Daily Dose Of Jazz…
Junior Mance was born Julian Clifford Mance, Jr. on October 10, 1928 in Evanston, Illinois. When he was five years old, he started playing piano on an upright where his father taught him to play stride piano and boogie-woogie. With his father’s permission, he had his first professional gig in Chicago, Illinois at the age of ten when his upstairs neighbor, a saxophone player, needed a replacement for a pianist who was ill.
At Roosevelt College in Chicago he signed up for music classes but discovered jazz was forbidden and left before the school year was finished. Mance first played and recorded with Gene Ammons in Chicago in 1947 while he was enrolled at Roosevelt. While on tour in Chicago, Lester Young saw him playing with Ammons and had him sit in. He ended up recording with Young for Savoy Records that year, and reunited with Ammons to record with Sonny Stitt for Prestige Records in 1950.
Drafted into the Army in 1951, two weeks before shipping out to Korea from basic training, Cannonball Adderley helped Mance score a position in the 36th Army Band at Fort Knox, Kentucky, where he remained as the company clerk. Back in Chicago after being discharged two years later, Junior immediately started working at the Bee Hive Jazz Club in Chicago. He backed Charlie Parker, Coleman Hawkins, Eddie “Lockjaw” Davis, and Sonny Stitt among others.
Parker encouraged Mance to move to New York, and in 1954, he recorded with Dinah Washington, touring with her over the next two years and learning accompaniment technique from her arranger, Jimmy Jones. From a live session recorded in 1954 in Los Angeles, California that included him, Washington, Clifford Brown, Clark Terry, Maynard Ferguson, Herb Geller, Harold Land, Richie Powell, Keter Betts, George Morrow, and Max Roach, EmArcy released two LPs, Dinah Jams and Jam Session.
The Fifties saw Junior joining Cannonball Adderley’s first civilian band, making several recordings for EmArcy/Mercury and supported Dinah Washington on her In the Land of Hi-Fi album. He would go on torecord with Johnny Griffin, James Moody, and Wilbur Ware. Then he joined Dizzy Gillespie’s band. By the end of the decade he recorded his debut as a leader on the Verve label.
Over the course of his career he would record with Capitol and Atlantic, and Sackville record labels. He continued to record and perform during the next three decades. As an educator he taught at The New School for Jazz and Contemporary Music for 23 years, counting Brad Mehldau and Larry Goldings among his students before retiring in 2011.
From 1990 to 2009 Mance was part of the all-star group called “100 Gold Fingers” which frequently toured Japan. The rotating lineup included Toshiko Akiyoshi, Monty Alexander, Geri Allen, Lynne Arriale, Kenny Barron, Joanne Brackeen, Ray Bryant, Bill Charlap, Cyrus Chestnut, Gerald Clayton, Eric Reed, and twenty-two others with bassist Bob Cranshaw and either Alan Dawson or Grady Tate on drums.
Pianist and composer Junior Mance, who suffered from Alzheimer’s and a fall, died on January 17, 2021 from a brain hemorrhage at the age of 92 in New York.Acquaint an inquisitive mind with a dose of an Evanston pianist who is in the company of musical genius around the world as a member of the jazz canon…Acquaint an inquisitive mind with a dose of an Evanston pianist who is in the company of musical genius around the world as a member of the jazz canon…Acquaint an inquisitive mind with a dose of an Evanston pianist who is in the company of musical genius around the world as a member of the jazz canon…Acquaint an inquisitive mind with a dose of an Evanston pianist who is in the company of musical genius around the world as a member of the jazz canon…
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Daily Dose Of Jazz…
Michel Gaudry was born on September 23, 1928 in Eu, France on 23 September 1928. He learned clarinet and piano as a child before switching to bass. Following studies at the Geneva Conservatory, he played with Michel Hausser, beginning his professional career in 1955. In the latter half of the 1950s he worked with Billie Holiday, Quentin Jackson, Carmen McRae, and Art Simmons.
In the early 1960s he was very active playing with Elek Bacsik, Kenny Clarke, Sonny Criss, Stephane Grappelli, Bud Powell, Stuff Smith, and Billy Strayhorn, as well as continuing a long time slot as a member of Jack Diéval’s group.
