / Mel Lewis Orchestra.
In 1979, Brian joined pianist George Shearing in a duo setting and for 3.5 years they toured throughout the U.S., Europe, Brazil, and South Africa. They received worldwide acclaim and were played The Tonight Show, The Merv Griffin Show, had their own PBS special from the Cafe Carlyle in New York City and performed for President Reagan at the White House.
Torff has composed works for four albums as a leader, with George Shearing and Larry Coryell, has composed scores for the Boston Pops, Los Angeles Philharmonic, and the Pittsburgh Symphony, and has appeared as conductor, composer, and clinician for numerous high school and college jazz festivals. He penned the book In Love With Voices: A Jazz Memoir chronicles his early musical roots and provides portraits of musicians he has worked with, including Frank Sinatra, Mel Tormé, Erroll Garner, Benny Goodman, Mary Lou Williams, Marian McPartland, Stephane Grappelli, and George Shearing.
He is a professor of music and the director of the music program at Fairfield University in Connecticut, makes frequent appearances at the Regina A. Quick Center for the Arts, and lead the Fairfield University Jazz Ensemble along with guest jazz artists. Brian leads his own trio, and is the musical director for the Django Reinhardt New York Festival, has played Lincoln Center, the Kennedy Center, Birdland and Carnegie Hall. He has with Mark O’Connor, Dave Grusin, Regina Carter, Yo-Yo Ma, Itzhak Perlman, and Pinchas Zukerman. He continues to perform at jazz festivals and workshops around the United States.
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Daily Dose Of Jazz…
Ralph MacDonald was born on March 15, 1944 in Harlem, New York under the close mentorship of his Trinbagonian father, Patrick MacDonald, a calypsonian and bandleader known on stage as “Macbeth the Great”. He began showing his musical talent, particularly the steelpan and at 17 started playing pan for the Harry Belafonte show.
Remaining with the Belafonte band for a decade, he struck out on his own in 1967, together with Bill Eaton and William Salter, he formed Anisitia Music, based in Stamford, Connecticut.
MacDonald’s composition Where Is The Love written with Salter was recorded in 1971 by Roberta Flack and Donny Hathaway, won a Grammy for Best Pop Performance by a Duo or Group with Vocal and received a gold record status. One of his best-known compositions, Just The Two Of Us” was recorded by Bill Withers with saxophone by Grover Washington, Jr reached #2 on the Billboard Hot 100 and has been sampled by many.
Ralph worked with Quincy Jones, Ron Carter, Milt Jackson, Paul Desmond, Max Roach, Don Sebesky, Shirley Scott, Arif Mardin, Hubert Laws, Bob James, David Sanborn, George Benson, Roberta Flack, Donny Hathaway, Patti Austin, Bernard Purdie and Grover Washington as well as Burt Bacharach, Carle King, Aretha Franklin, Billy Joel, Average White Band, Art Garfunkel, Ashford & Simpson and numerous others.
He travelled regularly back to Trinidad and Tobago, where he renewed his work in the steelpan, “beating iron” in “The Engine Room”, a steel band’s rhythm section is often called. At 12:50 AM on Sunday, December 18, 2011, songwriter, arranger, record producer, percussionist Ralph MacDonald passed away of lung cancer.
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Hollywood On 52nd Street
Stairway To Paradise was a tune composed by George Gershwin with lyrics by Ira Gershwin for the 1951 musical film An American in Paris. Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary and Nina Foch.
The Story: American World War II veteran Jerry Mulligan is now an exuberant expatriate in Paris trying to make a reputation as a painter. His friend and neighbor, Adam Cook s a struggling concert pianist who is a longtime associate of a French singer, Henri Baurel At the ground-floor bar, Henri tells Adam about his cultured girlfriend. A lonely society woman and heiress, Milo Roberts, finds Jerry displaying his art on the street and takes in an interest in him and his art. And the fun begins with dancing and singing.
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Daily Dose Of Jazz…
Bill Anschell was born on March 12, 1959 in Seattle, Washington and after leaving high school he went on to study for two years at Oberlin College, then transferring to Wesleyan University in Connecticut, where he graduated Phi Beta Kappa with a degree in Music. At Wesleyan, he worked closely with saxophonist Bill Barron and studied semi-privately with South Indian mridangum master T Ranganathan, kindling a passion for rhythmic experimentation that has driven his music ever since.
After leading the life of a jazz vagabond for several years, Bill settled in Atlanta in 1989. He was initially drawn there by the opportunity to serve as Jazz Coordinator for the Southern Arts Federation (SAF), that he fired up virtually from scratch. He launched a host of high-profile programs, published a book on grant writing, and created “JazzSouth,” an internationally syndicated radio show. At night he dove headlong into the city’s thriving jazz scene, working as a sideman with various groups and leading his own trio.
By 1992, Anschell’s left SAF, continuing to produce “JazzSouth” out of his home while focusing on playing and composing. Ascended the jazz ranks he led his trio at major festivals, became a first-call accompanist for visiting jazz greats and enjoyed a lengthy association with vocalist Nnenna Freelon, serving as her pianist, arranger and musical director. His piano work and arrangements were featured throughout Freelon’s 1996 Concord release “Shaking Free,” nominated for a Grammy as the year’s best jazz vocal recording.
Bill has played and/or recorded with a host of jazz greats including Richard Davis, Ron Carter, Benny Golsen and Russell Malone. In 2001, he was selected by the American Composers Forum for its “Composer-in-the-Schools” program; his residency included a commissioned piece for chamber orchestra. Since 2003, his original compositions have been heard on NBC’s “The West Wing,” CBS’s “The Defenders” and “NCIS: LA,” and HBO’s “The Wire.”
He has performed with the symphony, ventured into electronica, is well-known as a jazz humorist, writing jazz vignettes and a monthly jazz etiquette column. His satirical essay, “Careers in Jazz,” is the all-time most-read piece on leading jazz website allaboutjazz.com, and was prominently featured in a Wall Street Journal story on jazz audiences. He has won numerous awards such as 2005 Northwest Jazz Instrumentalist of the Year 2006 & 2001; Northwest Acoustic Jazz Ensemble of the Year (Bill Anschell Trio) 2010 and Northwest Jazz Recording of the Year for his 2011 “Figments”. He continues to perform, tour and record.
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Daily Dose Of Jazz…
Judy Niemack was born on March 11, 1954 in Pasadena, California and started singing in a church choir from age seven. She decided to turn professional at age 17, and soon after met Warne Marsh who encouraged her to explore jazz.
Judy studied at Pasadena City College and later at the New England Conservatory of Music followed by her matriculating through the Cleveland Institute of Music.
Niemack released her debut album By Heart in 1977 and has since recorded eleven albums under her own name. She has toured Europe and has worked with Toots Thielemans, James Moody, Lee Konitz, Clark Terry, Kenny Barron, Fred Hersch, Kenny Werner, Joe Lovano, Eddie Gomez and the Widespread Depression Jazz Orchestra.
As an educator vocalist Judy Niemack teaches music has authored two books titled “Jazz Vocal Standards”, an introduction to singing and vocal improvisation and “Hear It, Sing It” that explores modal jazz. She continues performing and recording.
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