Daily Dose Of Jazz…

Bill Frisell was born William Richard Frisell on March 18, 1951 in Baltimore, Maryland, but spent most of his youth in the Denver, Colorado area. He studied clarinet with Richard Joiner of the Denver Symphony Orchestra as a youth, graduated from Denver East High School, and went to the University of Northern Colorado to study music. His original guitar teacher in Denver was Dale Bruning, then after studying with Johnny Smith and graduating from Northern Colorado, Bill went to Berklee College of Music and studied with Jon Damian and Jim Hall.

Frisell’s major break came when guitarist Pat Metheny was unable to make a recording session, and recommended Frisell to Paul Motian who was recording Psalm in 1982 for ECM Records. This led to his becoming ECM’s in-house guitar player, and worked on several albums. His first solo release was In Line, featuring solo guitar and duets with bassist Arild Andersen.

Frisell’s first group to receive much acclaim was a quartet with bassist Kermit Driscoll, drummer Joey Baronon and Hank Roberts on cello. Many other albums with larger ensembles were recorded with this trio as the core after the departure of Roberts.

In the 1980s he lived in Hoboken, New Jersey and his access to New York City had him active in the city’s music scene. He forged an early partnership with John Zorn, was a member of the quick-change band Naked City, and became known for his work in Motian’s trio, along with saxophonist Joe Lovano. By 1988 he moved to Seattle, Washington and in the early 1990s Bill made two of his best-reviewed albums: his survey of Americana with Have A Little Faith and This Land, a complementary set of originals.

Frisell has recorded with Jan Garbarek, Douglas Septemberon, Ryuchi Sakamoto, Rickie Lee Jones, Elvis Costello, Suzanne Vega, Arto Lindsay, Loudon Wainwright III, Vic chestnut, Van dyke Parks, Buddy Miller, Ron Sexsmith, Chip Taylor, Fred Hersch, John Pizzarelli, Matt Chamberlain, Tucker Martine and Lee Townsend among others.

He has branched out by performing soundtracks to silent films of Buster Keaton, provided music for his friend Gary Larson’s TV version of The Far Side, contributed music to the 2000 film Finding Forrester, and has won a Grammy in 2005. Over the past decade guitarist Bill Frisell, who also plays clarinet and tenor saxophone, has continuously performed, recorded and toured.


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Jessica Williams was born on March 17, 1948 in Baltimore, Maryland. She began her music career young, taking piano lessons at the age of four and began classical training at the Peabody Conservatory of Music when she was seven. She moved to Philadelphia, Pennsylvania during her teens and began playing with the quintet of former Miles Davis drummer, the Philly Joe Jones.

In 1977, moving to San Francisco, California, she played in various house bands, such as Eddie Harris, Dexter Gordon, Tony Williams and Stan Getz. She also became the house pianist for the Keystone Korner. Over the course of her career Williams has recorded for Candid, Fantasy, Timeless, Concord, Jazz Focus, Hep and MaxJazz record labels.

Jessica began her own record label in 1997, called Red and Blue Recordings, to release her own original material. In addition, she established her own publishing company, JJW Music, and runs her own Internet CD mail-order business.

She is a three-time Grammy nominated pianist, was awarded   a Fellowship from the John Simon Guggenheim Memorial Foundation for composition and has performed at the 2004 and 2006 Mary Lou Williams Women In Jazz Festivals at the Kennedy Center in Washington, D.C. Pianist and composer Jessica Williams continues to perform, tour and record.


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Daily Dose Of Jazz…

Palle Mikkelborg was born on March 6, 1941 in Copenhagen, Denmark. Self-taught on trumpet in his youth, he started playing professionally in 1960 and in 1963 joined the Danish Radio Jazz Group, leading it from 1967-1972.

Performing at the Newport Jazz Festival with a quintet helped solidify Palle as a dominant figure on the Danish and international progressive jazz scenes. He has recorded as a leader for Debut, Metronome, Sonet, Storyville, and ECM.

Releasing several solo records, Mikkelborg has also recorded with various co-founded groups, as well as performing sideman duties or arranger on numerous international records.

His most notable international collaborations include the Gil Evans Big Band, the George Russell Big Band, George Gruntz’s Concert Jazz Band, Abdullah Ibrahim, Dexter Gordon, Karin Krog, Gary Peacock, Niels-Henning Orsted Pedersen, Terje Rypdal, Thomas Clausen, Jan Garbarek and many others. With Miles Davis, he composed a suite and produced the 1989 album release Aura.

