Daily Dose Of Jazz…
Christine Rosholt was born January 3, 1965 in Minneapolis, Minnesota. Graduating from the Minneapolis Children’s Theater Company & School, she went on to earn a bachelor’s degree in performance art and photography from the Art Institute of Chicago.
Her training in theater helped her become adept at working and holding a room. She was a consummate entertainer, connecting instantly with her audience, bantering with her band, telling stories, laughing at herself.
She first appeared in theaters as an actress and singer. By the early 2000s she began performing as a jazz vocalist in clubs in her hometown, as the band singer of Beasley’s Big Band. Influences from Anita O’Day, Ella Fitzgerald, Billie Holiday, Blossom Dearie and Frank Sinatra were prevalent in her delivery.
She recorded and released three full-length CDs between 2006 and 2011, Detour Ahead, Lipstick: Live at the Dakota, and Pazz with British songwriter Kevin Hall, featuring a new direction blending pop, jazz and R&B.
Beyond a packed performance schedule which took her across the twin cities and as far as Fargo, or cramming in rehearsals for fundraisers, she was an avid volunteer, activist, committee member, craftspeople recruiter. Vocalist Christine Rosholt transitioned suddenly on December 27, 2011 in Minneapolis.
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Daily Dose Of Jazz…
Patt Casion was born on December 31, 1963. She graduated from Berklee College of Music in Boston, Massachusetts and pursued a career that led her around the world, working in multiple genres. Along with playing with her own band, IOC with its rotating membership, she performed regularly in every kind of venue. Her versatility also made her an in-demand musical instructor.
Casion returned to the sound of the 50s and 60s, and introduced African based music into the post bop era music. Her music is also rooted in the Black church gospel idiom as she weaved improvisation into all her music.
Soprano saxophonist Patt Casion, who performed in both gospel and jazz genres, transitioned from cancer in Monterey, California on December 31, 2017. She was 55.
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Requisites
Cannonball Adderley Live! | By Eddie Carter
Alto saxophonist Cannonball Adderley steps into the spotlight of this morning’s discussion with his first live album after leaving Riverside. Cannonball Adderley Live! (Capitol Records T 2399/ST 2399) is a live date highlighting his sextet’s performances over three nights at Shelly’s Manne Hole in 1964! It hit the stores a year later and he’s joined on stage by brother Nat Adderley on cornet, Charles Lloyd on flute and tenor sax, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums. Lloyd joined Cannonball’s group after Yusef Lateef left, and this is the only album I’m aware of that he recorded with the sextet. My copy used in this report is the original US Stereo release.
Cannonball introduces the set’s first tune, Little Boy With The Sad Eyes by Nat Adderley. Charles sets the introduction for the sextet’s collective theme on flute with a tender interlude by Joe. Nat paves the way for the others with a vivacious statement. Cannonball plants some firm roots on the second reading, next Charles adds an abundance of swinging ideas preceding leading the ensemble into a soft summation. Up next is Nat’s contemporary jazz classic, Work Song. Cannonball begins this tune with a concise introduction anchored by the group ahead of their feisty melody. The altoist is up first with a mesmerizing interpretation. Nat responds with a spirited solo leading to the ending theme and the leader’s remarks.
Sweet Georgia Bright, the first of two tunes by Charles Lloyd begins Side Two at a frenzied pace as the sextet rips into the torrid theme furiously. Charles has the first say and wails like the Road Runner traveling at breakneck speed. Nat moves with the fury of a violent whirlwind preceding the ensemble’s swift reprise and abrupt exit. The Song My Lady Sings is a very pretty ballad that could fit perfectly in a love story soundtrack. Cannonball and the rhythm section open the song tenderly. Nat and Charles add their haunting horns to complete the melody. Cannonball caresses each note of the first solo delicately. Nat enters next using the mute to build a warm, moving reading, next Joe delivers a luxuriously rich four-minute performance ahead of Cannonball’s postscript and gentle ending.
