Daily Dose Of Jazz…
Jan Jankeje was born January Jankeje on July 30, 1950 in Bratislava, Czechoslovakia and studied and played the bass since childhood. He emigrated to Germany in 1968 and has since lived in the Stuttgart area.
He has worked with Ella Fitzgerald, Benny Goodman, Eugen Cicero, Al Casey, Benny Waters, Attila Zoller, George Wein, Joe Pass, Tal Farlow, Horst Jankowski, Oscar Klein and Jaco Pastorius among others. He has toured with Dieter Bihlmaier and with Hans-Jürgen Bock Ragtime Specht Groove.
He founded his own record company Jazz Point Records with his wife Gerti Jankejova and has recorded as a leader as well as Biréli Lagrènes , with whom he worked eight years from 1979. He also worked as a studio musician recording live recordings with Jaco Pastorius.
With Bernd Marquart he founded in 1988 the Jazz Jokers, debuting the same year with a CD, international touring and festivals. He also played gypsy jazz with Wedeli Köhler, Diz Dizley and Manno Guttenberger. He wrote the song First Tango for Jeanne Moreau in Rainer Werner Fassbinder’s last film Querelle. Bassist, composer, producer and bandleader Jan Jankeje continues to perform, record and tour.
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Daily Dose Of Jazz…
Michael Pedicin was born on July 29, 1947 in Bryn Mawr, Pennsylvania. He started playing at eight and joined a band at 15. His ability to read music and play alto, tenor, and soprano saxophone made him a sought-after session musician at Sigma Sound Studios. His session skills not only got him into the R&B side of music with Gamble & Huff but led to a self-titled debut solo album in 1980 on Philadelphia International Records that did well only in New York. His single You piqued CBS Records’ interest but ultimately they withdrew their offer when he demanded a three-record deal.
By 1981 the casinos and lounges of Atlantic City were calling his name and he moved there to pursue his musical dreams. Gigs were plentiful at first, but Atlantic City wasn’t Las Vegas, and many lounges discontinued their live entertainment and the saxophonist hit the road with Dave Brubeck for two years. He resurrected the Michael Pedicin Quartet after the stint and found work in Atlantic City’s revitalized lounges. He also started a talent agency, promoted major jazz acts, did a second album — City Song on the Optimism Records label and served as the musical director at different times for three casinos.
He formed Bayshore Music, a management company , recorded a third solo album, Angles, on Optimism that featured Peter Erskine and Micki Rossi. A fourth album, You Don’t Know What Love Is , featured the Holland, Dozier, and Gorman tune Forever, popularized by the Marvelettes and Marvin Gaye, that has been reissued by Peter Pan and Triloka Records.
Michael has worked with Lou Rawls and Maynard Ferguson, taught at Temple University, and started 12th Street Music with Sigma Sound engineer Joe Tarisa. The post-bop saxophonist Michael Pedicin continues to commute to Philadelphia for sessions, remains active on the jazz scene and composes, performs and records with his current quintet with drummer Vic Stevens, bassist Andy Lalasis, guitarist Johnnie Valentino and pianist Rick Germanson.
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Daily Dose Of Jazz…
Barbara Gracey Thompson was born on July 27, 1944 in Oxford, United Kingdom. She studied clarinet, flute, piano and classical composition at the Royal College of Music, but it was the music of Duke Ellington and John Coltrane that caused her to shift her interests to jazz and saxophone.
Around 1970, Thompson she joined Neil Ardley’s New Jazz Orchestra and appeared on albums by Colosseum. Starting in 1975, she was a founding member of three bands, the first being the United Jazz and Rock Ensemble, with bandleaders Wolfgang Dauner, Volker Kriegel, Albert Mangelsdorff, Eberhard Weber, Ian Carr, Charlie Mariano, Ack van Rooyen and Jon Hiseman. The second was Barbara Thompson’s Jubiaba, a 9 piece Latin/rock band with Peter Lemer, Roy Babbington, Henry Lowther, Ian Hamer, Derek Wadsworth, Trevor Tomkins, Bill Le Sage and Glyn Thomas. The third, Barbara Thompson’s Paraphernalia, is her current working band with pianist Peter Lemer, vocalist Billy Thompson, bassist Dave Ball and Jon Hiseman on drums.
