Daily Dose Of Jazz…
Giuseppi Logan was born on May 22, 1935 in Philadelphia, Pennsylvania, who taught himself to play piano and drums before switching to reeds at the age of 12. At the age of 15 he began playing with Earl Bostic and later studied at the New England Conservatory. In 1964 he relocated to New York and became active in the free jazz scene.
Giuseppi played alto and tenor saxophone, bass clarinet, flute, piano and oboe. He collaborated with Archie Shepp, Pharoah Sanders and Bill Dixon before forming his own quartet made up of pianist Don Pullen, bassist Eddie Gómez and percussionist Milford Graves. After Pullen’s departure, pianist Dave Burrell joined the group. A member of Byard Lancaster’s band, he also toured with and appeared on recordings by Patty Waters. He recorded two albums for the ESP-Disk record label and later appeared on an album by Roswell Rudd on the Impulse! label.
Beset with personal problems, Logan vanished from the music scene in the early 1970s and for over three decades his whereabouts were unknown. In 2008 he was filmed by a Christian mission group just after he had returned to New York City after years in and out of institutions in the Carolinas. Around this same time filmmaker Suzannah Troy made the first of many short films of Logan practicing in his preferred hangout, Tompkins Square Park. Subsequently, he was the subject of a major piece by Pete Gershon in the spring 2009 edition of Signal to Noise Magazine, which detailed the events surrounding Logan’s “comeback” gig at the Bowery Poetry Club in 2009.
The same year he performed with a group in NYC as part of the RUCMA performance series. Later in the year he appeared in the short documentary film Water in the Boat by David Gutiérrez Camps, where his music improvisations formed the soundtrack of the film. In 2010 Giuseppi began recording again and released an album announcing his return to music on Tompkins Square Records with Matt Lavelle, Dave Burrell, Warren Smith and Francois Grillot. This group performed a concert in Philadelphia with Dave Miller playing for Warren Smith at the Ars Nova Workshop. He went on to record six songs with a group of younger experimental musicians.
Around 2011 he was shot and ended up in a home in Far Rockaway, Queens. Still living in New York and performing as a street musician, reedist Giuseppi Logan passed on April 17, 2020 at a nursing facility in Far Rockaway, Queens from COVID-19.
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Daily Dose Of Jazz…
Diego Maroto was born on May 9, 1968 in Mexico City, Mexico. He started taking private lessons in 1985 from Larry Roussell and Alfonso Martinez. He enrolled in the Universidad Iberoamericana in 1987 and the following year joined a jazz workshop at Escuela Superior de Musica where he learned improvisation, arrangement, and composition. He went on to continue private lesson and became an active member of the IAJE, participating in several workshops.
2004 saw Diego putting together a sextet and recording his first album as a leader titled Mundo Paralelo and later in the year shared the stage with Antonio Sanchez at Dizzy’s Club at Lincoln Center. The following year he formed a trio with Gabriel Puentes on drums and Jorge Luri Molina on upright bass and spent the next couple of years performing at festivals, clubs, and paying tribute to Mexican jazz musicians.
As an educator, Maroto has been giving lessons, clinics, and seminars at including Tonica in Guadalajara, Jal alongside saxophonist Donny McCaslin. He is currently in post-production on his soon to be released album Diego Maroto Band Live at the Black Horse.
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Daily Dose Of Jazz…
Ralf Hübner was born on May 3, 1939 in Berlin, Germany where he attended the Hochschule für Musik from 1958-1962. During his tenure, he studied both double bass and drums and played with Benny Bailey and Nathan Davis.
Upon graduating he joined the Jazzensemble des Hessischen Rundfunks, an ensemble he would work with into the 1990s. He also began a decade-long association with Albert Mangelsdorff.
In the 1970s he worked with musicians and ensembles such as the Frankfurt Jazz Ensemble, Joki Freund, Volker Krieger, Itaru Oki, Michel Pilz, Manfred Schoof, and Eberhard Weber. In the 1980s and 1990s he worked with Christof Lauer among others. At eighty, drummer Ralf Hübner currently resides in Glashütten, Hessen, Germany.
