Daily Dose Of Jazz…

Leon Calvert was born on June 26, 1927 in Westcliffe-on-Sea, England and learned to play the trumpet in his childhood. His family moved to Manchester, England while he was very young. His first professional job was with Jack Nieman’s Band at the Plaza in Manchester and by 1945 he was on the London circuit. From late 1947 he performed on the ocean liner Mauretania with Paul Lombard.

Joining Oscar Rabin’s band in 1948, that year he was one of the ten musician co-founders of Club Eleven in Great Windmill Street, and later Carnaby Street. While at the club he played with the house band led by John Dankworth. During the late Forties and into the Fifties Calvert worked with the Ambrose band (1949), the Steve Race Bop Band (1949), Tito Burns (1950–1951) and then for four years with Carroll Gibbons. In the mid-1950s he had stints with Ken Moule, Buddy Featherstonhaugh, the London Jazz Orchestra and Denny Boyce. In the late 1950s he worked with Tony Crombie and Vic Lewis.

The 1960s saw Calvert operating a jazz label at Lansdowne Studios with drummer Barry Morgan, Monty Babson and Jerry Allen. In 1967 the group founded Morgan Sound Studio which ventured outside the jazz idiom and became the location for rock recordings by Joan Armatrading, Black Sabbath, The Cure, Donovan, Jethro Tull, The Kinks, Paul McCartney, Cat Stevens, Rod Stewart, and numerous more.

In 1961 he took over from Dick Hawdon as lead trumpeter for the John Dankworth Orchestra. He can be heard on many Ken Moule and Dankworth recordings of this period, his style influenced by the early work of Miles Davis. He was featured on Johnny Scott’s London Swings in 1966.

The 1970s saw Calvert recording with Richard Rodney Bennett on his Jazz Calendar Suite and on Tony Kinsey’s Thames Suite. He worked mostly as a freelance musician for radio, television and film. As a session trumpeter he recorded with John Baryy, and The Beatles. In the 1980s, Calvert sometimes played as a duo with pianist Jack Honeybourne, and he continued playing at small jazz venues into the 1990s, with the Sounds of Seventeen, Jazz Spell and George Thorby’s Band.

Bebop jazz trumpeter Leon Calvert, who was one of the co-founders of Club Eleven, died on May 1, 2018 in Hatfield, Hertfordshire, England at the age of 90.

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Daily Dose Of Jazz…

Joseph Christopher Columbus Morris was born on June 17, 1902 in Greeenville, North Carolina. He led his own band from the 1930s into the late 1940s, holding a residency at the Savoy Ballroom for a period. During the mid 1940s he began drumming behind Louis Jordan, remaining with him until 1952. In the mid-to-late 1950s, Columbo backed Wild Bill Davis’s organ combo, and he recorded with Duke Ellington in 1967.

He worked again as a leader in the 1970s, in addition to doing tours of Europe with Davis. While in France he played with Floyd Smith, Al Grey, Eddie “Cleanhead” Vinson, Buddy Tate, and Milt Buckner. He got his first professional gig playing with Fletcher Henderson in 1921. Between the 1920s and the 1960s, Columbo played at most of the city’s nightclubs, and led the Club Harlem Orchestra for 34 years until 1978, when the club shut its doors.

Columbo worked, recorded, and toured with prominent jazz artists including Dizzy Gillespie, Louis Armstrong and Ella Fitzgerald. He did an album on the Strand label called Jazz: Re-Discovering Old Favorites by the Chris Columbo Quintette featuring organist Johnny “Hammond” Smith. He appeared in the 1945 film It Happened In Harlem, based on the Harlem nightclub Smalls Paradise and the 1947 film Look Out Sister.

Prior to suffering a stroke in 1993 which partially paralyzed, Columbo was the oldest working musician in Atlantic City. Chris’ band went on to perform at practically every Atlantic City casino hotel. At the time of his stroke, he was playing regularly at the Showboat.

Drummer Chris Columbo, who was a father figure to Sonny Payne, who was also known as Crazy Chris Columbo and sometimes credited as Joe Morris on record, died on August 20, 2002 in New Jersey. He was 100 years old.

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Daily Dose Of Jazz…

Vince Wallace was born on June 15, 1939 in Port Townsend, Washington. At just two months shy of his second birthday his mother moved him to San Joaquin Valley, California. After spending a little time there, they ended up settling and growing up in the Bay area of Oakland, California.

His earliest recordings were on the Black Jack Wayne label in 1953 with Screamin Mel Dorsey and Chuck Wayne and the Heartbeats. These sessions were along with his original instrumental, Funky. He performed regularly at this time at the Country and Western halls and go go bars of Niles, California alongside Rose Maddox, Johnny Cash, and the Black Brothers.

