Daily Dose Of Jazz…

Dan Morgenstern was born October 24, 1929 in Munich, Germany and was raised in Vienna, Austria and Copenhagen, Netherlands before arriving in the United States in 1947. He wrote for Jazz Journal from 1958–1961, then edited several jazz magazines: Metronome in 1961, Jazz from 1962–1963, and Down Beat from 1967-1973.

In 1976, he was named director of Rutgers–Newark’s Institute of Jazz Studies, where he continued the work of Marshall Stearns and made the Institute the world’s largest collection of jazz documents, recordings, and memorabilia.

Over the course of his career, Morgenstern has arranged concerts including the Jazz in the Garden series at the Museum of Modern Art, produced and hosted television and radio programs, taught jazz history at universities and conservatories, and served as a panelist for jazz festivals and awards across the U.S. and Europe.

Widely known as a prolific writer of comprehensive, authoritative liner notes, he has received eight Grammy Awards for Best Album Notes since 1973 for Art Tatum’s God Is in the House, Coleman Hawkins’ The Hawk Flies, Savoy Records Collection The Changing Face of Harlem, Erroll Garner: Master of the Keyboard, Clifford Brown, Brownie: The Complete Emarcy Recordings of Clifford Brown, Louis Armstrong, Portrait of the Artist as a Young Man, Fats Waller, If You Got to Ask, You Ain’t Got It!, and The Complete Louis Armstrong Decca Sessions.

He has authored two books that have won ASCAP’s Deems Taylor Award: Jazz People in 1976 and Living with Jazz in 2004. In 2007, he received the A.B. Spellman Jazz Masters Award for Jazz Advocacy from the National Endowment for the Arts. Writer, editor, archivist and producer Dan Morgenstern continues his career at 87 years of age.

BAD APPLES

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Daily Dose Of Jazz…

Gabrielle Goodman was born on October 23, 1964 in Baltimore, Maryland and raised in a musical family. Her mother was a classical singer and her father was a jazz trombonist. She attended Peabody preparatory school and briefly Oberlin College before transferring to the Peabody Institute Conservatory, where she studied until graduating in 1990 under the direction of Alice Gerstl Duschak and Gordon Hawkins.

As a protege of Roberta Flack she began her international performance career as a backing singer for the singer in the mid-1980s and continued to tour and record with the legend for several years opening for Miles Davis, Ray Charles, the Crusaders and among others in Japan, Switzerland and Brazil.

Her first break as a solo recording artist came when she was lead singer on producer Norman Connors 1988 album Passion on Capitol Records. She later recorded two albums Travelin’ Light and Until We Love on the JMT/Verve label with German producer Stefan Winter that feature her with Kevin Eubanks, Christian Mcbride, Gary Bartz, Gary Thomas, and Terri Lyne Carrington. Gabrielle has gone on to work with Walter Beasley, David Bunn, Tony Bunn, Patrice Rushen, Dee Dee Bridgewater, Michael Bublé, Patti Labelle, Nona Hendryx, Jennifer Hudson, Mary J. Blige, Freddie Jackson, Brian Ferry, Chaka Khan and the late George Duke.

As an educator she has held the position of associate professor of voice at Berklee College of Music and in-between vocalist Gabrielle Goodman continues to record and perform.  

GRIOTS GALLERY

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Requisites

Lonesome Traveler is one of pianist Ray Bryant’s grittiest recordings and his second album on Cadet was recorded in 1966 on the Cadet label at RCA Studios in New York City. It featured pianist Ray Bryant as the leader of the sextet of players who performed on the recording sessions that included flugelhornists Clark Terry and Snooky Young, Jimmy Rowles and Richard Davis on bass and drummer Freddie Waits.

The cover photo and design were by Don Bronstein. Nine tracks make up the session with five on the B-side with The Blue Scimitar, Gettin’ Loose, Wild Is The Wind, Cubano Chant and Brother This ‘N’ Sister That. The title track,Lonesome Traveler, is kicking off the A-side followed by ‘Round Midnight, These Boots Are Made For Walkin’ and Willow Weep For Me.

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Daily Dose Of Jazz…

Cyril Blake was born October 22, 1900 in Trinidad and moved to England about 1918, where he sometimes performed under the stage name of “Midnight,” and quite often appearing well after midnight. He was an essential part of the freewheeling music scene of London in the decades both before and after World War II.

He became well versed in jazz, blasted away in rhythm & blues bands of various ethnic persuasions. and played in a British group called the Southern Syncopated Orchestra. Being a trumpet player and was working in both London and Paris clubs whilst the ’20s roared helped to skyrocket his career.

Working in Paris, France and London as a musician throughout the 1920s, in the 1930s he played in the bands of Leon Abbey, Happy Blake, Rudolph Dunbar, Leslie Thompson’s Emperors of Jazz, Joe Appleton, and Lauderic Caton. 1938 saw Cyril putting together his own band, which was centred on Jig’s Club in London but was also the house band for several other venues around Soho. He recorded several times with this ensemble and in the 1940s led his band behind Lord Kitchener for recordings on Parlophone Records, playing in a calypso style.

Late in his life he returned to Trinidad, where he continued to lead bands. Trumpeter Cyril Blake, along with Bertie King, Lauderic Caton and Brylo Ford were credited in the Who’s Who of British Jazz by John Chilton and influenced generations of British jazz musicians,  passed away of an illness on December 3, 1951.

SUITE TABU 200

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Daily Dose Of Jazz…

Marc Alan Johnson was born on October 21, 1953 in Omaha, Nebraska but grew up in Texas. By the age of 19, he was working professionally with the Fort Worth Symphony, and during his matriculation at the University of North Texas, he played in the One O’Clock Lab Band and was also the principal bassist in the NTSU Symphony.

1978 saw Johnson joining pianist Bill Evans in what would be Evans’s last trio. He toured and recorded with Evans until the pianist’s death in 1980. In 2007 together with his wife Eliane Elias, he released an Evans tribute album, Something For You.

Marc has recorded albums with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie, Bill Frisell, Pat Metheny, Eliane Elias, Enrico Pieranunzi, Charles Lloyd, Joey Baron, Philly Joe Jones, Jack DeJohnette, Peter Erskine, Lee Konitz, Paul Motian, Joe Lovano, Toots Thielemans and the list goes on.

As a leader he led Bass Desires, a quartet with Bill Frisell, John Scofield and Peter Erskine, recording several albums for JMT, Verve and ECM record labels. He has received the Danish Music Award for Best Foreign Release, and bassist Marc Johnson continues to collaborate with Eliane as well as  compose, record, perform and tour.

BRONZE LENS

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