She was awarded the MBE in 1996 for services to music but due to her being diagnosed with Parkinson’s disease in 1997, she retired as an active saxophonist in 2001 with a farewell tour. Barbara went on to work exclusively as a composer exclusively, but returned to the stage in 2003 replacing the unwell Dick Heckstall-Smith during Colosseum’s “Tomorrow’s Blues” tour becoming a permanent member, and in 2005 she performed live with Paraphernalia in their “Never Say Goodbye” tour.
Thompson has worked with Andrew Lloyd Webber on musicals such as Cats, Starlight Express and Requiem. She has written several classical compositions, music for film and television, a musical of her own and has composed songs for her big band Moving Parts.
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Daily Dose Of Jazz…
Didier Levallet was born in Arcy-sur-Cure, France on July 19, 1944 and is a self-taught bassist. He made his professional debut in Paris in 1969 working with the likes of Ted Curson, Johnny Griffin, Kenny Clarke, Mal Waldron, Hank Mobley, Steve Lacy, Harry Beckett and Didier Lockwood.
Didier worked with the free-jazz quartet Perception through the 70s and toured the United States with tenor saxophonist Byard Lancaster from 1974 to 1976. He also led Confluence, a group based on strings and percussion only. By the early Eighties he was playing with Frank Lowe, Archie Shepp, Mike Westbrook’s Concert Band and Chris McGregor’s Brotherhood Of Breath as well as the Double Quartet with Tony Oxley.
Levallet is a prolific composer who combines free-improvisation and structure coherently. He works within four bands – the Quintet, a 12-piece band, Swing Strings System with seven string players plus drums and a trio with violinist Dominique Pifarely and guitarist Gérard Marais. In 1976, he founded ADMI, the Association pour la Developement de la Musique Improvise.
He was a former Director of the French National Jazz Orchestra from 1997 to 2000 and serves as an educator at the L’École Nationale de Musique in Angoulême. Double bassist, composer, arranger and leader Didier Levallet regularly hold workshops and music concerts in Cluny, France.
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Graham Peter Hall, generally known as GP Hall, was born on July 15, 1943, and raised in Hampton Hill, London, United Kingdom, where he was schooled in classical, flamenco and jazz. As a teenager he went on to play in the Odd Lot Band and set up the Odd Lot Club as a venue for their music, which in turn attracted more established bands and players for concerts.
As he became better known, Hall went on to play at more celebrated London venues including The Roundhouse, the Middle Earth club and a residency at the 100 Club. He would back Deep Purple, The Hollies, Chris Farlowe and played with John Lee Hooker, Sonny Boy Williamson and with Casey Jones & The Governors.
His musical approach broadened in the early 1970s where he spent time studying with Romani musicians and flamenco guitarist Manitas de Plata, became involved in more avant-garde work, writing, producing and performing, and became the musical director for the multi-media performance art group Welfare State International.
By 1972 GP composed and recorded The Estates on Prototype Records, followed three years later by his sophomore project Manifestations. But around this time, his promising career fell into a fifteen-year depression due to personal trauma. It was until the Eighties that he re-emerged into the music world with his twenty-nine track Colors (Movements) a series of instrumental albums on the Kenwest label. The 90s saw the release of a solo album Imaginary Seasons on his own Imaginary Music label that was nominated for the Mercury Music Prize, followed by Figments Of Imagination in 1996 and an appearance on the Unknown Public compilation alongside guitarists Bill Frisell, Frank Zappa, John Zorn and Robert Fripp.
Into the new millennium the guitarist has continued to record new and old music combining them with live performances, created eclectic instrumental and industrial inclined works, recorded several unreleased albums and collaborated with percussionist Justin Ash, painter Alistair Michie, Lol Coxhill, Paul Rutherford, Jeff Clyne, John Ellis and Lyn Dobson, among others.
Hall invented the musical genre known as Industrial Sound Sculptures, draws on classical, rock, jazz, flamenco, folk and blues styles and performs mainly in the free jazz and avant-garde genres, though much more melodic. He uses a variety of techniques such as slides, fingerpicking and found implements like crocodile clips, palette knives, velcro strips, an antique psaltery bow and wind-up toy to create a variety of different sounds.
Guitarist GP Hall is adept with electric and electronic playing but is also known for his particular virtuosity as an acoustic guitarist, an expert flamenco guitarist, and an accomplished classical-style player. He also plays a customized Shergold six-string bass guitar featuring a half-fretted, half-fretless fretboard and has been known to dabble in playing other instruments such as double bass, piano, soprano saxophone and varied percussion, and vocals as he continues his musical journey.
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