As he developed, he became more sought after at all hours jazz joints where he sat in with Eric Dolphy, Paul Chambers, Charles Mingus, Pony Poindexter, Art Blakey and Smiley Winters. Jimbo’s Bop City in San Francisco was the best place around, where every night after 2 a.m. another legend of the jazz would come through the door.

In 1958 Vince moved to Southern California where he picked up work with Paul Bley and Marvin Rainwater. His Sunday jam session at The Cascades Club in Belmont Shores, helped the emergence of Kent Glenn, Mark Proctor, Gene Stone, and Warren Gale. By 1966 was back in the Bay Area working with alto saxophonist Norman Williams at the JukeBox in San Francisco. Through 1970 Wallace recorded three albums with Little John, a fusion rock band on Epic records.

Drawn back to southern California he experienced some of his widest recognition as his featured performances were reviewed favorably by Gerald Wilson.. This led to an eventual run at the Studio Cafe, and the release of two of Vince’s solo albums on Amp Records. Returning to San Francisco he led a Sunday night jam session through the Nineties, receiving the San Francisco Bay Guardian Award for Best Jam Session in 1995.

With a surge of interest in his music in the new millenium, he started working at the Bulldog Coffee Shop in Oakland and reuniting with Bishop Norman Williams, Prince Lasha, Jim Grantham, Steve Heckman, Fred Randolph, Chuck Thomposon, Chris Amberger, Terry Rodriguez, and John Gilmore, just to name a few. He began working on his memoirs, created a website, took a Friday residency at Cafe Van Kleef, appeared on KCSM 91.1 FM, and recorded a new album with Larry Vuckovich.

Tenor saxophonist Vince Wallace has reestablished himself as one of the most sought after saxophonists around and his music will undoubtably be spread throughout the world via his website www.vincewallace.com.

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The Jazz Voyager

On the way east to Music City USA to check out an authentic jazz experience standing out as a beacon in the city that boasts country music. Rudy’s Jazz Room embodies the history and spirit of traditional jazz clubs, where musicians played their hearts out while people gathered to listen, dance, eat, drink and socialize in a swingin’ atmosphere. The venue raises Nashville to the level of other great jazz cities like New York, New Orleans, Chicago, Kansas City and many more.

Hitting the stage this evening is saxophonist Don Aliquo who Presents Bebop Live and explores the various elements, depths and history of bebop jazz. In the early 1940’s when the younger generation of jazz musicians expanded the creative possibilities of jazz and bebop music first hit the jazz scene it wasn’t everyone’s cup of tea.

Tickets: $14.00

Rudy’s Jazz Room is located at 809 Gleaves Street, Nashville, TN 37203. For more information contact the venue at rudysjazzroom.com.

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Daily Dose Of Jazz…

Randy Sutin was born on May 14, 1958 in Great Falls, Montana where he studied piano starting at age four and guitar when he turned eight. By the time he was ten he began study of the drums. He began playing mostly rock and some country professionally with local groups at age thirteen. At 20, he began to study mallet percussion, in particular the vibraphone, which became the main staple of his professional life as a musician.

In 1985, Randy relocated to Trenton, New Jersey, then to the Philadelphia, Pennsylvania area four years later. He was a regular member of the Bill Hollis Quartet and soon began working regularly and recording with the Barry Sames Jazz Ensemble. A regular member of the late pianist Eddie Green’s group, he was featured on Eddie’s last recording, Shades of Green. He has also played and recorded with Walter Bell and the Latin Jazz Unit.

Over the last fifteen years, Sutin has continued playing as a regular member of the Barry Sames Jazz Ensemble, which does jazz arrangements of Christian music. He is featured as a soloist on both of Barry Sames’ recordings, Awaiting the Spirit and Celebration. This association with playing jazz for spiritual purposes and a desire to do a project with his wife, Marianne, who is an experienced yogi, led to his latest musical endeavor.

In 2007 they released Meditations for Percussion and Flute, a suite of compositions based on yoga practice blending a mixture of styles, but always falling back to jazz as its core. Together they created their record label, Balanced American Music. Recent work has focused on The Birdhouse Project, a trio with Jim Miller and Tyrone Brown, performing the compositions of Charlie Parker.

His most current project is with The Tyrone Brown String Ensemble. Randy is featured on both of their 2008 releases, The Magic Within and Moon of the Falling Leaves.

Vibraphonist Randy Sutin, who also plays marimba, continues to perform and record.

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