Daily Dose Of Jazz…

Jim Hession was born on December 10, 1947 in Pasadena, California, where he studied piano with composer Oscar Rasbach. By the time he turned twenty he was a fixture in the traditional jazz scene, with his incredibly accurate two-handed piano style. He was a founding member of the Maple Leaf Club, receiving his degree in composition from the University of California at Los Angeles (UCLA), where he studied under Paul Chihara and Lalo Schifrin.

Jim met and began recording with Eubie Blake and while recording with Eubie Blake in New York City he began exploring more contemporary jazz venues, while retaining his handle on traditional jazz styles like ragtime, stride and boogie-woogie.

He met his future wife Martha while they were attending UCLA, where she was studying piano and voice. She began singing professionally with Jim and started a professional association with the Walt Disney Company in 1967 until relocating to the Gulf Coast in 2003.

Over the years they have performed with such luminaries as Teddy Wilson, Al Hirt, Bob Crosby, Johnny Guarnieri, Max Morath, Shelton Brooks, Gregory Hines, Savion Glover, and Disney songwriters the Sherman Brothers. They have acquired an incredible knowledge of the history of American music and hold 85,000+ pieces, one of the largest privately-held collections of original sheet music in the United States.

They have lectured at many colleges and educational venues across the country. The couple have performed as a jazz duo, headlined the American Jazz Quintet, appeared on television, produced stage shows, and historical lectures. Pianist Jim Hession and Martha Hession continue to bring a level of talent and versatility not often found on the music scene.

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Daily Dose Of Jazz…

Bob Smith was born on December 9, 1945 in Columbus, Ohio and was the first child of a young pair of Swing Kids. Growing up he listened to the radio and records playing big band instrumentals and vocals. He became familiar with Glenn Miller, Benny Goodman, Artie Shaw, Jimmy Dorsey, Count Basie, Duke Ellington and the Andrews Sisters in the family’s Ohio State University campus area apartment.

By the time he turned ten he had rented a metal clarinet from a local shop and started his entrance into the music industry. Two years later Bob began lessons on the clarinet with David Hite and at Columbus Linden-McKinley high school joined the dance band by learning to play baritone saxophone. This was followed by the purchase of a Selmer Mark VI alto and fell in love.

Attracting national attentionhe as a member of the dance band in 1961-62 the band was invited those two years to the Stan Kenton National Stage Band Camps as a featured guest band. They enjoyed the thrills of being rehearsed by Stan Kenton, Buddy DeFranco, Buddy Morrow, John LaPorta, Don Jacoby, Buddy Baker and others. Then Kenton and DeFranco took them to Chicago’s McCormick Place to perform for the Midwest Band and Orchestra Directors Convention.

At the Ohio State University School of Music he majored in Music Education and alto saxophone was his major instrument. Smith added bass clarinet, contrabass clarinet, tenor and bass saxes to his arsenal of instruments.

He taught instrumental music in southern and northwest Ohio and privately in Columbus and Toledo, Ohio. Along with being an educator Bob spent the majority of his working career in business sales, retiring in 2008. Over the decades alto saxophonist Bob Smith has played in numerous big bands in Ohio and currently performs in Toledo’s Swingmania All-Stars, a band that never recorded an album or a song.

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Daily Dose Of Jazz…

Cleopatra Brown was born on December 8, 1909 in De Kalb, Mississippi. She moved to Meridian, Mississippi when her father took a position as pastor and in his church she played piano as a child.

In 1919 her family moved to Chicago, Illinois and she began learning piano from her brother who worked with Pine Top Smith, playing boogie-woogie for dances. Around the time Cleo was 14 she worked in vaudeville, as well as taking gigs in clubs. In 1935, she replaced Fats Waller as pianist on New York radio station WABC.

From the 1930s to the 1950s she toured the United States regularly, recording for Decca Records among other labels along the way and recording many humorous, ironic titles such as Breakin’ in a New Pair of Shoes, Mama Don’t Want No Peas and Rice and Coconut Oil, When Hollywood Goes Black and Tan, and The Stuff Is Here and It’s Mellow.

