Daily Dose Of Jazz…
Friedrich Gulda was born on May 16, 1930 in Vienna, Austria and as the son of a teacher began learning to play the piano at age 7 with Felix Pazofsky at the Wiener Volkskonservatorium. In 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
During World War II as teenagers, Gulda and his friend Joe Zawinul were rebellious and would perform forbidden music, including jazz, in violation of the government’s prohibition of playing such music. Winning first prize at the Geneva International Music Competition in 1946, he began to play concerts worldwide, making his Carnegie Hall debut in 1950, and with Jörg Demus and Paul Badura-Skoda, formed what became known as the “Viennese troika”. Friedrich enjoyed a renowned classical career for years before his 1956 engagement at Birdland in New York City and at the Newport Jazz Festival.
In 1966 he organized the International Competition for Modern Jazz in 1966, and established the International Musikforum, a school in Ossiach, Austria two years later, for students who wanted to learn improvisation. From the 1950s on Gulda cultivated a professional interest in jazz, writing songs and free improvisation or open music improvisations. He also recorded as a vocalist under the pseudonym “Albert Golowin”, fooling music critics for years until it was realized that Gulda and Golowin were the same person.
In jazz, he found “the rhythmic drive, the risk, the absolute contrast to the pale, academic approach I had been taught. He also took up playing the baritone saxophone. His 1970 album, As You Like It, includes the standards Round Midnight and What Is This Thing Called Love?, as well as his own classic Blues For H.G. that is dedicated to Hans Georg Brunner-Schwer.
From the late 1960s through the 1980s he continued his straight-ahead swing and bop-based jazz often in European Jazz big bands, which he often organized yearly performances and recordings. He performed and recorded playing clavichord, percussion instruments, and a bass recorder wooden flute with musicians involved in free improvisation, including Cecil Taylor, Barre Phillips, Ursula Anders, John Surman, Albert Mangelsdorff, Stu Martin, and Fritz Pauer. He would go on to collaborate in the coming decades with Herbie Hancock, Joe Zawinul, and Chick Corea.
When the Vienna Music Academy awarded him its Beethoven Ring in recognition of his performances, he accepted it but then later reconsidered and returned it. To promote a concert in 1999, he announced his own death in a press release so that the concert at the Vienna Konzerthaus could serve as a resurrection party.
Pianist and composer Friedrich Gulda, who worked in both the classical and jazz fields, transitioned from heart failure at the age of 69 on January 27, 2000 at his home in Weissenbach, Austria.
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Daily Dose Of Jazz…
Pierre Courbois was born on April 23, 1940 in Nijmegen, Netherlands and after studying percussion at the Hogeschool der Kunsten in Arnhem, he left for Paris, France which was the center of jazz in Europe in the early 1960s. He worked with pianist Kenny Drew, violinist Jean-Luc Ponty, saxophonists Eric Dolphy, Ben Webster, Stan Getz, and Johnny Griffin, and guitarist René Thomas.
Courbois was one of the first musicians in Europe to experiment with free jazz. In 1961 he became the drummer and leader of the original Free Jazz Quartet. In 1965 he started another group, the Free Music Quintet, composed of international musicians. He also played and recorded with Gunter Hampel’s Heartplants Group with Manfred Schoof and Alexander von Schlippenbach.
Founding the first European jazz-rock group, Association P.C. in 1969, they won the Down Beat poll and stayed together until 1975. In 1982 Pierre put together the group New Association, and played with pianists Mal Waldron and Rein de Graaff, horn players Willem Breuker, Hans Dulfer and Theo Loevendie, and Ali Haurand’s European Jazz Quintet with Gerd Dudeck, Leszek Zadlo and Alan Skidmore.
In 1992 Courbois started a quintet and for the first time in his career performed pieces all composed by himself. This ensemble pleasantly surprised both the critics and the public with a return to the Charles Mingus tradition – thematic, melodic ensemble jazz and an experimentation with linear improvisation. Consistently reinventing himself he has gone on to create the Double Quintet, and the Five Four Sextet.
Drummer, bandleader and composer Pierre Courbois, who was awarded the Bird Award, the highest in the Dutch Jazz World and is a Knight of the Order of Orange-Nassau, continues to perform, record and compose.
