Hollywood On 52nd Street
My Foolish Heart is the theme song to the 1949 film of the same name adapted from J. D. Salinger’s 1948 short story Uncle Wiggily in Connecticut. Directed by Mark Robson and starred Dana Andrews and Susan Hayward. The film tells the story of a woman’s reflections on the bad turns her life has taken.
Unfortunately for movie fans this remains the only authorized film adaptation of Salinger’s work as the filmmakers’ infidelity to his story famously precluded any possibility of film versions of other Salinger works, including The Catcher in the Rye. Though a lackluster and critical reception met the movie, Hayward was nominated for an Academy Awards for Best Actress in a Leading Role and Victor Young and Ned Washington for Best Music, Song for the title song and which has become a jazz standard.
The film was recognized with a nomination by American Film Institute in 2002 to AFI’s 100 Years…100 Passions, however, it did not make the list.
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Jon Georg Balke was born on June 7, 1955 at Furnes, Ringsaker, Norway and started playing classical piano, but switched to blues at 12, and eventually migrated into jazz. At the age of 18 he joined Arild Andersen’s quartet.
By the mid-1980s he was working on his own and has become one of Norway’s leading jazz composers. He was active in the groups of Radka Toneff, the Afrofusion group E´olén, Oslo 13 and Masqualero in the early 1980s. From 1989 he focused on his own projects, such as JøKleBa with Audun Kleive and Per Jørgensen, and the Magnetic North Orchestra.
Forming the percussion group Batagraf in 2002, he created a series of multimedia concerts at Vossajazz festival, labeled Ekstremjazz that included the extreme sports of parachuting, paragliding, hang-gliding, and bmx biking. In 2016 he launched the solo piano concept Warp, with a subtle use of live electronics accompanying the grand piano in live performances.
Pianist and composer Jon Balke has received numerous awards for his contributions to jazz, has been an artist in residence at Moldejazz and currently works with his Magnetic North Orchestra.
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Ted Daniel was born June 4, 1943 in Ossining, New York and studied trumpet in elementary school. He began his professional career playing local gigs with his childhood friend, guitarist Sonny Sharrock. He briefly attended Berklee School of Music and Southern Illinois University, before a tour of duty with U.S. Army Bands. After his discharge from the Army, Daniel attended Central State College in Ohio, on a full music scholarship, where he met and studied with Dr. Makanda Ken McIntyre. After a year, Daniel returned to New York City and eventually received a bachelor of music degree in theory and composition from the City College of New York.
Beginning his recording career while studying in Ohio he returned briefly to New York to record Sonny Sharrock’s first album Black Woman. His second recording was with the band Brute Force that he co-led with his brother, Richard. The recording was titled Brute Force on the Embryo label and was produced by Herbie Mann. Since then, Daniel has participated in more than 30 published recordings with such artists as: Archie Shepp, Dewey Redman, Andrew Cyrille, Sam Rivers, Billy Bang, Tatsuya Nakamura and Henry Threadgill.
Daniel has produced three albums under his own name: The Ted Daniel Sextet on Ujamaa Records, Tapestry on Sun Records, and In The Beginning on Altura recordings. This recording features a twelve-piece ensemble including such artist as Oliver Lake, Arthur Blythe, Charles Tyler and David Murray. Eventually this ensemble evolved into a larger group called “Energy”.
As an educator Ted has held workshops at Amherst College, Bennington College, Williams College and the University of Hosei in Tokyo, Japan. He has also conducted a seminar in Madrid, Spain, as well as work in his community conducting summer music workshops for high and college age students.
Daniel has received a NEA compositional grant, was awarded Talent Deserving Wider Recognition from Downbeat Magazine. Presently, trumpeter Ted Daniel is writing and performing with his new group, the International Brass and Membrane Corporation (IBMC).
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Kenny Washington was born May 29, 1958 in Staten Island, New York and grew up in the Stapleton Projects, attending P.S. 14. He went on to study at the Fiorello H. LaGuardia High School of Music & Art and Performing Arts and privately with former Dizzy Gillespie drummer Rudy Collins. While still in his teens he worked with Lee Konitz, recording with the saxophonist’s nonet in 1977. He worked with Carter from 1978-9 and Griffin from 1980.
One of the many young hard-bop revivalists that arrived on the jazz scene in the late ’70s and early ‘80s, Kenny was in particular demand by much older musicians. He has worked with among others Ronnie Mathews, Betty Carter, Johnny Griffin, Dizzy Gillespie, Clark Terry, George Cables, Phil Woods, Benny Goodman, Lionel Hampton, Sonny Stitt, James Spaulding, Bill Charlap, Bobby Watson, Curtis Lundy, and Tommy Flanagan.
A prolific freelancer not related to bassist Peter Washington, he has compiled an enormous discography, performing on dozens of sessions by many of jazz’s most prominent figures. With a strong interest in jazz history, he has written liner notes for and/or helped prepare classic jazz re-releases by Art Blakey and Count Basie, among others.
Drummer Kenny Washington taught jazz drumming at the New School in New York City, worked as an announcer at the New Jersey jazz radio station WBGO and currently plays with Ahmad Jamal, replacing Idris Muhammad.
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Denise Donatelli was born May 26, 1950 in Allentown, Pennsylvania and began playing piano at the age of three and studied classical piano for 15 years, winning first place awards in the National Federation of Music Clubs’ piano competitions three consecutive years. After college she set her musical career aside for marriage and family and did not begin singing professionally until her sons were in their teens.
While living in Atlanta, Georgia she was encouraged to return to music after attending a jam session that attracted the region’s top players, including guitarist Russell Malone. she sang several songs with Russell, and began getting calls for performances. When veteran blues singer Francine Reed joined Lyle Lovett’s band, Donatelli joined the three-nights-a-week engagement at the Ritz-Carlton.
A career at Turner Broadcasting Network gave her contact with Los Angeles-based associates and an introduction to arranger Neal Hefti. One thing led to another and Denise was soon recording studio spots for episodes of The Simpsons and television promos for Frasier, Card Sharks and Turner Classic Movies as well as national and international commercials for CNN, Hyundai, Lexus, Mercedes-Benz and others, as well as performing You Only Live Twice as a parody theme song on The Simpsons, Season 25, Episode 4 YOLO.
Donatelli has also been heard performing and recording with Bill Cunliffe, Bill Mays, Roger Kellaway, Tamir Hendelmen, Larry Koonse, Julian Lage, Peter Sprague, Bob Sheppard, Joe LaBarbara, Marvin “Smitty” Smith, Christian Jacob’s Big Band Theory, Alf Clausen and his Jazz Orchestra, and the Stan Kenton Alumni Band.
She has been nominated four times for Grammy awards for her 2010 release When Lights Are Low for Best Jazz Vocal Album and another for Best Arrangement Accompanying a Vocalist, her 2012 release Soul Shadows for Best Jazz Vocal Album and in 2015 with Find A Heart for Best Jazz Vocal Album.Denise has been honored by the Los Angeles Jazz Society with Jazz Vocalist of the Year Award, and Downbeat Magazine named her in the top ten of the 61st Annual DownBeat Critics Poll in the Rising Star Female Jazz Vocalist category.
Vocalist Denise Donatelli continues to tour extensively gracing the stages of jazz festivals, jazz clubs, performing art centers, and with university jazz bands where she conducts master clinics.
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