Daily Dose Of Jazz…

Susannah McCorkle was born on January 1, 1946 in Berkeley, California and studied modern languages prior to starting her career in singing. She was inspired to begin singing professionally after hearing some Billie Holiday recordings in Paris in the late Sixties, while also holding a position an interpreter at the European Commission in Brussels. But a move to London in 1972 sealed her commitment to pursue her singing career.

While in the UK, she made two albums which, although well received, In the late 1970s, Susannah returned to the United States and settled in New York City, where a five-month engagement at the Cookery in Greenwich Village brought her to wider public attention and elicited rave reviews and critical acclaim.

During the 1980s, McCorkle continued to record, maturing style and darkening the timbre of her voice. This greatly enhanced her performances and by the early 1990s, two of the Concord Record albums she recorded, No More Blues and Sábia, were enormously successful and made her name known to the wider world. She was recorded by the Smithsonian Institution, which at the time made her the youngest singer ever to have been included in its popular music series.

Thanks to her linguistic skills Susannah translated lyrics of Brazilian, French, and Italian songs. As an author she published several short stories as well as fiction in Mademoiselle and Cosmopolitan magazines, and non-fiction in the New York Times Magazine and American Heritage including lengthy articles on Ethel Waters, Irving Berlin Bessie Smith and Mae West.

Though a survivor of breast cancer, vocalist Susannah McCorkle suffered for many years from depression until finally committing suicide on May 19, 2001 at age 55. She leapt off the balcony of her 16th-floor apartment on West 86th Street in Manhattan. She was alone in her home at the time.


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Hollywood On 52nd Street

Love Letters is a 1945 popular song composed by Victor Young with lyrics written by Edward Heyman. The song appeared, without lyrics, in the movie of the same name and was nominated for the Oscar for Best Song for 1945. The film starred Jennifer Jones, Joseph Cotton, Ann Richards, Cecil Kellaway, Gladys Cooper and Anita Louise.

The Story: The plot tells the story of American soldier Alan Quinton in Italy during WWII who has been writing letters for his friend Roger Morland to Victoria Remington, expressing feelings he could never say in person. Realizing she has fallen in love with him and that she will be disappointed in the real Roger, he abruptly leaves for paratrooper training in England. However, it is Alan who is falling in love with Victoria.

Injured, Alan discovers Roger and Victoria are both dead. Hereturns to England, spends time with his fiancé Helen Wentworth, lives at his aunt’s farm and is taken to a party by his brother. He meets Dilly Carson and Singleton, relates the Roger/Victoria story, Dilly realizes its Singleton and that the letters were somehow involved.

Singleton is actually Victoria, an amnesiac woman with two personalities, who killed his soldier friend, Roger. However, after spending time with her she realizes Alan is in love with her but not that she is Victoria. They marry after getting permission from her adopted mother, Beatrice Remington, bit the marriage is scarred by Alan’s love for Victoria.

Talking with Beatrice, Singleton begins to remember her abusive marriage to Roger and that it is Beatrice who stabbed him to death as Victoria attempts to save the letters thrown into the fireplace. Alan arrives at the house, Victoria recalls her true identity and they fall into each other’s arms.


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Daily Dose Of Jazz…

T. S. Monk was born Thelonious Sphere Monk, III on December 27, 1949 in New York City. He began his music career as a child when Max Roach gave him his first drum set before he turned 10. After graduating from school he joined his father’s trio touring with him until 1975. Leaving jazz for R&B, he toured with Natural Essence and then formed his own band with his sister.

By the 80s he was recording his debut album House of Music that charted several hits on Billboard, followed by the release of two more albums during the decade.

Shortly after his father died in 1982, in honor his father’s legacy and support the efforts of education, T. S. turned his attention toward forming the Thelonious Monk Institute of Jazz. As chairman, Monk has been at the forefront of helping to create a number of programs that range from sponsoring music education for students in the form of full scholarships to funding and supporting after-school athletic programs across the nation.