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Daily Dose Of Jazz…
Patrick Mungo Smythe was born on May 2, 1923 in Edinburgh, Scotland, the son of a solicitor. Educated at Winchester College he went on to study law at Oxford University. When World War II interrupted his studies, he enlisted with the Royal Air Force, serving for five years as a night-fighter pilot. After the war, he resumed his legal studies, this time at the University of Edinburgh where he was also recognized as a talented classical and jazz pianist.
Upon graduation, he spent several years in his father’s law firm, before leaving Edinburgh for London in the late Fifties in search of a professional career in music. For a brief time, Pat worked with Jamaican trumpeter Dizzy Reece, and in 1960 he joined the quintet led by another Jamaican, alto saxophonist Joe Harriott, who was beginning playing his revolutionary brand of free jazz. Smythe’s pivotal role highlighted one of the principal differences between Harriott and his American counterpart Ornette Coleman, who viewed the harmonic qualities of the piano as incompatible with his own brand of free improvisation.
The Harriott quintet stayed together until 1965, recording three ground-breaking albums ~ Free Form, Abstract and Movement, while also holding a long-term residency at the Marquee Club in Soho. Smythe stayed with Harriott after the dissolution of the quintet, becoming a key member of the group Indo-Jazz Fusions, co-led by Harriott and the Indian composer and violinist John Mayer. This double quintet of five Indian and five jazz musicians aimed to fuse Indian raga structures with jazz improvisation, performing and recording extensively until Harriott’s departure ended the project in 1969. With his knowledge of Indian ragas, Smythe was considered by Mayer to be the bridge between the two camps.
Over a diverse career, he worked and recorded with many other great names in jazz when they passed through Britain, including Stan Getz, Paul Gonsalves, Ben Webster, Eddie Lockjaw Davis, Zoot Sims and Bob Brookmeyer. He worked mainly as an accompanist in the London clubs throughout the 1970s, helping bring Scottish jazz vocalist Carol Kidd to prominence.
After a long illness, pianist Pat Smythe passed away on May 6, 1983 in London, England. The Pat Smythe Memorial Trust was established two years later, as a registered charity to provide financial awards to young jazz musicians of outstanding talent. It was funded entirely from benefit concerts and gave awards to such musicians as Julian Arguelles and Jason Rebello. The trust is now defunct.
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Daily Dose Of Jazz…
Lenny Tristano was born Leonard Joseph Tristano on March 19, 1919 in Chicago, Illinois, the second of four brothers. He started on the family’s player piano at the age of two or three. He had classical piano lessons when he was eight, Born with weak eyesight, and then with measles, by the age of nine or ten, he was totally blind. He attended the Illinois School for the Blind in Jacksonville, Florida for a decade around 1928. During his school days, he played several other instruments, including trumpet, guitar, saxophones, and drums and by eleven, he had his first gigs, playing clarinet in a brothel.
Back in Chicago, Tristano got his bachelor’s degree in music from the American Conservatory of Music but left before completing his master’s degree, moving to New York City in 1946. He played saxophone and piano with leading bebop musicians, Charlie Parker, Dizzy Gillespie, and Max Roach among others. He formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His 1949 quintet recorded the first free group improvisations, that continued in 1951, with the first overdubbed, improvised jazz recordings.
He started teaching music, with an emphasis on improvisation, in the early 1940s, and by the mid-1950s was concentrating on teaching instead of performing. He taught in a structured and disciplined manner, which was unusual in jazz education when he began. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.
Through the Fifties to the Sixties he would go on to record for the New Jazz label which would become Prestige Records, and Atlantic Records, he founded his own label Jazz Records, create his own recording studio, tour throughout Europe, played A Journey Through Jazz, a five-week engagement at Birdland, s well as other New York City jazz haunts. His last public performance in the United States was in 1968 but continued teaching into the Seventies.
Having a series of illnesses in the 1970s, including eye pain and emphysema from smoking for most of his life, on November 18, 1978 pianist, composer, arranger, and jazz improvisation educator Lennie Tristano passed away from a heart attack at home in Jamaica, New York.
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