Daily Dose Of Jazz…
William C. “Buster” Bailey was born July 19, 1902 in Memphis, Tennessee and was educated on the instrument by classical teacher Franz Schoepp, the man who taught Benny Goodman. He got his start with the W.C. Handy Orchestra in 1917 when he was just fifteen years old. After two years of touring with Handy, he quit while the band was in Chicago and in 1919 Bailey joined Erskine Tate’s Vendome Orchestra.
1923 saw Buster joining up with Joe “King” Oliver as part of his King Oliver’s Creole Jazz Band. It was here that he met and became friends with fellow band mate Louis Armstrong. In 1924, when Armstrong left King Oliver’s Jazz Band to join the Fletcher Henderson Orchestra in New York. It was less than a month that Armstrong extended an invitation for Bailey to join the band and accepting, he moved to New York City.
During the late 1920s Bailey became a highly respected sideman with Perry Bradford, Clarence Williams and others, Recording both clarinet and soprano saxophone. He toured Europe with Noble Sissle’s orchestra in 1927, returned and performed with Edgar Hayes and Dave Nelson, rejoined Sissle in 1931. By 1934 he was back with Henderson and then settled in with the John Kirby Band. Off and on he would perform with the mills Blue Rhythm Band, Midge Williams and Her Jazz Jesters and record as a leader as Buster Bailey and His Rhythm Busters.
In 1947 he joined Wilbur de Paris and performed with him until 1949. During the early 1950s Bailey was with Big Chief Russell Moore but for most of the decade he played with Henry “Red” Allen. From 1961 to 1963 he performed with Wild Bill Davison, the Saints And Sinners, and rejoined his old friend Armstrong and became a member of Louis Armstrong and His All-Stars.
Buster appeared on film three times during his career in That’s The Spirit in 1933, Sepia Cinderella in 1947 as part of John Kirby’s band and in When The Boys Meet The Girls in 1965 with Louis Armstrong. He also appeared in 1958 in the DuMont TV series Jazz Party and in 1961 on the TV program The Dupont Show of the Week in an episode titled “America’s Music – Chicago and All That Jazz”.
Clarinetist Buster Bailey, who was also well versed on saxophone and one of the most respected session players of his era, passed away in Brooklyn, New York on April 12, 1967 of a heart attack.
Jazz Is Global – Share
Daily Dose Of Jazz…
Carl Charles Fontana was born on July 18, 1928 in Monroe, Louisiana and learned jazz from his father Collie, a saxophonist and violinist. He first performed with his father’s band while in high school and would go on to attend the University of Louisiana Monroe for two years prior to transferring to Louisiana State University and getting a degree in Music Education.
Fontana got his first professional break on the jazz scene in 1951 when he was hired to stand in for Urbie Green in the Woody Herman band. Impressing the bandleader with his improvisational skills he kept him on as a permanent member of the band even after Green returned..
Three years later he left Herman and joined Lionel Hampton’s big band. In early 1955 he played briefly with Hal McIntyre before joining Stan Kenton’s big band later in the year. He recorded three albums with Kenton and also worked with fellow trombonist Kai Winding during this period. Being an inventive yet fluid player made it easy for him to record and tour, but Carl was also a master of the “Doodle Tonguing” technique, that allowed him to smoothly execute runs of notes at speeds many had not previously considered possible to achieve on a slide trombone.
By 1958, Fontana was living in Las Vegas, Nevada and would tour only on rare occasions. He primarily performed with house orchestras in Las Vegas during the 1960s, particularly Paul Anka’s band with Rosolino, and in the bands backing Sammy Davis Jr., Tony Bennett, Wayne Newton and the Benny Goodman Orchestra. This continued into the Seventies in addition to recording with Louie Bellson, Bill Watrous, and Supersax as well as co-leading a date with Jack Hanna, titled The Hanna-Fontana Band: Live at Concord.
The 1980s saw him appearing regularly on National Public Radio’s Monday Night Jazz program. And although he recorded on more than 70 albums over his long career, his first true record as a headliner did not appear until 1985 when Uptown Jazz released The Great Fontana. He continued performing and recording sporadically throughout the 1990s.
Trombonist Carl Fontana, who never earned great fame but was on every great trombonist’s list of greats, passed away in Las Vegas, Nevada aged 75 after suffering from Alzheimer’s disease on October 9, 2003.
Jazz Is Global – Share
More Posts: trombone
Daily Dose Of Jazz…
Gilberto Passos Gil Moreira was born June 26, 1942 in Salvador do Bahia, Brazil though he spent much of his childhood in the countryside of Ituaca. The offspring of a doctor and a schoolteacher, he attended the Marist Brothers school until he was nine and then returned to Salvador for secondary school.
Gil’s interest in music began when he was two and grew up listening to the forro music and the street performers of Salvador. Early on, he began to play the drums and the trumpet, and then took up the accordion before attending music school. He first played classical music, but grew more interested in the folk and popular music of Brazil, influenced by accordionist Luiz Gonzaga. He discovered the samba music of Dorival Caymmi, American big band jazz and tango.
