Daily Dose Of Jazz…

Curley Russell was born Dillon Russell on March 19, 1917 in Trinidad. Learning to play bass in his youth, the double-bassist by 1941 had joined the Don Redman big band and two years later was playing with Benny Carter. During the early bop period of jazz he became extremely busy performing and recording with Dizzy Gillespie and Charlie Parker.

From 1947 – 1949 he was a member of the Tadd Dameron Sextet and became more in demand for his ability to play at rapid tempos typical of the period. During his short career as a sideman he performed and recorded with an impressive list of musicians: Buddy De Franco, Bud Powell, Horace Silver, Thelonious Monk, the Art Blakey Quintet, Clifford Brown, Fats Navarro, Miles Davis, J. J. Johnson, Johnny Griffin, Stan Getz, George Wallington, Milt Jackson, Al Cohn and Zoot Sims.

Seemingly uninterested in the melodic mobility that was expected of bassists, he was never featured as a soloist and by the late Fifties dropped out of the jazz scene and left the music business altogether. Bassist Curley Russell passed away on July 3, 1986.

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Daily Dose Of Jazz…

Terence Oliver Blanchard was born March 13, 1962 in New Orleans, Louisiana and began playing piano at the age of five and then the trumpet at age eight.  He played trumpet recreationally alongside childhood friend Wynton Marsalis in summer music camps but showed no real proficiency on the instrument. While in high school, he began studying at the New Orleans Center for Creative Arts and then studied at Rutgers, toured with Lionel Hampton, joined Art Blakey and became the Messenger’s music director.

While playing with Blakey, Blanchard rose to prominence as a key figure in the 1980s Jazz Resurgence as a co-leader of a quintet with saxophonist Donald Harrison and pianist Mulgrew Miller, The Harrison/Blanchard group recorded five albums from 1984-1988 until Blanchard left to pursue a solo career in 1990 and recorded his self-titled debut for Columbia Records.

He scored and performed on every Spike Lee movie soundtracks, including his 4-hour HBO Hurricane Katrina documentary “When The Levees Broke: A Requiem In Four Acts” and the soundtrack for “Red Tails”. Composing for other directors, with over forty scores to his credit Blanchard is the most prolific jazz musician to ever compose for movies.

Terence has recorded eighteen albums, been nominated for twelve times and won five Grammy Awards, has won Soul Train Music Award, an Emmy and Golden Globe among others. On the short list his collaborations include Herbie Hancock, Diana Krall, Gary Bartz, Jane Monheit, Dianne Reeves, Christian McBride, Lewis Nash and McCoy Tyner.

Composer, educator and trumpeter Terence Blanchard is the artistic director of the Thelonious Monk Institute of Jazz at the University of Southern California. All the while, he has remained true to his jazz roots as a trumpeter and bandleader on the performance circuit.

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Daily Dose Of Jazz…

Chauncey Morehouse was born on March 11, 1902 in Niagara Falls, New York and was raised in Chambersburg, Pennsylvania where he learned and played drums from an early age. He also played piano and banjo and while in high school led a group called the Versatile Five. He landed a job with Paul Specht’s orchestra in 1922, touring with him through Europe in 1923.

Through the Roaring Twenties Chauncey played with The Georgians, Jean Goldkette, Adrian Rollini and Don Voorhees. He recorded with Frankie Trumbauer, Bix Beiderbecke, Red Nichols, The Dorsey Brothers, Joe Venuti and many others.

By 1929 Morehouse was active for the next decade chiefly as a studio musician, working in radio and television in and around New York City. In 1938, he put together his own percussion ensemble which played percussion tuned chromatically.

Morehouse invented a set of drums called the N’Goma drums, which were made by the Leedy Drum Company who endorsed Morehouse during his career. His career in the studios continued into the 1970s when he retired from studio work and began playing jazz again, mostly at festivals.

In his later years Morehouse made appearances at Carnegie Hall for the Tribute to Bix concert for the Newport Jazz Festival, and at one of the early Bix Beiderbecke Memorial Jazz Festivals in Davenport, Iowa. Chauncey Morehouse passed away on October 31, 1980 in Medford, New Jersey, aged 78.

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Daily Dose Of Jazz…

Charles Tolliver was born on March 6, 1942 in Jacksonville, Florida and while still a child received his first trumpet from his grandmother. He attended Howard University in the early Sixties as a pharmacy student, but when he decided to pursue music as a career he moved to New York City.

Coming to prominence in 1964, playing and recording on Jackie McLean’s Blue Note albums, seven years later he and Stanley Cowell founded Strata-East Records. The label was one of the pioneer jazz artist-owned and Tolliver released many albums and collaborations as a leader.

Following a long hiatus, he reemerged in the late 2000 decade, releasing two albums arranged for big band “With Love” that was nominated in 2007 for a Grammy award for Best Large Jazz Ensemble and “Emperor March: Live at the Blue Note” in 2009.

He has recorded with Herbie Hancock, Ron Carter, Paul Chambers, Gary Bartz, Cecil McBee, Jimmy Hopps, Alvin Queen, Jon Faddis, Charles McPherson, Reggie Workman, John Hicks, Billy Harper, Robert Glasper, Max roach, Horace Silver and McCoy Tyner to name a few. Hard bop, post bop, modern big band, trumpeter Charles Tolliver continues to be a force in the jazz idiom.

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Daily Dose Of Jazz…

Martin France was born on February 29, 1964 in Rainham, Kent, England and began performing at the age of twelve backing singers in working men’s clubs with organ trios in and around Manchester. He studied under Geoff Riley, Kenny Clare, Joel Rothman, and principal percussionist Richard Smith of The Hallé, the Manchester orchestra.

In 1983 Martin began his recording career performing as a sideman on several records for ECM Records, toured with several of the labels roster during the 80s and 90s and subsequently led several sessions as a leader.

The turning point in his early career was as a member of the 1980s big band Loose Tubes, where he began working on projects that included film soundtracks, jazz theatre and cross cultural collaborations with other big bands and orchestras.

France formed his own band Spin Marvel, that showcased more electronic and sequence drumming, and would be an integral rhythm backbone on more than 60 albums working with some of the world’s finest musicians including Kenny Wheeler, Elvis Costello, Bob Mintzer, Steve Swallow, Joe Lovano, Lee Konitz, Marc Johnson and Dave Holland to name a few and is currently a regular performer with the NDR Radio Orchestra in Hamburg.

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