Daily Dose Of Jazz…

Cabell Calloway III was born on December 25, 1907 in Rochester, New York, on December 25, 1907 to two college graduates, his mother a teacher and church organist, and his father who worked as a lawyer and in real estate. The family moved to Baltimore, Maryland, in 1919 but soon after, his father died and his mother remarried.

Growing up in West Baltimore’s Druid Hill neighborhood Cab often skipped school to earn money by selling newspapers, shining shoes, and cooling down horses at the Pimlico racetrack where he developed an interest in racing and gambling on horse races. He ended up in Downingtown Industrial and Agricultural School, a Pennsylvania reform school run by his mother’s uncle.

Returning to Baltimore he resumed hustling, worked as a caterer while he improved his studies in school, and his mentors included drummer Chick Webb and pianist Johnny Jones. After graduating high school Calloway joined his older sister Blanche on tour for the popular black musical revue Plantation Days. He spent most of his nights in Chicago, Illinois clubs performing as a singer, drummer, master of ceremonies and as an understudy for singer Adelaide Hall. There he met and performed with Louis Armstrong, who taught him to sing in the scat style.

He established himself as a vocalist singing Ain’t Misbehavin’ by Fats Waller. The Thirties saw Cab’s orchestra permanently at the Cotton Club in Harlem, performed twice a week for radio broadcasts on NBC, and appeared on radio programs with Walter Winchell and Bing Crosby. He was the first Black American to have a nationally syndicated radio show and during the depths of the Great Depression he was earning $50,000 a year at 23 years old.

During the decade he recorded his most famous song, Minnie the Moocher, and became the first single record by a Black American to sell a million copies. He performed the song along with St. James Infirmary Blues and The Old Man of the Mountain, in Betty Boop cartoons of the same name.

His success with Minnie the Moocher and his relationship to the chorus  earned him the nickname, The Hi De Ho Man. He performed a gliding backstep dance move called The Buzz, which some observers have described as the precursor to Michael Jackson’s moonwalk. He would go on to be featured in several films, and made his first Hollywood feature film appearance opposite Al Jolson in The Singing Kid in 1936.

His band included Ben Webster, Illinois Jacquet, Milt Hinton, Danny Barker, Doc Cheatham, Ed Swayze, Cozy Cole, Eddie Barefield, and Dizzy Gillespie. He entertained troops during World War II, hosted a weekly radio quiz show called The Cab Calloway Quizzicale and recorded songs full of social commentary. He appeared in the film Stormy Weather, one of the first mainstream Hollywood films with a black cast. Then he played the prominent role of Sportin’ Life in a stage production of Porgy and Bess. He continued to perform in movies and on stage throughout his career.

He published an autobiography and Cab Calloway’s Cat-ologue: A “Hepster’s” Dictionary, the first dictionary published by a Black American. It became the official jive language reference book of the New York Public Library.

Suffering a stroke at his home, vocalist, bandleader and actor Cab Calloway transitioned from pneumonia on November 18, 1994, at the age of 86, at a nursing home in Hockessin, Delaware.

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Daily Dose Of Jazz…

Bengt Hallberg was born on September 13, 1932 in Gothenburg, Sweden and studied classical piano from an early age. He wrote his first jazz arrangement at the age of 13. By 15 he recorded his first record as a member of a group led by bassist Thore Jederby and in 1949 he recorded with the Swedish alto saxophonist Arne Domnérus for the first time. The two musicians continued to play together for several decades.

During the Fifties, Bengt played with leading visiting American musicians tenor saxophonist Stan Getz and altoist Lee Konitz in 1951, and trumpeters Clifford Brown and Quincy Jones in 1953. During the same period he worked with Swedish baritone saxophonist Lars Gullin.

Hallberg had a versatile style and in his later years he wrote music for film and television, as well as choral arrangements. With Domnerus and Georg Riedel among others, he participated in the Jazz at the Pawnshop sessions in 1976.

Pianist, composer and arranger Bengt Hallberg, who also played accordion, transitioned on July 2, 2013 from congestive heart failure at the age of 80 in Uppsala, Sweden.

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Daily Dose Of Jazz…

Irv Kluger was born in New York City, New York on July 9, 1921 and early in life he played violin before settling on drums. His first professional gigs came at age 15 and by the time he was 17 he played with Georgie Auld, then with Bob Chester and Freddie Slack. The mid Forties saw him playing with Dizzy Gillespie, Boyd Raeburn, Bobby Byrne and Herbie Fields. Following this he played with Stan Kenton, Artie Shaw, then for a short time in 1950 with Tex Beneke.

He played less jazz after 1950, working in the pit orchestras of Broadway shows such as Guys and Dolls. He returned to play with Artie Shaw again in 1953–54 as a member of the Gramercy Five. In the middle of the 1950s he moved to California and played at the Moulin Rouge in Hollywood as the house drummer.

He played with Dave Pell in 1956, and with Benny Goodman and Woody Herman later in life, doing much freelance work through the 1960s and 1970s. As a studio musician he played with Johnny Cash.

Drummer Irv Kluger, never led a recording session and transitioned on February 28, 2006.

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Daily Dose Of Jazz…

Joseph Samuel Thomas was born on May 31, 1933 in Newark, New Jersey. As a child, he learned to play alto and soprano saxophone, trombone, flute and piano, and also taught himself how to write music. Encouraged by his older brother, he began performing in clubs from the age of fifteen and was ultimately noticed by James Moody.

After enlisting in the United States Army he received a Purple Heart during combat in the Korean War. Returning to the States, Joe performed with Specks Williams and joined Rhoda Scott’s Trio in the early 1960s.

Thomas recorded with organist Jimmy McGriff and released a dozen albums under his own name in the late 1970s and early 1980s. As a sideman he also recorded five albums with Scott, and one each with Ambersunshower, Beck, Buddy Terry and Joe Tex.

Flutist, tenor saxophonist and bandleader Joe Thomas passed away in Orange, New Jersey at the age of 84 on July 26, 2017.

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Daily Dose Of Jazz…

Karl Drewo was born May 17, 1929 in Vienna, Austria and as a child studied piano and accordion, but switched to tenor saxophone in his teens. In the late 1940s he worked with Charlie Gaudriot and Paul Reischman, followed by performing with Gert Steffens and Horst Winter in the early Fifties. He was a member of the Austrian All Stars in the mid-1950s and from 1956 to 1958 he worked with Fatty George.

He continued on by becoming a member of Kurt Edelhagen’s orchestra, where he played into the early 1970s. In the 1960s he recorded with Francy Boland, Kenny Clarke, Zoot Sims, and Jimmy Woode, among others.

After leaving Edelhagen’s group, he played with the Österreichischer Rundfunk band, and in the 1980s was a member of Peter Herbolzheimer’s ensemble. Later that decade he took a position as a lecturer at an arts school in Graz, Austria. In the Nineties he played with the Lungau Big Band, Rudolf Josel, and Rudi Wilfer.

Saxophonist Karl Drewo, often spelled Carl Drewo or Drevo, transitioned on May 10, 1995 in Wels, Austria.

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