In 1950 while still in high school he joined his first band, Os Desafinados (The Out of Tunes), playing accordion and vibraphone and singing. Soon afterwards he settled on the guitar as his instrument after hearing Joao Gilberto and started playing bossa nova. Gil met guitarist and singer Caetano Veloso at the Universidade Federal da Bahia in 1963 and immediately they began collaborating and performing together, releasing a single and EP soon afterwards. Along with Maria Bethania, Gal Costa and Tom Ze, they opened the Vila Velha Theatre with a night of bossa nova and traditional Brazilian songs in 1964.
Gilberto would go on to become musical director of the theatre’s concert series, sold bananas, composed jingles for tv ads and work for Unilever before moving to Sao Paulo in in 1965. Though he had a hit single with Louvação that was later recorded by Elis Regina, his first solo hit was the 1969 song Aquele Abraco. Arrested with Veloso he spent seven months in jail and house arrest and then instructed to leave the country. After a concert in Salvador in ’69 they left for Portugal, Paris and London where he listened to Bob Marley, Jimmy Cliff and Burning Spear. He performed with Yes, Pink Floyd and the Incredible String Band. It was in London that he recorded Gilberto Gil Nega and attended Miles Davis and Sun Ra concerts.
Over the course of his career he participated in the Aids benefit album Red, Hot + Rio, win Grammy awards, receive the Legion d’honneur from France, and was the first Latin American recipient of the Polar Music Prize in Stockholm. In between performances he turned to politics becoming the Salvador Secretary of Culture, founded the environmental protection organization Onda Azul (Blue Wave), was a Good will Ambassador for the Food and Agriculture Organization of the United Nations, became Brazil’s Minister of Culture and then retired due to a vocal cord polyp.
Tenor, baritone and falsetto vocalist, guitarist, lyricist and composer Gilberto Gil who is one of the pioneers of tropicália, and became increasing interested in the welfare of Black culture and focused on Afro-Brazilian culture. He continues to transcend the eras of dance and music trends emerging on the other side with a blend of music styles that stay true to his traditional Bahian roots while engaging with commercial markets.
Inspire A Young Mind
Daily Dose Of Jazz…
Pablo “Chino” Nunez was born on June 25, 1961, adopted as an infant, the only son of Puerto Rican immigrants and raised in New York City’s Sunset Park section of Brooklyn. Inspired and encouraged at a young age, he attributes his success to the “masters” he studied as well as idolizing many instrumentalists and vocalists most notably Tito Puente, Orestes Villato, Miles Davis, Gil Evans, Nicky Marrero, The Beatles, The Jackson 5, James Brown, and Ella Fitzgerald among others.
Self-taught, Chino’s career spans four decades he established himself as a percussionist, multi-Instrumentalist, producer, arranger, composer, recording artist, band leader, and educator. He is a multiple Grammy, Latin Grammy and Billboard nominee and winner. He has amassed hundreds of music credits as a producer including the documentary film, “Pedro “Cuban Pete” Aguilar: Dancing En Clave”. He has toured with a who’s who list of performers and has garnered critical acclaim with his Chino Nunez Orchestra.
Nunez has recorded and performed with Tito Puente, Hector Lavoe, Celia Cruz, Johnny Pacheco, Marc Anthony, El Gran Combo de Puerto Rico, Ray Barretto, Willie Colon, Ruben Blades, Gilberto Santa Rosa, Larry Harlow, Tito Nieves, Spanish Harlem Orchestra and a host of others. He has performed all over the world including Lincoln Center, Carnegie Hall, North Sea Jazz Festival, Madison Square Garden, Montreal Jazz Festival, the Tito Puente Amphitheatre and Bellas Arte Performing Arts Center in San Juan, Puerto Rico, to name a few.
He creates a unique and rhythmic swing fusing Salsa, Big Band, Latin Jazz, Christian, Gospel, Bachata, Reggaeton, Hip Hop and R & B. On Broadway he has performed in “The Life of Celia Cruz”, “Evita”, “Cape Man”, “Lion King”, and “A Tale of Two Cities” featuring his arrangement “Another 100 People”. In 2005, he released his debut album Chino Nunez & Friends, A Tribute to the Dancers, It’s ShoTime. Producer of voice-overs, jingles, radio and television and commercials, Chino Nunez continues to perform and tour worldwide.
Dose A Day – Blues Away
More Posts: percussion
Daily Dose Of Jazz…
Ian Christie was born on June 24, 1927 in Blackpool, Lancashire, England to a father who was a piano tuner and banjoist. He took lessons from Charlie Farrell but opted to join the Royal Air Force, taking up photography as his primary interest. After his brother Keith joined Humphrey Lyttleton’s band, he soon followed, finishing his photography studies with financial help from Humphrey.
During the 1950s and 1960s Ian worked extensively with Mick Mulligan and George Melly as well as playing in a number of trad jazz ensembles, and forming a group with his brother Keith, Ken Coyle and Dicky Hawdon called the Christie Brothers’ Stompers.
Throughout his career he continued to work in trad jazz ensembles into the 2000s, with the Wyre Levee Stompers, the Merseysippi & Parade Jazz Band, and the Tony Davis Band, among others. In his later years he played with Graham Tayar in his Crouch End All Stars. Aside from playing music clarinetist Ian Christie worked as a film critic for The Daily Express for over 25 years and as a photographer until his passed away on January 19, 2010.
Take A Dose On The Road
More Posts: clarinet