In 2001 he was awarded the Nordic Council Music Prize. Avant-garde and post-bop trumpeter, composer, arranger and producer Palle Mikkelborg has continued to perform, record and tour.


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Daily Dose Of Jazz…

Roseanna Elizabeth Vitro was born in Hot Springs, Arkansas on February 28, 1951 and began singing at an early age, drawing inspiration from various musical genres like gospel from her mother’s side of the family, rock and R&B, theatre and classical. During the 1950s, her father owned a nightclub in Hot Springs called The Flamingo and he loved Dean Martin’s music and opera. . By the 1960s, Vitro was determined to be a rock singer.

She was exposed to jazz and it became her genre of choice after moving to Houston in the 1970s. It was there that Ray Sulienger discovered her and voice coached her and presented her to the Houston Jazz Community. Vitro sang frequently with tenor Arnett Cobb.

She worked for two years in Houston’s Green Room with her group Roseanna with Strings and Things, hosted a radio show on KUHF-FM, featuring guests like Cobb. Many jazz greats stopped in and played with Strings and Things, like Oscar Peterson, Bill Evans, Tommy Flanagan and Keter Betts. Encouraged to dedicate herself to jazz, in 1978 Roseanna moved to New York City with guitarist Scott Hardy and began to study with Professor Gabore Carellia at the Manhattan School of Music.

Vitro started performing with Kenny Werner and Fred Hersch, sat in with and ultimately toured with Lionel Hampton, and appeared at all the major New York jazz clubs. She also appeared with Steve Allen, recorded an album of his compositions and performed and recorded live with Kenny Werner at the John F. Kennedy Center in Washington, DC.

Throughout her career she has collaborated and recorded with Christian McBride, Elvin Jones, Gary Bartz, Kevin Mahogany, and David “Fathead” Newman. She has thirteen albums under her belt and a Grammy nomination for Best Jazz Vocal Album for The Music of Randy Newman. She has been inducted into the Arkansas Jazz Hall of Fame, a U.S. Jazz Ambassador for The John F. Kennedy Center and U.S. State Department, and The Rhythm Road: American Music Abroad featured artist with her band JazzIAm.

As an educator Roseanna Vitro has taught Vocal Jazz at State University of New York at Purchase and currently at New Jersey City University and the New Jersey Performing Arts Center. As a clinician she holds frequent workshops, clinics and master classes.


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Harvey William Mason was born on February 22, 1947 in Atlantic City, New Jersey. He began taking formal drum lessons at the age of seven, playing in various school bands and ultimately buying his first drum kit at 16. He went on to attend Berklee College of Music then on to and graduate from the New England Conservatory of Music.

While in Boston, Harvey worked at Triple A Studios recording everything from jingles to religious albums, molding him into a versatile first-call session musician. Early gigs included four months with Erroll Garner in 1970 and a year with George Shearing from 1970-1971. Soon after leaving Shearing he moved to Los Angeles, California and quickly became established in the studios and working in films and television.

In addition to his work through the years with Minnie Riperton, The Sylvers, Earth, Wind & Fire and Carlos Santana, Mason has often been part of the jazz world. He played with Herbie Hancock’s Headhunters, co-composing the hit Chameleon in 1973, Gerry Mulligan, Freddie Hubbard, Donald Byrd, Grover Washington, Jr., George Benson, Gary Bartz, Bobbi Humphrey, Ralph MacDonald, Chick Corea, Lee Ritenour, Victor Feldman and Bob James, Gene Harris, Eddie Henderson, Bobby Hitcherson and Joe Henderson, among numerous others.

By 1998, Harvey was paying tribute to Art Blakey’s Jazz Messengers in some local Los Angeles club gigs. By the turn of the millennium he was continuing with his steady session work, releasing two albums with Trios and With All My Heart and has since revisited his ’70s Headhunters roots. He is a mainstay in the fusion genre as a member of the group Fourplay along with Chuck Loeb, Nathan East and Bob James, whose success led their debut album to hit and stay at the top of the charts for 34 weeks.

He has worked with Michael Colombier, Michel Legrand, Miles Davis, Dave Grusin, Thom Newman, John Williams, Lalo Schifrin, Isaac Hayes, Johnny Pate and Alan Silvestri on such films as Purple Rain, Dingo, Three Days of the Condor, The Fabulous Baker Boys, On Golden Pond, The Player, The Lion King, Mission Impossible 1,2 & 3, Ratatouille and Dream Girls. In addition he composed the music for the films The Color Purple, Only The Strong and Deadly Takeover.

Multi-Grammy nominated and winning drummer and composer Harvey Mason continues to stretch his musical diversity across four decades and many jazz genres.


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