In the 1990s, Monk began his solo career taking a jazz-oriented direction and presented “A Celebration Of America’s Music” on ABC TV in 1996 and 1998 hosted by Bill Cosby and bringing together such artists as Natalie Cole, Jon Secada, Tony Bennett, k. d. lang, Herbie Hancock, Pat Metheny and Nnenna Freelon

T. S. has received the New York Jazz Awards First Annual “Recording of the Year” award and ‘Downbeat’s’ prestigious 63rd annual Album of the year Reader’s Choice Award for “Monk On Monk”. He continues in the tradition of creating great music as he performs, records and tours.


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Daily Dose Of Jazz…

Don Pullen was born on December 25, 1941 and was raised outside Roanoke, Virginia and learned to play the piano at an early age. He played with the choir in his local church, was heavily influenced by his jazz pianist cousin, Clyde “Fats” Wright and took some lessons in classical piano. He knew little of jazz, concentrating mainly on church music and the blues.

Leaving Roanoke for Johnson C. Smith University in North Carolina to study for a medical career, Pullen soon realized that his true vocation was music. After playing with local musicians and being exposed for the first time to albums of the major jazz musicians and composers he abandoned medical studies for music.

By 1964 he was in Chicago with Muhal Richard Abrams, then moved to New York City and immersed in the avant-garde recording with Giuseppi Logan. Along with band mate Milford Graves formed a duo, started a small label and recorded his first sessions that did great in Europe. He turned to more profitable organ and during the 60’s and 70s played trio dates and backed such vocalists as Arthur Prysock, Irene Reid, Ruth Brown, Jimmy Rushing and Nina Simone. He held a brief position with Art Blakey and the Jazz Messengers in 1972.

Over the course of his career he would play with Charles Mingus, lead his own groups, form the George Adams/Don Pullen Quartet, put together the African Brazilian Connection, worked with Native American drummers and choir, and played with Nilson Matta, Carlos Ward, Gary Peacock, Tony Williams, Hamiet Bluiett, Bill Cosby, Jack Walrath, Maceo Parker, Roy Brooks, Jane Bunnett and David Murray among others.

Don Pullen jazz pianist, organist and composer of blues to bebop, who recorded over 30 albums as a leader and more than three dozen as a sideman, passed away of lymphoma on April 22, 1995.


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Paco de Lucía was born Francisco Sánchez Gómez in Algeciras, Cadiz, Spain on December 21, 1947. His father introduced him to the guitar at a very young age and was extremely strict in his upbringing, forcing him to practice up to 12 hours a day, every day. Combined with natural talent, he soon excelled and in 1958, at age 11, he made his first public appearance on Radio Algeciras. A year later he was awarded a special prize in the Jerez flamenco competition.

At age 14 Paco was touring with the flamenco troupe of dancer Jose Greco and in 1964 he recorded the first of three albums with guitarist Ricardo Modrego. From 1968 to 1977 he would record 10 albums with flamenco singer Camaron de la Isla.

In 1979, de Lucía along with John McLaughlin and Larry Coryell formed The Guitar Trio, briefly toured Europe and released Meeting of the Spirits, a video recorded at London’s Royal Albert Hall. Al Di Meola later replaced Coryell and since 1981 the trio has recorded three albums.

Over the course of his career, Paco De Lucia, considered one of the finest guitarist in the world, has appeared in the western film Hannie Caulder, recorded on the soundtrack of Don Juan DeMarco, led his own sextet with brothers Ramón and Pepe, continues to record jazz, classical and flamenco albums, has won the Prince of Austrias Award, and has been awarded doctorates from the University of Cadiz and Berklee College of Music. On February 25, 2014 he passed away of a heart attack at age 66 in Playa de Carmen, Mexico. He was posthumously award a Latin Grammy for Album of the Year for his album Canción Andaluza the same year.


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