The Theme aka Unit 7 by Sam Jones allows Cannonball to address the audience and acknowledge his bandmates who end the set on an upbeat note. Cannonball Adderley Live! was produced by David Axelrod. It’s unknown who the recording engineer was, but the sound quality is quite good, placing the listener in the audience each night. A decade after this album was released, Cannonball suffered a stroke from a cerebral hemorrhage. He passed away at age forty-six on August 8, 1975. He also recorded for Blue Note, EmArcy, Fantasy, Mercury, and Riverside over his two-decade career and his legacy is an extensive discography including some albums as a leader and sideman that have stood the test of time. If you’re in the mood for some good live jazz, I invite you to check out Cannonball Adderley Live! It’s an underappreciated and overlooked gem deserving of a wider audience and a title I recommend for your library!
~ Cannonball Adderley – Source: Wikipedia.org ~ © 2022 by Edward Thomas Carter
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Daily Dose Of Jazz…
Frank J. Valeriani was born in Newark, New Jersey on November 26, 1966. He started studying saxophone at age of 15. When his family moved to Italy he put together his first mediterranean blues oriented band. While living in Italy he graduated magna cum laude from the music conservatory in Naples. After the conservatory years he started several bands, including jazz, fusion and latin jazz, and peformed at several festivals before moving north to Milano, Italy.
In Milano He studied songwriting, arranging and jazz at the alternative contemporary music school, Professional Music Center, graduating with excellent scores. During his Italian years he performed with Wess, Rocky Roberts, Cristiano Malgioglio, Peppino Gagliardi, Nello Daniele and others. He was music coordinator and conductor of the folk show Quanno Tramonta ‘o Sole that toured all over Italy for several years. He also toured with Maestro Gianni Mazza and performed on Italian tv networks.
Deciding to move back to the states he chose Las Vegas, Nevada for its musical activity. He performed with some of the best musicians in town, such as The Platters, The Drifters, jazz singers Nancy Kelly and Tony Bennett. Frank also performs with the Frank Valeriani Band all over the town.
He plays jazz, smooth jazz, and pop, doubles on percussion, rhythm guitar & keyboards and enjoys back up singing when required. As an educator he teaches saxophone and harmony in music schools. Saxophonist Frank Valeriani is also a composer and arranger and continues to perform and teach.
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Daily Dose Of Jazz…
David Theak was born on November 10, 1970 in Sydney, New South Wales, Australia and was raised in a house of impromptu parties. His childhood found him listening to his downstairs neighbor teaching piano every afternoon which led to lessons and a piano for Christmas. His bandmistress at Mona Vale PS introduced him to the saxophone but paid his dues on the baritone horn for a couple of years. After a brief stint at the Conservatorium High School, he returned to the local high school with some enthusiastic music teachers. They encouraged us to improvise and created opportunities for us to play in jazz and rock bands.
he following years saw David practicing, composing, gigging, releasing his own albums and organizing tours of Australia & Europe for his quartet, theak-tet, but with limited opportunities in the 90’s, he became involved with a musician led organization, the Jazzgroove Association, which received NSW and Federal government funding that allowed presentation of new music every week as well as create a record label and form an original creative jazz orchestra, The Jazzgroove Mothership Orchestra.
He went on to become involved with SIMA, WAYJO and the formation of the Australian National Jazz Orchestra and ANJO Youth Big Band. David has been running a boutique international jazz festival for the past five years, is currently a Senior Lecturer in Jazz at the Sydney Conservatorium of Music, Artistic Director of the Australian National Jazz Orchestra, an advisory panel member of the Western Australian Youth Jazz Orchestra, President of the Sydney Improvised Music Association and Artistic Director of the Sydney Con Jazz Festival.
Jazz saxophonist, composer, bandleader, educator, festival director and jazz protagonist, David Theak, who continues to compose, perform and tour, is the artistic director of the Jazzgroove Mothership Orchestra and collaborates with a who’s who of international jazz musicians.
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