The Seventies he played with Gérard Badini’s group, Swing Machine, and was a regular performer at the Grande Parade du Jazz in Nice, France. In the 1980s he played with Jimmy Owens and Irvin Stokes.
In his later life, he dedicated himself to the history of World War II occupation of Normandy, France. Double bassist Michel Gaudry died on May 29, 2019 in Saint-Lô, France at the age of 90.
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Daily Dose Of Jazz…
Fletcher Smith was born on September 22, 1913 in Lincoln, Nebraska and was orphaned by the age of eight. He and his siblings moved in with their grandfather who had a nine-room house. When the Lloyd Hunter Serenaders came through Lincoln and there was a guitar player there named Finney. He asked Finney to teah him to play if he could get his uncle to buy him a banjo. He wrote out a chart of chords and gave him lessons when he came back.
Smith played for Cootie Williams in 1943 and in the following years with Slim Gaillard, King Perry, Varetta Dillard, Jimmy Rushing, Big Maybelle, Linda Hopkins, Sister Rosetta Tharpe, Stick McGhee, Mickey Baker, Percy Mayfield, and Geechie Smith. In the Fifties he performed with Earl Bostic, Percy Mayfield, Benny Carter, Billy Eckstine, Lionel Hampton, Les Hite, and the Ink Spots, among others.
Under his own name, Fletcher Smith’s Squares and Fletcher Smith’s band, he played in the 1950s and recorded several singles such as Mean Poor Gal, Ting Ting Boom Scat or Shout, Shout, Shout. He recorded extensively as a sideman and toured most of the United States with various organizations. During the early 1970s he was a popular artist in Paris, France performing with the Golden Gate Quartet. From 1981 to 1991 he was featured in Las Vegas, Nevada.
Upon his return to Los Angeles, he became one of the mainstays of the Southern California music scene, he continued playing and honing his book of tunes and arrangements until his death. Pianist and bandleader Fletcher Smith died on August 15, 1993 in Los Angeles, California.
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Daily Dose Of Jazz…
Shafi Hadi was born William Curtis Porter on September 21, 1929 in Philadelphia, Pennsylvania to William Porter and Harrietti Porter. He received piano lessons from his grandmother at age 6. He went on to study musical composition at Howard University and University of Detroit. He performed with rhythm and blues artists such as Paul Williams, Ruth Brown, and the Griffin Brothers.
He recorded with bassist Charles Mingus between 1956 and 1958. He also recorded with tenor saxophonist Hank Mobley. Hadi improvised the soundtrack music for John Cassavetes’s film Shadows, then returned to Mingus’s group in 1959. He also collaborated with Mary Lou Williams on her 1977 composition “Shafi”, although the extent of his contribution is unclear.
Between 1965 and 1969 Shafi co-wrote five songs with Lionel Hampton or Gladys Hampton: Bye, Bye, Hamp Stamps, No, Say No, A Sketch Of Gladys, and Mama Knows.
Tenor and alto saxophonist Shafi Hadi died in June 1976, at the age of 46.
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Daily Dose Of Jazz…
Jay Cameron was born in New York City on September 14, 1928. He began as an alto saxophonist but later recorded with bass clarinet, B-flat clarinet, and baritone saxophone. His career began in the early 1940s in Hollywood, California with Isaac M. Carpenter’s band, with whom he played until 1947.
Moving to Europe near the end of the decade he played with Rex Stewart, Bill Coleman, Roy Haynes and Henri Renaud in France and Italy. By the early 1950s Cameron was gigging around Belgium, Germany, and Scandinavia. Returning to Paris, France in 1955 he played steadily with a band that included Bobby Jaspar, Barney Wilen and Jean-Louis Chautemps.
Back in the United States in the mid-Fifties Jay played in the bands of Woody Herman, Chet Baker, Dizzy Gillespie, Maynard Ferguson, Freddie Hubbard, Candido Camero, Bill Barron, André Hodeir, Hal McKusick, and Les and Larry Elgart. In 1960 he played with Slide Hampton, also led the International Sax Band and the Third Herdsmen, and late in the decade, he toured with Paul Winter.
Bass and B-flat clarinetist and baritone saxophonist Jay Cameron died in San Diego, California on March 20, 2001.
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