Daily Dose Of Jazz…
Edgar Gómez was born October 4, 1944 in Santurce, Puerto Rico and emigrating with his family at a young age arrived in New York City, where he was raised. He started on double bass in the City’s school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art. He played in the Newport Festival Youth Band, led by Marshall Brown from 1959 to 1961, and graduated from Juilliard in 1963.
Gómez has performed with Miles Davis, Dizzy Gillespie, Gerry Mulligan, John Coltrane, New York Art Quartet, Benny Goodman, Buck Clayton, Ahmad Jamal, Bill Bruford, Scott LaFaro, Marian McPartland, Paul Bley, Michael Brecker, Wayne Shorter, Steps Ahead, Steve Gadd, Ron Carter, Jeremy Steig, Herbie Hancock, Tony Williams, Al Foster, Chick Corea, Mark Kramer, Eugenio Toussaint and Carli Muñoz, just to name a few giants.
Spending a total of eleven years with the Bill Evans Trio and touring the United States, Europe and Asia, as well as recording dozens of albums, in which two of the Trio’s recordings won Grammy awards. Though Eddie was a member of the Manhattan Jazz Quintet and Steps Ahead, most of his career has been as an accompanist, a position suited for his quick reflexes and flexibility. This gave him the opportunity to record some 73 albums above and beyond his projects as a leader.
He was awarded an Honorary Doctorate of Music from Berklee College of Music in Valencia, Spain, and was the first honorary doctorate granted at the college’s new international campus. Double bassist Eddie Gómez continues to perform, record and tour.
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Daily Dose Of Jazz…
Phil Urso was born on October 2, 1925 in Jersey City, New Jersey and learned clarinet as a child, but switched to tenor sax while in high school. He served in the Navy during World War II and then moved to New York City in 1947.
Once he landed in the mecca for jazz from 1948 to 1954 he played with Elliot Lawrence, Woody Herman, Terry Gibbs, Miles Davis, Oscar Pettiford , Jimmy Dorsey, and Bob Brookmeyer.
In 1955, he first began working with Chet Baker, and was a prominent contributor to Baker’s Pacific Jazz releases in 1956. Urso and Baker would collaborate sporadically for some 30 years. He also recorded with Walter Bishop Jr., Horace Silver, Percy Heath, Kenny Clarke and Bobby Timmons among others.
He went on to work with Claude Thornhill late in the 1950s, but receded from national attention in later decades. Moving to Denver, Colorado he continued performing locally into the 1990s. Tenor saxophonist Phil Urso passed away on April 7, 2008 in Denver.
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Daily Dose Of Jazz…
Joe Mudele also Joe Muddel was born on September 30, 1920 in Downham in the south-east of London, England. His father died in 1931 following the consequences of a war and after leaving school at the age of 14, he worked as a singer in a cinema and soon played in local bands. He served in the RAF during the Second World War where he had lessons with James Merritt, contrabassist at the Philharmonia Orchestra.
1946 saw Mudele beginning to work as a professional musician, initially as a member of the Tito Burns Sextet. He met Ronnie Scott and John Dankworth and with them he belonged to the group of musicians who held the first bebop sessions as Club Eleven. To listen to Charlie Parker he attended the Festival International 1949 de Jazz and had the opportunity to play two numbers with Parker and his drummer Max Roach.
At the beginning of the 1950s, Mudele was a member of the Club Eleven Johnny Dankworth Seven but he soon left for family reasons to work the Coconut Grove nightclub in London’s West End. He toured with musicians like Hoagy Carmichael, Sophie Tucker, Judy Garland and Billy Eckstine. In 1951, he formed his own band with saxophonist Joe Harriott.
In the 1940s and 1950s, Alan Dean, Ralph Sharon, Larry Adler, Humphrey Lyttelton, Tommy Whittle, the Melody Maker All Stars in 1952 and 1955, and George Chisholm and Sid Phillips. In the 1960s, he recorded with Johnnie Spence and Alan Branscombe while his last recordings under his own name were made with pianist Robin Aspland and Geoff Gascoyne on drums.
Between 1948 and 2010 he performed on radio and television with Mantovani, Cilla Black, Yehudi Menuhin, Stéphane Grappelli, and the Big Ben Banjo Band, and the Sing Something Simple radio program. He also played regularly at the Bexley Jazz Club.
He recorded some 52 jazz recording sessions, however, outside the jazz he also played on recordings with Johnny Mercer, Barry Gray, John Williams and the Cliff Adams Singers. Bassist Joe Mudele, one of the pioneers of bebop in England, passed away on March 7, 2014.
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Daily Dose Of Jazz…
Frank Socolow wa born on September 18, 1923 in New York City and began his career in the early 40s playing in swing bands led by Georgie Auld, Ted Fio Rito, Roy Stevens, Van Alexander and Shep Fields. In 1944 he landed the first of three stints that spanned into the late Fifties with the Boyd Raeburn Orchestra and recording a number of records.
1945 saw Frank recording his first of two sessions as a leader with Freddie Webster and a young Bud Powell for Duke Records. He would go on to join Buddy Rich’s short-lived big band, toured Scandinavia 1947-48 with Chubby Jackson, then joined Artie Shaw’s big band 1949-50. Throughout the late 40s and the 50s he recorded with a wide variety of artists including Johnny Bothwell, Charlie Ventura, Gene Krupa, Sal Salvador, Maynard Ferguson, Terry Gibbs, Phil Woods, Cecil Payne, Manny Albam, Hal McKusick, Johnny Richards, Bill Russo, Joe Morello, and Bobby Scott.
His second record session as leader and only full album release, Sounds by Socolow, came in 1956 for Bethlehem Records, with arrangements by Bill Holman, Manny Albam, and Sal Salvador, the latter also contributing guitar. Tenor saxophonist and oboist Frank Socolow passed away on April 30, 1981 in New york City.
Daily Dose Of Jazz…
Ram Ramirez was born Roger J. Ramirez on September 15, 1913 in San Juan, Puerto Rico and grew up in New York City. He started learning piano when he was eight and was a professional five years later. In the early Thirties he worked with the Louisiana Stompers, Monette Moore , Rex Stewart, the Spirits of Rhythm and Willie Bryant.
Traveling to Europe with Bobby Martin’s group from 1937 to 1939, when Ramirez returned to New York City and had his own band before working with Ella Fitzgerald, Frankie Newton and Charlie Barnet in the Forties. After a second stint with Newton, he played with the John Kirby Sextet in 1944.
Ram mostly led his own trio from the mid-1940’s on and began doubling on organ in 1953. Active into the 1970’s. playing with the Harlem Blues and Jazz Band at the end of the decade. He became semi-active in the 1980’s and never gaining much fame except among knowledgeable musicians in the swing, bop and trad settings.
Through the years he led sessions for Gotham, Super Disc, Black & Blue, RCA and Master Jazz. He also played with Helen Humes, Putney Dandridge, John Kirby, Ike Quebec, Rex Stewart, Annie Ross, King Pleasure and Duke Ellington’s Small groups. Pianist and composer Ram Ramirez, best known as a co-writer of the classic song Lover Man (Oh, Where Can You Be?, passed away on January 11, 1994 in Queens, New York.
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