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Daily Dose Of Jazz…
Born near Kyiv, Ukraine on April 22, 1920 Benjamin “Buzzy” Drootin moved to Boston, Massachusetts with his family when he was five. His father played the clarinet, and two of his brothers and his nephew were musicians. He began playing drums professionally as a teenager. At age twenty, he toured with the Jess Stacy All-Stars, a band that includeded Lee Wiley.
In 1940, he also toured with Ina Ray Hutton, then joined the Wingy Manone band. From 1947 until 1951, he worked as the house drummer at Eddie Condon’s night club in New York City. He was a bandleader at El Morocco club in New York City, and a member of the house band with his brother Al at George Wein’s Storyville club in Boston. During these years he worked with Doc Cheatham, Vic Dickenson, Bobby Hackett, Ruby Braff, Claude Hopkins, Jimmy McPartland, Pee Wee Russell, and Arvell Shaw.
Drootin recorded with Tommy Dorsey, Bobby Hackett, Jack Teagarden, Eddie Condon, Ruby Braff, Anita O’Day, George Wein, the Newport All-Stars, Lee Konitz, Sidney Bechet, PeeWee Russell and The Dukes of Dixieland. In 1968–69, he toured and recorded with Wild Bill Davison’s Jazz Giants and then formed Buzzy’s Jazz Family, borrowing some of Davison’s sidemen, Herb Hall and Benny Morton, plus added Herman Autrey on trumpet and his nephew, Sonny Drootin, on piano.
In 1973, after touring Europe and America, he returned to his hometown of Boston, where he and his brother Al and nephew Sonny formed the Drootin Brothers Band. They played at the Newport Jazz Festival. He played at the first Newport festival and at many festivals after that. He also played at the Los Angeles Classic Jazz Festival in the 1980s.
Drummer Buzzy Drootin transitioned on May 21, 2000 from cancer at the age of 80 at the Actors Fund Retirement and Nursing Home in Englewood, New Jersey.
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Daily Dose Of Jazz…
Cees See was born on January 5, 1934 in Amsterdam, Netherlands. He worked in the 1950s with Freddy Logan and Jack Sels, however by the early Sixties he was performing with Rolf Kühn, Pim Jacobs, and Herman Schoonderwalt. He also played with an ensemble formed for Sender Freies Berlin, whose members included Herb Geller and Jerry van Rooyen.
In the second half of the 1960s he played with Teddy Wilson, Klaus Doldinger, Volker Kriegel, Dusko Goykovich, Nathan Davis, and Jan Hammer. He was a member of the New Jazz Trio with Manfred Schoof and Peter Trunk from 1970 to 1972. In the early 1970s he continued to work with Kriegel and Goykovich, as well as with Wolfgang Dauner and Chris Hinze.
Drummer Cees See transitioned on December 9, 1985 in The Hague, Netherlands.
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Daily Dose Of Jazz…
Judd Proctor was born Procter on January 2, 1931 in Doncaster, Yorkshire, England. He played banjo in his youth and joined a local trio, but switched to guitar in his teens. He won a regional Melody Maker contest in a group, The Zetland Players. By the age of 18 he was conscripted into the Royal Air Force, where he met and was influenced by guitarist Ike Isaacs. After his military service ended, he worked in accountancy for British Rail, but soon left to join a dance band in Nottingham and became a professional musician.
After playing in various bands he joined Ray Ellington’s quartet in 1955, remaining for six years. He appeared on many radio broadcasts including The Goon Show. The early Sixties saw Proctor become a session musician, appearing on recordings by Cliff Richard, Helen Shapiro, The Springfields, Cilla Black, Serge Gainsbourg, Harry Nilsson and many others. In his later years he worked with the Benny Goodman Orchestra. He recorded some instrumentals under his own name, including the 1961 single Palamino/Nola, and a 1968 LP, Guitars Galore.
Judd appeared on many television shows with Ella Fitzgerald, Sammy Davis Jr., and Victoria Wood, and on many film soundtracks. The 1960s through the ‘80s had him touring with Stanley Black, a member of the Don Lusher Orchestra, and with the Bert Kaempfert Orchestra. His last and longest regular gig was providing incidental music for the TV comedy series Last of the Summer Wine.
Guitarist and session musician Judd Proctor, whose name was often misspelled on early recordings, transitioned on August 21, 2020 in Market Deeping, Lincolnshire, England at the age of 89.
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