Daily Dose Of Jazz…
George E. Lewis was born July 14, 1952 in Chicago, Illinois. He began his musical journey playing the trombone but graduated from Yale University with a degree in philosophy. In 1971 he became a member of AACM, the Association for the Advancement of Creative Musicians.
The trombonist, composer and pioneer of computer music has recorded over two dozen albums as a leader and co-leader and some 40 as a sideman working with the likes of Muhal Richard Abrams, Gil Evans, Conny Bauer, Roscoe Mitchell, Count Basie and Anthony Braxton to name a few. He was also frequently a member of the ICP Orchestra (Instant Composer’s Pool).
As an educator in the 1970s, he succeeded Rhys Chatham as the music director of The Kitchen, a performance space in Greenwich Village, has served as a professor at Columbia University, the University of California – San Diego, and has received a MacArthur Fellowship.
Trombonist George Lewis has performed at festivals and venues throughout America and Europe, has authored a book-length history of the AACM, titled A Power Stronger Than Itself: The AACM and American Experimental Music, and continues to be active of the jazz and experimental music scene.
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Daily Dose Of Jazz…
Frank Lowe was born on June 24, 1943 and raised in Memphis, Tennessee. Taking up the tenor saxophonist he was extremely influenced by the first and second waves of free jazz throughout the 1960s. He moved to San Francisco, California to explore the avant-garde jazz scene. While making several visits to New York City he began playing with Sun Ra and Alice Coltrane, recording with the later in 1971.
As a leader he recorded two-dozen albums between 1973 and 2002 working with the likes of Don Cherry, Billy Bang, Jack Walrath, James Carter, Geri Allen, Charnett Moffett, Carlos Ward and numerous others.
Composer and tenor saxophonist Frank Lowe passed away on September 19, 2003 of lung cancer. His legacy was a varied body of recordings and memorable performances and his composition “Spirits in the Field” was performed on Arthur Blythe’s 1977 album The Grip.
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Daily Dose Of Jazz…
Grachan Moncur III was born June 3, 1937 in New York City, the son of bassist Grachan Moncur II, but was raised in Newark, New Jersey. He began playing cello at age nine but switched to trombone at eleven. In high school he attended Laurinburg Institute in North Carolina and began sitting in with touring musicians, establishing lasting friendships with Art Blakey and Jackie McLean.
After high school he toured with Ray Charles in 1959, gained membership into the Art Farmer/Benny Golson Jazztet in ’62, and then worked with Sonny Rollins. He took part in two classic McLean sessions in the early 1960s, One Step Beyond and Destination Out, to which he also contributed the bulk of compositions that led to two influential albums of his own for Blue Note Records – Evolution with McLean and Lee Morgan and Some Other Stuff with Herbie Hancock and Wayne Shorter.
Moncur joined Archie Shepp’s ensemble and recorded with other avant-garde players such as Marion Brown, Beaver Harris and Roswell Rudd. In 1969 while in Paris he recorded two albums as a leader for the BYG Actuel label, New Africa and Aco Dei de Madrugada, as well as appearing as a sideman on numerous other releases of the label. In 1974, the Jazz Composer’s Orchestra commissioned him to write a jazz symphony, Echoes of Prayer, and he has gone on to work with Cassandra Wilson, Frank Lowe, John Patton, Mark Masters, Joe Henderson, Tim Hagans, Gary Bartz and perform occasionally with the Paris Reunion Band. A prolific composer, the trombonist continues to perform, tour and record.
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Daily Dose Of Jazz…
Omar Sosa was born on April 10, 1965 in Camaguey, Cuba and began studying marimba at age eight, then switched to piano and studied jazz while attending the Escuela Nacional de Musica in Havana.
In 1993 Omar moved to Quito, Ecuador, then San Francisco, California two years later. The following years saw him deeply involved in the local Latin jazz scene and a long collaboration with percussionist John Santos. He made a series of recordings with producer Greg Landau, including the groundbreaking Oaktown Irawo, featuring Tower of Power drummer Dave Garibaldi, Cuban saxophonist Yosvany Terry and Cuban percussionist Jesus Diaz.
Omar works outside jazz and Afro-Cuban traditions incorporating Latin rhythms, North African percussions, spoken word, rap and classical music. He music ranges from big band, improvisation and world to free jazz and avant-garde.
He won The 10th Annual Independent Music Awards in the Jazz Album category for Ceremony in 2011. Inspired by various musical elements and motifs from Kind Of Blue, Sosa wrote a suite of music honoring the spirit of freedom in Davis’ seminal work. The CD received a nomination for Best Latin Jazz Album at the 56th annual Grammy Awards.
In 2015 he returned to his Cuban roots with the release of Ilé. Joining him on the project were three musicians with whom Omar shares a close connection: fellow Camagüeyanos, Ernesto Simpson on drums, and Leandro Saint-Hill on alto saxophone, flute and clarinet, and Mozambican electric bassist Childo Tomas – collectively known as Quarteto AfroCubano. Pianist, composer and bandleader Omar Sosa has recorded with Carlos “Patato” Valdes, Pancho Quinto and numerous world musicians, worked on several film scores, and now lives in Barcelona, Spain.
Daily Dose Of Jazz…
Booker Little, Jr. was born in Memphis, Tennessee on April 2, 1938. He studied trumpet and music at the Chicago Conservatory from 1956 to 1958 during which time he worked with local musicians like Johnny Griffin. A move to New York offered him the opportunity to work with Max Roach and Eric Dolphy, recording with the later on the 1960 Far Cry session and leading a residency at the Five Spot in 1961. This collaboration would produce three classic albums for Prestige Records.
It was during this stint that he began to show promise of expanding the expressive range of the “vernacular” bebop idiom started by Clifford Brown in the mid-1950s. As a leader he recorded four albums and recorded another eleven as a sideman with Dolphy, Max Roach, John Coltrane, Slide Hampton, Bill Henderson, Abbey Lincoln and Frank Strozier during his short four years from 1958-1961.
Little made an important contribution to jazz as one of the first trumpeters to develop his own voice post Clifford Brown, though stylistically, he is rooted in Brown’s crisp articulation, burnished tone and balanced phrasing. Trumpeter and composer Booker Little died of complications resulting from uremia due to kidney failure at the age of 23 on October 5, 1961 in New York City.
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