Daily Dose Of Jazz…
Jay Cameron was born on September 14, 1928 in New York City and began as an alto saxophonist only to later record with bass and B-flat clarinet and baritone saxophone.
He began his career in the early 1940s in Hollywood with Ike Carpenter‘s band, with whom he played until 1947. He moved to Europe near the end of the decade and played with Rex Stewart, Bill Coleman, Roy Haynes and Henri Renaud in France and Italy. In the early 1950s Cameron gigged around Belgium, Germany, and Scandinavia and by 1955 he played steadily in Paris, France with a band that included Bobby Jaspar, Barney Wilen and Jean-Louis Chautemps.
Returning to the United States in 1956, Jay played in bands led by Woody Herman and Slide Hampton as well as collaborations with Chet Baker, Dizzy Gillespie, Maynard Ferguson, Freddie Hubbard, Candido Camero, Bill Barron, André Hodeir, Hal McKusick, and Les and Larry Elgart.
He was the leader of the International Sax Band and the Third Herdsmen. And in the late 1960s he toured with Paul Winter. He continued to be an active musician and advocate for jazz programming and education throughout his life. Baritone saxophonist and reed player Jay Cameron passed away on March 20, 2001 in San Diego, California.
Daily Dose Of Jazz…
John Malachi was born on September 6, 1919 in Red Springs, North Carolina and grew up in Durham, North Carolina. At the age of ten he moved with his family to Washington, D.C., and was a self-taught musician.
Malachi was a member of the Billy Eckstine Bebop Orchestra in 1944 for a year and then again in 1947. He worked with Illinois Jacquet in 1948, Louis Jordan in 1951, and a series of singers including Pearl Bailey, Dinah Washington, Sarah Vaughan, Al Hibbler, and Joe Williams.
Opting out of the traveling life of the touring jazz musician in the 1960s, he lived approximately the last decade and a half of his life in Washington, D.C. freelancing, playing with touring bands and artists when they stopped in the city, and leading music workshops at clubs like Jimmy MacPhail’s Gold Room and Bill Harris’s Pig’s Foot. Malachi’s generosity towards younger musicians was legendary. His workshops with young musicians was referred to as The University of John Malachi.
He is credited with creating the nickname “Sassy” for Sarah Vaughan, with whom he worked with the Eckstine Orchestra and later directly with her. Pianist John Malachi, who was fond of categorizing jazz pianists into acrobats and poets, and considered himself among the latter, passed away on February 11, 1987 at the age of 67 in Washington, DC.
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Daily Dose Of Jazz…
Gilbert Bibi Rovère was born on August 29, 1939 in Toulon, France and grew up in Nice, where he also attended the Conservatory beginning in 1954. He became part of the jazz scene there and for 17 years played the San Remo Festival.
In 1956, a move to Paris saw him working in the jazz clubs and by 1957 he started playing the double bass with Barney Wilen. Over the coming years he accompanied Duke Ellington, Sonny Rollins and Billie Holiday with Mal Waldron. Between 1962 and 1974 he was always part of the combos of Martial Solal and between 1962 to ‘63 he joined Bud Powell, Kenny Drew, Johnny Griffin, Dexter Gordon and Kenny Clarke.
During the Sixties Bibi went on to play with Art Simmons and Jean-Luc Ponty on his first album Jazz Longplaying. He also worked with the Swingle Singers, René Thomas and Cannonball Adderley. In 1966 he received the Prix Django Reinhardt.
During the Seventies he accompanied Al Haig on his album Invitation and in 1978 he retired from the music industry only to become re-active eight years later, performing with Bud Shank and Jackie McLean. In 1990 he played on Steve Grossman’s album My Second Prime.
On March 13, 2007 double bass and violincello player Bibi Rovère passed away in Menton on the French Riviera.
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Daily Dose Of Jazz…
Roy Lee Porter was born on July 30, 1923 in Walsenburg, Colorado and moved from Walsenburg to Colorado Springs when he was eight years old and began playing drums in rhythm and blues bands while a teenager. He attended Wiley College in Texas briefly, where trumpeter Kenny Dorham was a fellow student. He joined Milt Larkin’s band in 1943, replacing Joe Marshall.
After military service Porter settled in Los Angeles, California and his talents were soon in demand by some of the pioneers of bebop. He worked with Teddy Bunn and Howard McGhee, making his first recordings with the latter. In 1946 he backed Charlie Parker on such Dial classics as A Night In Tunisia, Yardbird Suite, Ornithology and the unfortunate recording of Lover Man.
Playing on Los Angeles’ Central Avenue afforded him opportunities to perform with with Dexter Gordon, Wardell Gray and Teddy Edwards. In San Francisco, California he performed with Hampton Hawes and Sonny Criss. In 1949 Roy organized and went on the road with a big band that included Art Farmer, Jimmy Knepper and Eric Dolphy.
During the 1950s he was inactive as a jazz musician due to drug problems and only returned to music infrequently afterwards. Drummer Roy Porter never led a recording session and passed away on January 24 or 25, 1998 in Los Angeles.
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Daily Dose Of Jazz…
René Urtreger was born July 16, 1934 in Paris, France and began his private piano studies at the age of four, and then at the Conservatory. He studied with an orientation toward jazz, playing in a small Parisian club, the Sully d’Auteil, conducted by Hubert Damisch. The Sully boasted an orchestra of talented students including Sacha Distel and Louis Viale.
In 1953, Urtreger won first prize in a piano contest for amateurs, and from that moment decided to be a professional musician. 1954 saw him accompanying saxophonist Don Byas and trumpeter Buck Clayton in a Parisian concert. Their collaboration in the “Salon du Jazz” became one of the most highly requested French performances by the American musicians that toured the French capital.
After serving in the military from 1955 to 1957, René would play in a club on the left bank of the Seine, the famous Club Saint-Germain and again he collaborated with Miles Davis and Lester Young. His work so impressed the latter that he accompanied Young for a short tour of Europe in 1956, however the following year in December, he was part of Davis’s group which recorded the soundtrack to the film Ascenseur pour l’échafaud (Elevator to the Gallows).
The late 1950s had him working with Lionel Hampton, Stan Getz, Chet Baker, Dexter Gordon, Sonny Rollins and Ben Webster, among others. His canon of jazz work is still widely regarded as sensitive with a full, dense sound of swing. The Academie du Jazz of France formally recognized his accomplishments in 1961 with the Prix Django Reinhardt for outstanding jazz artist of the year. This win subsequently led to him providing soundtracks for films by Claude Berri and others.
Reappearing on the Paris jazz scene he resumed his career as a small-ensemble accompanist with Lee Konitz, Aldo Romano or Barney Wilen. He was featured at “Le Jazz Cool, Le Jazz Hot: A Celebration of Modern Jazz in Los Angeles and France” at the Getty Museum in Los Angeles, California in 2007. Pianist René Urtreger is currently 83 years of age and continues to perform.
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