Cleo’s stride piano playing was often compared to Fats Waller and she is credited as an influence on Dave Brubeck, who played during the intermissions of her shows, and on Marian McPartland. She played regularly at clubs in Chicago, toured widely, and recorded for both Decca and Capitol Records.

Brown began to shy away from singing bawdy blues songs because of her deepening religious beliefs. In 1953, she was baptized, retired from music, and became a nurse in 1959. Jazz biographies frequently listed her as deceased due to her absence from music. The song Sweet Cleo Brown was recorded by Brubeck in tribute.

From the mid-1970s until 1981, she performed under the name of C. Patra Brown on radio shows in Denver, Colorado. She replaced boogie-woogie music with slower, inspirational music. She returned to record again, and performed on National Public Radio^.

Pianist and vocalist Cleo Brown, who was the first woman instrumentalist to receive the NEA Jazz Masters Fellowship, and also performed and recorded under the name of Cleo Patra Brown,  died on April 15, 1995, in Denver, Colorado.

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Daily Dose Of Jazz…

George James was born in Boggs, Oklahoma on December 7, 1906. His career didn’t begin until the late 1920s joining the bands of Charlie Creath and Johnny Neal. He moved to Chicago, Illinois in 1928, where he played with Jimmie Noone, Sammy Stewart, Ida Marples, Jabbo Smith, and Bert Hall.

In 1931 through the first quarter of 1932 he toured with Louis Armstrong, and at the end of the tour he remained in New York City. There he joined the Savoy Bearcats and later played with Charlie Turner’s Arcadians. By the middle of the decade Fats Waller assumed leadership of the Arcadians, and James played under him until 1937.

Finishing the decade playing in the Blackbirds Revue, early in the 1940s he worked with James P. Johnson, Benny Carter, Teddy Wilson, and Lucky Millinder, and led his own bandhttps://notoriousjazz.com/jazz-type/swing/daily-dose-of-jazz-3977↗ in 1943-44. Later in the decade James played with Claude Hopkins and Noble Sissle.

He was active both as a leader and a sideman into the 1970s, playing with Clyde Bernhardt and the Harlem Blues and Jazz Band in that decade. Saxophonist, clarinetist, and flautist George James died on January 30, 1995 in Columbus, Ohio.

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Daily Dose Of Jazz…

Joseph Francis Lamb was born of Irish parents on December 6, 1887 in Montclair, New Jersey. The youngest of four children, he taught himself to play the piano and admired the early ragtime publications of Scott Joplin. His first known works were Meet Me At The Chutes and Idle Dreams, at the age of 13 in 1900, but they are unpublished and assumed lost.

During his teenage years while living in Toronto, Canada he published several march and waltz compositions for Harry H. Sparks Music Publisher. Most notable were The Lilliputian’s Bazaar, Celestine Waltzes, and Florentine. Most were published after he left Canada

Lamb dropped out of St. Jerome’s College in 1904 to work for a dry goods company. He met Joplin in 1907 while purchasing the latest Joplin and Scott sheet music in the offices of John Stark & Son. It was there that Joplin was impressed with Lamb’s compositions and recommended him to ragtime publisher John Stark. Stark published Lamb’s music for the next decade, starting with Sensation.

Joseph’s twelve rags published by Stark from 1908 to 1919 can be divided into two groups: the “heavy” rags are incorporated with Joplin’s melody–dominated style and Scott’s expansive use of the keyboard registers. The “light” rags with the cakewalk tradition show the narrow-range melodies inspired by Joplin.

He went on to work as an arranger for the J. Fred Helf Music Publishing Company and in 1914 became an accountant for L. F. Dommerich & Company. When popular music interest shifted from ragtime to jazz Lamb stopped publishing his music, playing and composing only as a hobby.

Composer Joseph Lamb, who was the only non-African American of the Big Three composers of classical ragtime, the other two being Scott Joplin and James Scott, died of a heart attack in Brooklyn, New York at age 72 on September 3, 1960.

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